Dramatic Literature, Criticism and Theory Commons^™

“Peer Reviewed: Elizabeth Inchbald’S Shakespeare Criticism", Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Intended For The Stage?: Samson Agonistes In Performance, Timothy Burbery

Timothy J. Burbery

The year 2000 marked the centenary of an important but overlooked milestone in Milton studies, namely the first staging of Samson Agonistes, by William Poel, in 1900. While many scholars may be aware of isolated productions of the tragedy, the extent and variety of its stage history is perhaps less well-known. The work was successful as a dramatic reading throughout the eighteenth and nineteenth centuries, yet it had never been attempted on the boards until Poel’s landmark production. That event ushered in a range of performances throughout the twentieth century, and nearly every decade saw several dramatizations. At least fifteen …

Review Of "Isaac's Eye," By Lucas Hnath, Ensemble Studio Theater, Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.

Rev. Of Clayton G. Mackenzie, Deadly Experiments: A Study Of Icons And Emblems Of Mortality In Christopher Marlowe’S Plays, Clifford Davidson

Clifford Davidson

David Garrick's Masque Of King Arthur With Thomas Arne's Score (1770)., Todd Gilman

Todd Gilman

Rev. Of Lynn Forest-Hill, Transgressive Language In Medieval English Drama, Clifford Davidson

Clifford Davidson

The History Of King Lear And The Problem Of Belief, Clifford Davidson

Clifford Davidson

The Function Of Rhetoric, Marlowe’S Tamburlaine, And ‘Reciprocal Illumination’, Audrey Davidson, Clifford Davidson

Clifford Davidson

The Masque Within The Tempest, Clifford Davidson

Clifford Davidson

Doctor Faustus Of Wittenberg, Clifford Davidson

Clifford Davidson