Computer Engineering Commons^™

Acoustic Sequences In Non-Human Animals: A Tutorial Review And Prospectus, Arik Kershenbaum, Daniel T. Blumstein, Marie A. Roch, Çağlar Akçay, Gregory Backus, Mark A. Bee, Kirsten Bohn, Yan Cao, Gerald Carter, Cristiane Cäsar, Michael Coen, Stacy L. Deruiter, Laurance Doyle, Shimon Edelman, Ramon Ferreri Cancho, Todd M. Freeberg, Ellen C. Garland, Morgan Gustison, Heidi E. Harley, Chloé Huetz, Melissa Hughes, Julia Hyland Bruno, Amiyaal Ilany, Dezhe Z. Jin, Michael T. Johnson, Chenghui Ju, Jeremy Karnowski, Bernard Lohr, Marta B. Manser, Brenda Mccowan, Eduardo Mercado Iii, Peter M. Narins, Alex Piel, Megan Rice, Roberta Salmi, Kazutoshi Sasahara, Laela Sayigh, Yu Shiu, Charles Taylor, Edgar E. Vallejo, Sara Waller, Veronica Zamora Gutierrez

Electrical and Computer Engineering Faculty Research and Publications

Animal acoustic communication often takes the form of complex sequences, made up of multiple distinct acoustic units. Apart from the well-known example of birdsong, other animals such as insects, amphibians, and mammals (including bats, rodents, primates, and cetaceans) also generate complex acoustic sequences. Occasionally, such as with birdsong, the adaptive role of these sequences seems clear (e.g. mate attraction and territorial defence). More often however, researchers have only begun to characterise – let alone understand – the significance and meaning of acoustic sequences. Hypotheses abound, but there is little agreement as to how sequences should be defined and analysed. Our …