Art Education Commons^™

Equity-Centered Trauma-Informed Pedagogy In Art Education, Amelia Guido

Masters Theses, 2020-current

This thesis explores the implementation of Equity-Centered Trauma-Informed (ECTI) ecosystem in art education. With the increasing levels of anxiety and depression among adolescents and the growing emphasis on social-emotion learning (SEL), this study sought to address the ways art education may benefit students socially and emotionally. However, through research, an understanding and a need for an equity-centered education was formed. While SEL practices place emphasis on utilizing the social and emotional skills-based core competencies, ECTI education focuses on addressing trauma and systemic inequities to create supportive and inclusive learning environments.

The literature review encompasses an understanding of trauma and its …

Online Art Education: Teaching Through A Pandemic, Jordan Pepper

Masters Theses, 2020-current

Due to the Coronavirus Pandemic of 2020, most school systems have been forced to move to online instruction presenting a unique set of unprecedented challenges for art educators. This thesis analyzed what three individual art teachers experienced when transitioning from an in-person art classroom to a virtual one through the use of interviews as the primary source of data collection. This research project examined what art teachers experienced with online art education; how art teachers learned about, adjusted to, or prepared for an online visual art education; and the ways in which art teachers responded to issues of inequity related …

Formally Trained Musicians’ Perceptions Of Music Performance Anxiety In Informal Contexts: A Phenomenology, Smith R.K. Waylett

Masters Theses, 2020-current

While researchers have explored concepts relating to both Music Performance Anxiety (MPA) and informal music learning, few have related the two subjects to each other. The purpose of this study was to explore formally trained musicians’ experiences with MPA in informal contexts. Specifically, I examined informal musicians’ learning and performing environments, and the relationships they share with musicians’ perceptions of MPA. Primary data included two rounds of recorded interviews. Findings revealed that physical venues, audience size, audience makeup, financial factors, audience reception, interpersonal relationships among bandmates, creative ownership over music they performed, and motivation to prepare for performances all played …