Art Education Commons^™

Free Improvisation Pedagogy: An Arts Based Research Approach To Promoting Student Agency And Embracing Difference, Nicholas Catino

Dissertations, Theses, and Capstone Projects

Free Improvisation Pedagogy explores the changing perspectives of students as they co-create musical improvisations. Free improvisation is understood as a site for transformative pedagogy, with the possibility for people to break free of structures, think and perform independently, broaden their perspective of proper tonality, engage in musical democracy and equality of voice, and participate in music making that is active, participatory, and continually evolving.

Working with a small group of High School students in suburban New York, this research explores these topics and documents, through audio, video, visual art, and conversation, how students experience this type of music making and …

A Queens Community Teacher Storytelling Project: A Qualitative Research Study Of Five Local Afro-Caribbean And Latina Public School Teachers And Community Teachers In New York City, José Alfredo Menjivar Ortéz

Dissertations, Theses, and Capstone Projects

This dissertation thesis examines the lived experiences, life stories, and storytelling of five Afro-Caribbean and Latina people, who are all local from the borough of Queens, alumni of New York City’s public schools, and since then, became their local public school teachers, classroom practitioners, and local community teachers. We refer to this specific and unique population of teachers as alumni-community teachers and to these and other similar stories as teacher life stories.

This qualitative research and study were conducted through a series of writing workshops and semi-structured interviews. The study’s main examination is preoccupied to understand how local teachers make …

Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta

Dissertations, Theses, and Capstone Projects

“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …