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Articles 1 - 6 of 6
Full-Text Articles in Dramatic Literature, Criticism and Theory
"My Words Fly Up, My Thoughts Remain Below": Community And Penance In Early Modern English Drama, Benedict John Whalen
"My Words Fly Up, My Thoughts Remain Below": Community And Penance In Early Modern English Drama, Benedict John Whalen
UNLV Theses, Dissertations, Professional Papers, and Capstones
This dissertation examines the vexed relationship between Christian doctrine, practice, and community in English Renaissance drama due to the abandonment of the sacrament of auricular confession during the Protestant Reformation. I argue that many English Renaissance dramatists were sensitive to the vast ramifications of the Reformers' theological understanding of penance, particularly in its emphasis upon a sinner's ability to accomplish unmediated contrition, and to be psychologically and emotionally satisfied thereby. By desacramentalizing and interiorizing penitential practices, the Protestant understanding of penance fundamentally changed the ways in which communities dealt with sins. As this dissertation demonstrates, many of the plays from …
Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner
Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner
Faculty Publications
In the second of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner argues that Shakespeare’s play raises challenging questions about the way we define gender roles, and the answers aren’t as obvious as they might seem.
Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner
Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner
Faculty Publications
In the first of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner introduces two high-concept professional productions of the play — one in Ashland, Oregon at the Oregon Shakespeare Festival, and one in Portland, Oregon at the Portland Shakespeare Project.
‘An Isle Full Of Noises’: The Perception & Influence Of Sound In Shakespeare’S The Tempest, Paul A. Di Salvo
‘An Isle Full Of Noises’: The Perception & Influence Of Sound In Shakespeare’S The Tempest, Paul A. Di Salvo
Student Publications
Since the play’s authorship in 1610, actor-managers and directors alike have struggled over staging the opening scene of William Shakespeare’s The Tempest. The physical presence of the ship, the sounds and lighting effects of thunder and lightning, the dialogue of the actors, and the use of music have varied from the early 17th century to the present in an effort to appeal to the audience. The presentation of these elements, especially sound cues and music, prepares audiences to understand the dynamics of Prospero’s powers and transformation as a character. Depending on how sound and stage technologies were implemented …
“Peer Reviewed: Elizabeth Inchbald’S Shakespeare Criticism", Karen Gevirtz
“Peer Reviewed: Elizabeth Inchbald’S Shakespeare Criticism", Karen Gevirtz
Karen Bloom Gevirtz
No abstract provided.
Early Modern Drama And Realist Performance On The Contemporary Stage, Kim Solga, Roberta Barker
Early Modern Drama And Realist Performance On The Contemporary Stage, Kim Solga, Roberta Barker
Kim Solga
No abstract provided.