Education Commons^™

Space For Creative Decision-Making: How Art Is Being Taught, Nicky Perini

Whittier Scholars Program

Art classrooms are expected to help bolster students’ abilities to make creative choices and express themselves; however, there is no official approach to guide teachers on how to foster this in their classrooms, where they are also meant to teach formal elements and discuss the importance of art. In order to get a look at how teachers approach their classrooms in a way that is feasible within a school, I reviewed current literature about creativity, common practices, and theory, and then interviewed three middle school art teachers about how they conduct their classrooms. I found that there are vastly different …

How The Arts Benefit The Whole Child, Sophie Rose Fudim, Sophie Fudim

Whittier Scholars Program

This literature review draws on insights from scholars and arts advocates, it delves into the significance of incorporating artistic practices in schools and advocates for including arts education in public schools. This literature review utilizes studies, peer-reviewed research papers, and governmental recommendations based on current research. Art has a highly transformative power. It benefits the development of complex thought processes and offers insights into children's abilities. By integrating art into education, educators can address the evolving challenges of early childhood education and cultivate environments where students can be engaged by enthusiastic, trained teachers and get excited about learning. Art prepares …

Improving Opportunities For Students By Creating Pathways For Taking Art, Denise Hingst

Master's Theses & Capstone Projects

According to research, art education has gone through a decline, causing a lack of opportunities for students to experience the development of creativity in the general classroom. These opportunities for students in the schools in this study become even harder at the secondary level. With these small schools, it falls on the leadership of the administration to solve the scheduling dilemma for all the students. A school improvement plan is put into place to help increase the pathways for taking art by extending the day at one of the schools and changing the schedules to better help both schools work …

Art 25500: Identity, Community, And Culture In Art Education-Spring 2023, Marit Dewhurst

Open Educational Resources

No abstract provided.

Course Syllabus Esc 414 Special Methods In Art/ Esc 714 Teaching Art In Middle And High School, Deborah Yasinsky

Open Educational Resources

Syllabus in art education for middle and high school students utilizing OER.

Remembering Dr. Melanie Buffington: Three Reflections On Her Impact And Influence, Luke A. Meeken, Hannah K. Sions, Carlisle Kramer

The Melanie Buffington Papers

Dr. Melanie Buffington's influence on the field of art education can be both acknowledged on a large scale through her history of scholarly publications, and felt on a more intimate scale through the countless emerging scholars and preservice teachers whose practices she shaped through her mentorship and pedagogy. In this piece, three emerging art education scholars and practitioners—a former student, a former mentee, and a former teaching assistant of Dr. Buffington’s—reflect on the impact Dr. Buffington had on their own practices

Something American, Carolina S. Souto

FIU Electronic Theses and Dissertations

SOMETHING AMERICAN is a poetry collection written from the perspective of a first-generation American navigating a growing family, a political crisis, and a global pandemic. Influences on this collection include Robert Hass’s THE ESSENTIAL HAIKU and FIELD GUIDE, which attend to nature and the poet-speaker’s immediate surroundings with diligence and precision. Ariel Francisco’s place poems and creative titles in ALL MY HEROES ARE BROKE provide important touchstones for Souto’s commitment to here-and-now writing. And Sylvia Plath’s frank and complex writing about motherhood in ARIEL grants the poet permission to probe these subjects as well.

In SOMETHING AMERICAN, experimental poems sprawl …

Assessing The Role Of Motivational Factors In Facilitating Artists’ Personal And Professional Development, Ece Gurler

Critical and Creative Thinking Capstones Collection

Various factors exert influence on an artist’s impetus. If artists can learn about different ways to use these both external and internal factors to facilitate their personal and professional development, their creative process and productivity will be affected positively. According to the research, individuals display three types of orientation during the exploration and development process -and so creative process: The desire to be effective (White, 1959), autonomous (DeCharms, 1968), and related to significant others (Deci & Ryan, 1991). Effective-oriented personalities tend to be motivated by extrinsic rewards or punishment, whereas autonomously oriented people are more intrinsically motivated. However, understanding the …

Designing A Toolbox To Improve Creative Output: A Guide For Cultivating Critical, Creative, And Conceptual Thinking Skills In An Increasingly Distracted Society, Cara Tuttle

Critical and Creative Thinking Capstones Collection

Frequent digital distractions can hamper undergraduate design students’ ability to perform the kind of deeper level thinking needed for creative problem solving and creative output, yet there are tools that can help students focus on the present and delve deeper into their creative work. This paper focuses on the details of a pedagogical toolbox created for educators of undergraduate design students to target critical thinking, creative thinking, and conceptual thinking (the 3Cs) in order to improve creative output. I explain how critical, creative, and conceptual thinking work holistically to develop and promote creative output. By demonstrating 3Cs tools and activities, …

Steam Maker Education: Conceal/Reveal Of Personal, Artistic And Computational Dimensions In High School Student Projects, Lindsay Lindberg, Deborah A. Fields, Yasmin B. Kafai

Instructional Technology and Learning Sciences Faculty Publications

Much of maker education’s expansion has focused on STEM (science, technology, engineering, mathematics) learning, leaving out equally promising opportunities for integrating arts learning. In this paper we share findings from a project in which high school students created electronic-textiles-based art representing features of a community important to them as a part of an elective high school computer science class. We addressed the following research questions: (1) What kinds of personal and community meanings did students convey through their maker projects? (2) How did students engage with artistic dimensions in their projects? (3) How did coding interactive features support students’ artwork? …

Femagogical Strategies In The Art School: Navigating The Institution, Barbara Knezevic, Amy Walsh

Articles

This writing aims to define and examine ‘femagogy’ and the transformative potential for an inclusive intersectional feminist teaching practice in Fine Art education in the context of the contemporary Irish art school. This writing will trace the influence of linguistic power structures and the influence of broader institutional patriarchy in an educational setting and outline the inspirations and genealogies of femagogy. This writing provides situated embodied examples of femagogy in practice. It proposes the femagogical model of teaching as one that situates itself outside prevailing patriarchal models and proposes strategies to reimagine knowledge production and navigate the prevailing structural patriarchy …

Choice-Based Learning In The Art Room, Carrie J. Mathison

Master's Theses & Capstone Projects

This literature review outlines the basis of the choice-based art education philosophy Teaching for Artistic Behavior (TAB). The review addresses the history of the philosophy and what it looks like in the classroom setting with a focus on the creativity, engagement, motivation and connections, and supporting student autonomy. The TAB philosophy and pedagogy is based on a three-part theoretical framework of what do artists do, the child is the artist, and the classroom is the child’s studio. TAB is compared and contrasted to traditional Discipline-Based Art Education (DBAE). When TAB is implemented, the art classroom looks different and impacts the …

Does Art Make You Smart? A Longitudinal Experiment Of The Effects Of Multiple Arts- Focused Field Trips, Heidi Holmes Erickson, Jay Greene, Angela Watson, Molly I. Beck

Education Reform Faculty and Graduate Students Publications

This paper presents second year results from the first ever multi-visit, longitudinal experiment on the benefits from arts-focused field trips. Students in fourth and fifth grades in ten elementary schools in a large urban school district were randomly assigned to receive three arts-related field trips throughout the school year, including an art museum, a live theater production, and a symphony performance or to serve as a control. We find that treatment students exhibit higher levels of school engagement as measured by students’ behavioral infractions and self-reported engagement. We also find that treatment students perform significantly better on their end of …

Defining Authentic: The Relationship Between Native Art And Federal Indian Policy, 1879-1961, Aurora Kenworthy

Honors Theses

Between 1879 and 1961, non-Native perceptions of what constituted authentic Native art shifted. These changing perceptions were influenced by, and then in turn influenced, federal policy and legislation. While non-Native individuals and groups worked to improve conditions for Native communities and to protect “authentic” Native art forms, Native reformers also attempted to enact change to help Native communities and Native artists exercised control over their own art and identity.

Jane Addams, Hull-House, And The “Danger” Of Women’S Work, Melanie L. Buffington, Courtnie N. Wolfgang, Pamela G. Taylor

The Melanie Buffington Papers

In this paper, we investigate the work of Jane Addams and Hull-House, through Cornel West’s (1999) ideas of prophetic pragmatism. In accordance with West’s writings, we consider the importance of investigating the historical underpinnings of what we believe to be true, while at the same time questioning existing practices, and considering where and from whose work these practices originate. Addams and Hull-House were revolutionary during their time and their work resulted in major neighborhood and community reform. Additionally, through the open forums and frequent visitors to Hull-House, the work there influenced many of Addams’ contemporaries, including John Dewey. Yet, historically, …

Nurturing Filipino Creativity: Philippine Education Policies In Support Of The Creative Industries, Glorife Samodio

Center for Business Research and Development

The future of the creative industries shows much promise in the Philippines. According to the United Nations Conference on Trade and Development (UNCTAD), the creative industries more than doubled its size from 2003 to 2012 (UNCTAD, 2016). Thus, its development is now carefully monitored, and programs are being created by different government agencies, with the goal of making the Philippines competitive in the creative field versus other countries in the region.

Despite the continuous growth of the sector, the expected increase in financial outcomes is quite low as the creative industries in the Philippines and Southeast Asia do not seem …

Do You See What I See? An Investigation Of The Aesthetic Experience In The Laboratory And Museum, Eva Specker, Pablo Tinio, Michiel Van Elk

Department of Educational Foundations Scholarship and Creative Works

Two studies examined people's aesthetic experiences of art in the laboratory and the museum. The theoretical framework guiding the research was based on the Mirror Model of Art (Tinio, 2013), which proposes that the process of artistic creation and artistic reception mirror each other. Study 1 used a think-aloud protocol to assess people's natural and spontaneous reactions while looking at art. Study 2 examined whether presenting information about an artwork in a certain order (lower-order to higherorder information or higher-order to lower-order information) enhances aspects of the aesthetic experience and retention of information about art. Studies 1 and 2 were …

Contemporary Approaches To Teaching American Indian Art, Melanie L. Buffington

The Melanie Buffington Papers

"In thinking through ways to teach about the art of Native Americans in more contemporary and culturally sensitive ways, focusing on contemporary art of American Indians, while referencing the past, is one approach that I believe may help work against essentialism. In particular, the art of two contemporary artists-Hock E Aye Vi also known as Edgar Heap of Birds and Teri Greeves-offers many possibilit ies for teachers." (p. 178)

A/R/Tography As A Guide For Curriculum Design, Michelle M. Hrbek

Department of Teaching, Learning, and Teacher Education: Dissertations, Theses, and Student Research

A/r/tography is not a method for curriculum development. Rather curriculum designers who see themselves as artist, researcher, and teacher best serve their students by creating lessons and units that encourage the learners to discover the a/r/tographer in themselves. Students who research themes presented in the visual arts classroom, create images that build on their personal experiences and communicate their individual perspective, and then teach others about their process are more likely to have relevant visual arts experiences. This paper explains the idea of a/r/tography and shows how a/r/tography as an overarching guide can inform curriculum whereby student artists construct meaningful …

Finding The Connections Between Art And Teaching: A Case Study, Tareq Daher, Stephanie A Baer

The Nebraska Educator: A Student-Led Journal

Finding the connection between art and teaching can be a difficult task for pre-service teachers who do not have a background in the arts. This qualitative case study explores the journey of a group of pre-service elementary teachers in an art methods course considering what it means to teach and to be an artist. The way in which these students defined the arts and teaching changed over the course of the semester and found connective threads, productively tying together the work of teaching and the creative process. Findings from pre-service teacher course work indicated three important themes: connections between art …

Using The Good Behavior Game To Promote Studio Skills In Elementary Art, Sarah A. Falconer, Ann Cale Kruger

Communication Sciences and Disorders Faculty Publications

The purpose of this study was to answer two questions: Does the use of the Good Behavior Game in an art education setting improve desired artistic behaviors (technique and studio practice)? Is more improvement evident with the use of tangible art supply rewards or with special art activities as rewards? Desired artistic behaviors were significantly improved in the group that received the tangible art supplies as a reward compared to the control group. No difference between the two intervention groups could be detected and thus the relative effectiveness of reward type could not be determined here. This study is the …

Visual Literacy (Grade 9-12): Art Today -- Course Description And Outline, Kelli P. Dornbos

Department of Teaching, Learning, and Teacher Education: Dissertations, Theses, and Student Research

Process is hugely contrasting among all artists around the world. Each artist has their own way of developing a way of thinking, seeing and making to reach their need to get something out (or in simpler terms, create art). In this middle school art class, students will explore the different mediums of art with strict guidelines of craft and technique but freedom in the subject of what they can create on their own. It is important for 6th grade students to cooperate with each other to solve problems and create an identity through their own art making process. Dewey explains …

Fearless: Sneha Shrestha, Sneha Shrestha

SURGE

Sneha Shrestha ’10, a native to Kathmandu, Nepal, recently received an Advancing Leaders Fellowship from World Learning for her fearless project. With it, she aims to provide a creative outlet for art and culture among young people in Nepal through the Kathmandu Children’s Art Museum (KCAM). This project will support a creative learning space for children as well as an opportunity for them to express themselves and investigate their own culture through art. [excerpt]

In Situ Vision: The Student Experience Of Collaborative Learning In A Virtual Drawing Class, Annette Cohen

Antioch University Dissertations & Theses

The purpose of this study was to elucidate the construct of collaboration and the co-construction of knowledge in a distance learning drawing class. Distance learning drawing classes are rare, due to resistance by fine arts departments holding onto traditions that date back to Renaissance times. As a result, there is a paucity of literature on the subject. This multiple method study seeks an understanding of how students collaborate in critiques, form virtual communities and socially construct knowledge about learning how to draw. The study commences with the following three research questions: what social processes facilitate learning to draw from the …

Community Narratives: Initiating An Arts Integrated Curriculum In Public Education, Amber R. Powers

Art Graduate Theses and Projects

Teachers have power to implement a constructive learning environment through team teaching and aligned instruction where schools can benefit from stronger bonds between students and teachers while providing a learning environment responsive to both academic and social needs. Thus, utilizing a mixed model of art education and standard core curricula can provide students with effective creative-thinking processes to support instruction, and empower students.

This project proposes a model of integrated arts curriculum into public education at the high school level. Arts integration can produce more learning possibilities while informing a community of solutions to larger problems through project-based curriculum design, …

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …

On Art Education: Can Art Give Us Knowledge?, James Magrini

Philosophy Scholarship

No abstract provided.

Web 2.0 And Social Constructivism, Melanie L. Buffington, Kathryn R. Helms, Jan A. Johnston, Sohhyoun Yoon

The Melanie Buffington Papers

The emergence of Web 2.0 and its related technologies has the potential to dramatically alter current educational practices. Because users now have the ability to rapidly create content and to engage in social interactions through the World Wide Web, we argue that Web 2.0 supports socially mediated, constructivist learning environments in ways that are becoming seamless. In this chapter, we describe the tenets of social constructivism and then discuss three technologies associated with Web 2.0 and explore how teachers and students could utilize them to promote constructivist learning.

Mural, Painting And Art Education Project With African Refugees And The African Community Center Of West Michigan, Carrie Schoenborn, Jill Eggers

Student Summer Scholars Manuscripts

In starting the project at the African Community Center, we spent time getting to know the center, the people who use it and how it is used. We began by simply being at the center and helping with whatever needed to be done. We answered phones, met people who came and cleaned the donation closet. Yaka, the director, brought us to visit many of the families that use the center and we talked to both the refugees and Yaka about the experiences these individuals had coming to the United States; the difficulties they faced in Africa, on their journey to …

The Wheel Garden: Project Based Learning For Cross Curriculum Education, Sherry S. Herron, Douglas Magomo, Paula Rae Gossard

Faculty Publications

In this article, we discuss project-based learning in the context of a wheel garden as an instructional tool in science and mathematics education. A wheel garden provides multiple opportunities to teach across the curriculum, to integrate disciplines, and to promote community involvement. Grounded in the theoretical framework of constructivism, the wheel garden provides a multidisciplined educational tool that provides a hands-on, non-traditional arena for learning. We will examine some of the cultural, art, science, and mathematics connections made with this project