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Full-Text Articles in Playwriting
We Are French. Et Anglais Nous Restons., Alison Jane Bowie
We Are French. Et Anglais Nous Restons., Alison Jane Bowie
Masters Theses
French Canadian playwright Joseph Armand Leclaire (1888-1931) was very well known and respected in his time. Although he wrote over thirty plays, lyrics to several songs and an abundance of political poems, most of his work has been lost and Leclaire himself seems to have been forgotten. Several of his plays were produced at the time they were written, including his 1916 play La petite maîtresse de l'école (later published in 1929 as Le petit maître d'école), but none have been presented postumously nor have any been translated. This M. F. A. thesis presents the first ever translation and …
"Speak To Me In Vernacular, Doctor": Translating And Adapting Tirso De Molina's El Amor Médico For The Stage, Sarah A. Brew
"Speak To Me In Vernacular, Doctor": Translating And Adapting Tirso De Molina's El Amor Médico For The Stage, Sarah A. Brew
Masters Theses 1911 - February 2014
Considered one of the greatest playwrights of the Spanish Golden Age, Tirso de Molina (1580?-1648) lived something of a double life, alternating—much like the characters in his plays—between two separate and often conflicting lives. Though Tirso, whose real name was Gabriel Téllez, spent the greater portion of his life in the church as a Mercedarian friar, his dramatic output as a playwright was prodigious in scope. Fewer than 90 of his plays survive today, and only a handful have been translated into English. This M.F.A. thesis therefore presents the first-ever English-language translation and adaptation of one of Tirso’s plays, El …
Dramaturg As Artistic Instigator, Megan J. Mcclain
Dramaturg As Artistic Instigator, Megan J. Mcclain
Masters Theses 1911 - February 2014
Dramaturgs have been struggling to define themselves and assert their raison d'être in the American theatre for the past four decades. In an evolving theatrical landscape that includes expanding new play development processes and new modes of collaborative interdisciplinary theatre-making, the role of the dramaturg must be reexamined in order for it to stake a new artistic claim in the field. Devised theatre-making processes rely on dramaturgical practice as an integral part of generating, editing, and structuring performance material and offer a fertile artistic avenue for dramaturgs to utilize their skills. To explore the role of the dramaturg in devised …