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Full-Text Articles in Art Education
Seeing In: Qualitative Shifts In Children’S Critical Understanding Of Their Artworks, Janna Adams Tess
Seeing In: Qualitative Shifts In Children’S Critical Understanding Of Their Artworks, Janna Adams Tess
2021-2030 ACER Research Conferences
This poster outlines research to better understand the continuity of children’s learning in primary school Visual Arts, so that art can be better taught and learned. Research Questions include: What do children’s critical judgements of the meaning and value of their artworks reveal about their role and development as artists? How do these critical judgements change from early to late childhood?
Student Drawings: An Ai-Eschewed Means To Show Curriculum-Based Change, Anne Knowles
Student Drawings: An Ai-Eschewed Means To Show Curriculum-Based Change, Anne Knowles
2021-2030 ACER Research Conferences
This poster focuses on the use of drawings as a way to illustrate change. It presents research undertaken in the Pacific Group of Christian Schools (PGCS) exploring how supplementing curriculums with Personal Viewpoints Pedagogy (PVP) practices has led to change in self-prioritisation which positively influences prosocial behaviour. This Poster reports the use of student representations of thinking through drawings to provide evidence of this change. It shows that student-generated drawings could be used to gauge other-focused thinking, represented as self-conceit, conditional, unconditional, and sacrificial choices in response to socially problematic situations. Learner-generated drawings are a non-textual format offering a window …
This Time Without ‘Feeling’: Children’S Intuitive Theories Of Art As A Logical Basis For Learning Progression In Visual Arts, Karen Maras
2021-2030 ACER Research Conferences
Learning in Visual Arts has traditionally been framed as an experiential process in which feeling and intuition complement the development of aesthetic knowledge. However, while art can be about feelings and processes that develop students’ expressive capacities, the complexity of art understanding and thinking extends beyond this narrow common-sense assumption. I argue that this assumption, which is represented in the Australian Curriculum: The Arts (ACARA, 2015), and even more firmly resonates in recent proposals for the revision of this curriculum (ACARA, 2021), obfuscates the conceptual and theoretical bases on which students make progress in art understanding. This paper examines the …