Theatre History Commons^™

Romeo & Juliet

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2012 performance of Romeo and Juliet by William Shakespeare.

Romeo and Juliet is a tragedy about two young lovers from feuding families and how their relationship and deaths reconcile their families.

Spring Awakening, Otterbein University Theatre And Dance Department

2012-2013 Season

Based on Frank Wedekind’s groundbreaking and controversial play (once banned in Germany), Steven Sater and Duncan Sheik’s brilliant rock score and searingly emotional book take the story of sexual awakening, youth revolt, and self-discovery into a new century. It’s 1891, and grown-ups hold all the cards. Headstrong Melchior and naive Wendla stumble into each others’ arms, passionate and curious, while anxious Moritz struggles to live up to the stringent expectations of society. With only each other for guidance, this group of young men and women travel the fraught and rocky path of adolescence, discovering their bodies, their minds, and themselves …

Waiting For Godot

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2012 performance of Waiting for Godot by Samuel Beckett.

Waiting for Gadot is the story of two men and their conversations as they wait for someone named Gadot, who never arrives.

But Not Destroyed: The Story Of Calvin Fairbank

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2012 performance of But Not Destroyed: The Story of Calvin Fairbank by William Gebby.

But Not Destroyed tells the story of Calvin Fairbank who was among forty-four persons imprisoned in the Kentucky State Penitentiary for the crime of helping African-Americans escape from slavery.

Performed by the Taylor Touring Company.

The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Noises Off, Otterbein University Theatre And Dance Department

2012-2013 Season

Michael Frayn's Noises Off takes a fond look at the follies of theatre folk, whose susceptibility to out-of-control egos, memory loss, and passionate affairs turn every performance into a high-risk adventure. This play-within-a-play captures a touring theatre troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Frayne gives us a window into the inner workings of theatre behind the scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance. Brimming with slapstick comedy, Noises …

Something's Afoot: A New Murder Mystery Musical, Otterbein University Theatre And Dance Department

2012 Summer Theatre

Something's Afoot is a murder mystery musical that spoofs detective stories, mainly the works of Agatha Christie, and especially her detective novel And Then There Were None (a.k.a. Ten Little Indians). The play involves a group of people who are invited to the lake estate of Lord Dudley Rancour, When the wealthy lord is found dead, it's a race against the clock to find out whodunnit.

https://en.wikipedia.org/wiki/Something%27s_Afoot

Barefoot In The Park, Otterbein University Theatre And Dance Department

2012 Summer Theatre

What happens when two very different people fall in love? Paul likes to wear his gloves in the winter and Corie wants to walk barefoot in the park. Mix in the crazy neighbors upstairs, Victor Velasco, who "wears Japanese kimonos and sleeps on rugs" and Corie's mother who "wears a hairnet and sleeps on a board" and expect some complications. Set in 1963, Barefoot in the Park captures the tension between the freedom of the burgeoning 60's and the conventions of the waning 50's. Corie and Victor are pre-hippies, attuned to their libidos and their desire for freedom and adventure. …

Circle Mirror Transformation, Otterbein University Theatre And Dance Department

2012 Summer Theatre

A sharply funny new play by emerging playwright Annie Baker, Circle Mirror Transformation follows five people through a summer of "creative drama" in their small town's adult acting class. Led by their bohemian acting coach, the five experiment with harmless theatre games that unexpectedly lead to poignant discoveries about themselves and each other. At turns, surprisingly funny and subtly insightful, this revealing play reminds us why theatre is the most human of all arts.

Noises Off

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2012 performance of Noises Off by Michael Frayn.

Noises Off is a farce involving the small cast of a play and how their offstage drama impacts their onstage drama.

Power And Relationships In The Plays Of Neil Labute: Directing And Performing In Some Girl(S), Mary Peyton Griffith

Scripps Senior Theses

This thesis explores the major works of Neil LaBute's career as a playwright and screenwriter, including the criticism he has received on theatrical and literary levels. The themes most prevalent in the thesis are the use of power and manipulation in the relationships between LaBute's characters and the ongoing maturation of his characters that coincides with the maturation of his work. The second section of the thesis follows the production, directing, and acting in LaBute's play Some Girl(s).

The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …

Introduction: Reclaiming Canadian Realisms, Part 2, Kim Solga, Roberta Barker

Kim Solga

No abstract provided.

Introduction: Reclaiming Canadian Realisms, Kim Solga, Roberta Barker

Kim Solga

No abstract provided.