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Articles 1 - 3 of 3
Full-Text Articles in Theatre History
Mapping The Theaters Of Brooklyn's Past (1825-1925): A Gis Project, Elena Shefsky
Mapping The Theaters Of Brooklyn's Past (1825-1925): A Gis Project, Elena Shefsky
Publications and Research
Despite its rich performance culture, Brooklyn remains underrepresented in theater history, eclipsed in fame by the well-known theaters of Manhattan. One of the most populous areas in America, Brooklyn has been an artistic home to actors, playwrights, directors, and impresarios for centuries. That said, there is a dearth of accessible information and scholarship on Brooklyn theaters. My objective was to update an ongoing mapping project, The City Performs, to include information and images of theater buildings from Brooklyn. The project is an interactive, open-source digital map that uses ArcGIS software to georeference data about NYC theaters. I collected data …
Historian-For-A-Day, Elyse Singer
Historian-For-A-Day, Elyse Singer
Open Educational Resources
Each student will select a class session in which to present a brief (1-2 minute) "fun fact" based on their own research that relates to the time/place being studied. It should be something that is of interest to you, and (hopefully) to the whole class – cultural, political, sociological, scientific, medical…. For example, for the class on Roman Tragedy, the factoid might be about what a citizen in ancient Roman ate for supper! Originality counts.
Due on date of presentation: A one-paragraph description of the fun fact, in your own words, and cite at least one source--that is not Wikipedia. …
The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo
The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo
Dissertations, Theses, and Capstone Projects
The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …