Open Access. Powered by Scholars. Published by Universities.®
Dramatic Literature, Criticism and Theory Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 2 of 2
Full-Text Articles in Dramatic Literature, Criticism and Theory
Tapez Le Tam-Tam And The People Will Come: A Study Of Theater For Social Justice In Kaolack, Senegal, Emily Schwerdtfeger
Tapez Le Tam-Tam And The People Will Come: A Study Of Theater For Social Justice In Kaolack, Senegal, Emily Schwerdtfeger
Independent Study Project (ISP) Collection
This purpose of this study is to examine the effectiveness of theater to create social change and raise awareness of social issues as used by the troupe Bamtaare in Kaolack, Senegal. Further study was done to determine why theater was successful and whether this type of theater can be implemented in the United States. I spent four weeks in Kaolack working with the troupe to understand their methods. While in Kaolack, I observed rehearsals and performances, conducted interview with actors and audience members, and reviewed relevant literature. My research showed that Bamtaare’s performances in urban neighborhoods and rural villages did …
Evolving Stages: Duty And Fate In The Construction Of Tibetan Tradition, Divya Chandramouli
Evolving Stages: Duty And Fate In The Construction Of Tibetan Tradition, Divya Chandramouli
Independent Study Project (ISP) Collection
In this paper, I discuss themes of preservation, adaptation, and the construction of tradition in the context of Tibetan performing arts. I chose to explore these issues by looking specifically at a play composed by His Holiness the current Karmapa, based on the life of Milarepa, one of the most revered yogis of Tibetan Buddhism. This play is unique in the sense that many of its aspects stem directly from traditional Tibetan opera, or lhamo, yet the ways in which it was presented and the reasons why it was presented this way diverge considerably from “tradition.” I conducted my research …