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Dramatic Literature, Criticism and Theory Commons™
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- Mime Journal (5)
- Faculty Publications (2)
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- Department of Fine & Performing Arts: Faculty Publications and Other Works (1)
- Dissertations, Theses, and Capstone Projects (1)
- Electronic Theses and Dissertations (1)
- Expressive Therapies Capstone Theses (1)
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- Honors Theses and Capstones (1)
- Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work (1)
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Articles 1 - 24 of 24
Full-Text Articles in Dramatic Literature, Criticism and Theory
Introduction To Theatre Oer Course, Carmen R. Meyers
Introduction To Theatre Oer Course, Carmen R. Meyers
Open Educational Resources
Study of theatre and performance throughout history and across cultures including an examination of European, Carribean, and North and South American theatrical styles and genres.
This course is organized for a hybrid/asynchronous format. Our class meets on-campus every week for 75 minutes and the other 75 minutes will be completed asynchronously with weekly learning modules on Blackboard.
The first half of the course focuses on the history of theatre from Ancient Greece through Modern Realism. The second half of the course, students engage in the procedures of professional theatre artists through writing and refining a dramatic text; enacting a performance; …
Pride And Prejudice: A Modern, Queer Retelling For The Stage, Kate Isabel Foley
Pride And Prejudice: A Modern, Queer Retelling For The Stage, Kate Isabel Foley
Theater Summer Fellows
In the course of studying LGBTQ topics in a queer drama class, I noticed that there was a glaring omission in our readings: the “B.” However, this lack of bisexual representation wasn’t due to a poor syllabus, but to a dismaying lack of bisexual representation in theatre as a whole. This observation, as well as my own experience as a bisexual woman, motivated me to use my love of writing and theatre to fill the void. After performing in Pride and Prejudice at Ursinus, I knew that Jane Austen’s story was the key to me bringing visibility to an underserved, …
Beneath The Surface: A Memory Play On Asperger's Syndrome, Conner Case
Beneath The Surface: A Memory Play On Asperger's Syndrome, Conner Case
Senior Honors Theses
While academic, formal research proves to give readers an intellectual understanding of Asperger’s syndrome, this thesis serves as an approach to understanding the psychology of an Aspie on an emotional level. Through both research from peer-reviewed studies and the personal perception of an Aspie writer, a playwright develops a script inspired by the psychological aspects of Tennessee Williams’ memory play, The Glass Menagerie, to create an informative, yet engaging story about an Aspie protagonist. The playwright seeks to express that Aspies, despite their stereotypically cold exteriors, are emotionally complex individuals beneath the surface.
The Conscience Of Little Women: Beth's Epic, Mcewen Baker
The Conscience Of Little Women: Beth's Epic, Mcewen Baker
Belmont University Research Symposium (BURS)
From its conception, and through countless retellings, there is no doubt that Louisa May Alcott’s Little Women is an American classic that has stood the test of time. Kate Hamill’s stage adaptation affirms and extends this legacy; the playwright adopts a contemporary feminist approach that defies gender norms and exclusivity in casting and encourages an actor-centered approach. This essay explains the importance of this adaptation and its influence on my portrayal of Beth March in Belmont University’s Fall 2021 production. It touches on the often overlooked significance of the second youngest sister as well as how my personal battle with …
Language As The Medium: A Literature Review. Harnessing The Prolific Power Of Dramatic Language As A Therapeutic Tool In Drama Therapy, Edward Freeman
Language As The Medium: A Literature Review. Harnessing The Prolific Power Of Dramatic Language As A Therapeutic Tool In Drama Therapy, Edward Freeman
Expressive Therapies Capstone Theses
Language in and of the theatre, with its palate of variegated writing styles and playwrights from throughout time, has the potential to be harnessed, focused, and systematized for use as a therapeutic tool within drama therapy – the field’s artistic medium. Drama therapy could benefit from having a specific medium germane to its artform which has the potential to provide practitioners with a common resource and means of communication, assessment, diagnosis, and treatment planning, as well as align the field with other creative arts therapies. Language encompasses all forms of human communication – speaking, writing, signing, gesturing, expressing facially – …
Ataka, Anthony H. Chambers
Mochizuki: History And Context, Michael Watson
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Mime Journal
No abstract provided.
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
Limboland: A One-Act Play About Death, For Kids, Megan Huggins
Limboland: A One-Act Play About Death, For Kids, Megan Huggins
Honors Scholars Collaborative Projects
LimboLand: A One-Act Play about Death, for kids
Megan Huggins
Thesis Director: James Al-Shamma, Ph.D
Thesis Committee: Shawn Knight, Jessica Mueller
A loose adaptation of Dante Alighieri’s epic poem Inferno, LimboLand uses Alighieri’s model of the nine circles of Hell to illustrate the five stages of grief. In a script designed for theatre for young audiences, Dante, a young child, travels through different rooms as he attempts to cope with and understand his sister’s death. Dante follows Virgil, an older child, who knows a lot about the afterlife system without understanding any of it. The play includes an appendix …
Rewriting Greek Tragedies As Immigrant Stories, Daniel Pollack-Pelzner
Rewriting Greek Tragedies As Immigrant Stories, Daniel Pollack-Pelzner
Faculty Publications
In this piece originally published in the New York Times, Daniel Pollack-Pelzner writes about Mojada, Luis Alfaro's adaptation of the Greek tragedy, Medea. Mojada is part of a trilogy from Alfaro that attempts to bring his Latino community into modern theater by writing them into classical plays.
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner
Faculty Publications
In this article originally published in The Atlantic, Daniel Pollack-Pelzner wonders about the challenges of premiering the famed Broadway musical, Hamilton, during a time of political discord in the aftermath of 2017's Hurricane Maria, in Puerto Rico.
Paul Ibell: Tennessee Williams, Verna Foster
Paul Ibell: Tennessee Williams, Verna Foster
Department of Fine & Performing Arts: Faculty Publications and Other Works
A review of Paul Ibell's Tennessee Williams, written by Verna Foster.
Thinking Before You Act: A Constructive Logic Approach To Crafting Performance-For- Development Narrative, Angela Duggins
Thinking Before You Act: A Constructive Logic Approach To Crafting Performance-For- Development Narrative, Angela Duggins
Electronic Theses and Dissertations
The intent of this thesis was to test the feasibility of constructing performance-for-development narrative using a constructive logic approach. I created an equation which expressed the sum of non-human-elements as the sum of a narrative with each element serving as a variable. I used a review of persuasion literature to provide insight into the selection and manipulation of each variable. I provided my family as a hypothetical example and used my knowledge of their preferences and communication styles in conjunction with the literature and the equation to craft a narrative which might increase pro-school attitudes in other families like my …
Autobiographical Poetry To Plays: Taking Memoir To A Theatrical Level, Ryan P. Tofil
Autobiographical Poetry To Plays: Taking Memoir To A Theatrical Level, Ryan P. Tofil
Dissertations, Theses, and Capstone Projects
Pulitzer prize winning playwright John Patrick Shanley wrote, “Theatre is a safe place to do the unsafe things that need to be done.” For my Capstone Project, I have compiled my autobiographical poetry, prose, and performance monologues into a theatrical manuscript to be used as the basis for a play. The final Capstone Project is a manuscript of an anticipated theatrical production based on the grieving process surrounding my brother's suicide, as well as an exploration of my sexuality and the relationships I developed during the years surrounding his death.
The Capstone Project’s theatrical manuscript is also accompanied by a …
Encountering "Agaat": Toward A Dramaturgical Method Of Adaptation, Paul Adolphsen
Encountering "Agaat": Toward A Dramaturgical Method Of Adaptation, Paul Adolphsen
Masters Theses
This M.F.A. thesis in dramaturgy presents the first-ever stage adaptation of South African writer Marlene van Niekerk’s 2004 novel Agaat. Van Niekerk is an internationally acclaimed novelist, short story writer, poet, and dramatist particularly known for her lengthy novelistic excavations of Afriakner identity, in which sexuality, race, and gender collide in compelling but fraught ways. Covering nearly fifty-years of South African history—from the establishment of apartheid in 1948 through the nation’s transition to democracy in 1994—Agaat investigates everyday cycles of abuse and intimacy through the story of white farmer Milla de Wet and her coloured adopted daughter-cum-maid, Agaat Lourier. …
The Art Of Adaptation, Katharine E. Jordan
The Art Of Adaptation, Katharine E. Jordan
Honors Theses and Capstones
My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.
Sheridan's Promising Tale Is Half Told, Ian Kilroy
Sheridan's Promising Tale Is Half Told, Ian Kilroy
Articles
Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.
Power And Relationships In The Plays Of Neil Labute: Directing And Performing In Some Girl(S), Mary Peyton Griffith
Power And Relationships In The Plays Of Neil Labute: Directing And Performing In Some Girl(S), Mary Peyton Griffith
Scripps Senior Theses
This thesis explores the major works of Neil LaBute's career as a playwright and screenwriter, including the criticism he has received on theatrical and literary levels. The themes most prevalent in the thesis are the use of power and manipulation in the relationships between LaBute's characters and the ongoing maturation of his characters that coincides with the maturation of his work. The second section of the thesis follows the production, directing, and acting in LaBute's play Some Girl(s).
El Teatre Català: Drames Públics I Privats, Sharon G. Feldman
El Teatre Català: Drames Públics I Privats, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Amb l'arribada dels anys 1990, dues sales de teatre públic ostensiblement sumptuoses, el Teatre Nacional de Catalunya (TNC) i el nou Teatre Lliure, van alçar-se en el paisatge teatral barceloni com a Hoes decisius de disputa. Cadascuna va esdevenir un camp de bataHa artistic i polític, un tema destacat de debat i discussió, i de vegades un lloc d'espectacle públic. Potser el drama públic més carnavalesc que va tenir lloc durant aquest període és el protagonitzat per la indeleble presencia de l’actor/ director Josep M. Flotats, l'infructuós periode del qual al timó del TNC, que va acabar amb la seva …
Artmaking On The Edge Of A Cliff: Directing Iphigenia 2.0, Shannon E. Cameron
Artmaking On The Edge Of A Cliff: Directing Iphigenia 2.0, Shannon E. Cameron
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis contains written documentation regarding the process of directing a theatrical production in fulfillment of the partial requirements for Master of Fine Arts in Directing for Stage and Screen at the University of Nebraska Lincoln.
Topics addressed include play selection, script analysis, director/designer collaboration, coaching and actors and evaluation of final product.
Advisor: Virginia Smith
Theatre For A New Theater: A Play On Architecture, Alex Coulombe
Theatre For A New Theater: A Play On Architecture, Alex Coulombe
Honors Capstone Projects - All
The project entails transforming a former military fort into a theater. The scopic parameters native to both fort and theater can provide a field of operation for an architecture that simultaneously mobilizes and exposes the machinery of spectacle. In tandem, amplifying and distorting existing conditions of the fort and repurposing them for a theatrical program can provide catalytic parameters for design that are typically absent when designing from a clean slate.
L'Habitació Del Nen O La Insuportable Elusivitat De L'Experiència, Sharon G. Feldman
L'Habitació Del Nen O La Insuportable Elusivitat De L'Experiència, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Les obres teatrals de Josep M. Benet i Jornet estan marcades per un interès en l'experiencia polifacètica de la mirada i el paper del perspectivisme dins el terreny teatral. Un impuls aporètic guia bona part de la seva obra més recent, ja que ens condueix a mons misteriosos i a espais buits en què facilment podem perdre'ns o on ens costarà de trobar el camí. Una atmosfera de misted envolta una ttanscripció poètica de l'espai, ja sigui una realitat psíquica interior o un paisatge exterior. Són espais fràgils en concepció, sovint perillosament al punt d'esvair-se. Els títols epigramàtics d'algnnes de …