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Full-Text Articles in Dance

Utilizing Creative Dance Pedagogy And Concepts For Teaching And Learning English As A Foreign Language, Riley Lathorp May 2020

Utilizing Creative Dance Pedagogy And Concepts For Teaching And Learning English As A Foreign Language, Riley Lathorp

Honors Program Theses and Projects

Creative dance/movement pedagogy in an English language learning classroom can help nurture self-identity and build cognition. English language teaching through volunteer tourism is growing along with the expectation for English acquisition. Since English teachers abroad are most often not required to have teacher training, this can lead to teacher-centered classrooms, passive learning for students, and a lack of use of creative processes. Research indicates that creative dance/movement pedagogy and concepts as teaching methodology can aid English acquisition and build self-identity. This research is based in an action research case study (IRB approved) which analyzes and evaluates the use of movement/dance …


Steps In Time: An Exploration Of Tap Dance Education, Sara Pecina Aug 2016

Steps In Time: An Exploration Of Tap Dance Education, Sara Pecina

Mahurin Honors College Capstone Experience/Thesis Projects

Tap dance is an indigenous American art form that not only holds a valuable presence in the world of entertainment but also boasts an important historical background. From the slave quarters on plantations to Hollywood’s silver screen, the development of tap dance mirrors the story of American history. Tap dance must be preserved because of its cultural significance in American history; likewise, it is imperative for dancers to understand its development in order to appreciate the art and for today’s artists to continue the growth and presence of tap dance in America. However, many dance educators today focus solely on …


Skipping Against Hegemony: Where Are States Of Lightness In Contemporary Dance-Making?, Margaret J. Phillips Jan 2013

Skipping Against Hegemony: Where Are States Of Lightness In Contemporary Dance-Making?, Margaret J. Phillips

Research outputs 2013

Dance relies on physical ideas born out of human experience. Changes in what we “do” and “transmit” in the context of pedagogy should follow the shifting and informed perspectives of the time, reflecting scientific, sociological, and imaginative advancements and practices. One day, while a young girl skipped down a university pathway, that principle was brought into question. This innocent protagonist’s skipping provoked a search for explanations of the erasure of a complex “foundational” action from the grounds of adult knowledgeable behaviour. Could this dismissal of a physical idea bear any correspondences with a limited range of contemporary dance compositional modes …


Examining The Affects Of Four Mental Images On Student Dancers' Jumping Height, Teresa Heiland Aug 2012

Examining The Affects Of Four Mental Images On Student Dancers' Jumping Height, Teresa Heiland

Dance Faculty Works

A quasi-experimental design was used to assess effects of Franklin Method images on dancers’ jump height. Thirteen dancers applied four image interventions while performing first position jumps for vertical height analysis. Mean heights and within-trial jump degradation and variability were examined. A repeated-measures mixed model analysis with covariates was used to assess whether jump heights differed significantly from baseline. Two of the four images showed significant increases in jump height above baseline. A linear time effect was also found over the course of the study. Anecdotal self-reports revealed that there appeared to be no correlation between jump height and imagery …