Spanish and Portuguese Language and Literature Commons^™

Crisis Y Paradojas: Subjetividades Femeninas En La Literatura De Autoayuda Para Latinas, Aida Roldan-Garcia

Doctoral Dissertations

"Crisis y Paradojas" examines the construction of modern Hispanic femininity in self-help literature aimed at U.S. Latinx women. The work is divided into three thematic sections and begins with an analysis of two texts belonging to this ethnic niche: The Maria Paradox: How Latinas Can Merge Old World Traditions With New World Self-Esteem by Rosa María Gil and Carmen Inoa; and The Latina’s Bible by Sandra Guzmán. The first part explores the origins of the new Latinx woman of the 1990s and 2000s within contemporary Latinx literature and introduces the main characteristics of Latinx women's self-help literature. The second section …

Mujeres En Crisis: Posturas Divergentes Frente Al Neoliberalismo, Silvia Encinas Caballero

Theses and Dissertations--Hispanic Studies

Popular belief has always attributed women an innate capacity to overcome periods of crisis, whether these are provoked by an economic debacle or by a natural disaster. My dissertation explores the representation of women in Spanish narrative and film from the beginning of the global economic crisis in 2008 up to the recession caused by the Covid- 19 pandemic in 2020. I study how specific cultural production can serve to perpetuate models of patriarchal domination or to provide alternative representations of women as independent, resilient individuals in times of economic crisis.

I analyze four novels and three films in which …

Apocalipsis Cultural E Imaginación Política: El Caso De Madrid En El Periodo Entre Crisis (2008–2020), Natalia Castro Picón

Dissertations, Theses, and Capstone Projects

This dissertation studies the current Spanish economic, political, and social crisis and its representations through apocalyptic imaginaries. I seek to establish a fundamental political and cultural distinction between two models of these imaginaries traceable in representations of Madrid. On one hand, it looks at cultural discourses that display catastrophist projections of the present and the future, insisting on alarmistic and deterministic messages. On the other hand, it looks at other discourses that subvert this representation of the capitalist crisis as the end of the world, shifting the symbolic value of the apocalyptic imaginaries towards figurations of the end of capitalism. …

La Ciudad Como Espacio De La Marginalidad: Un Acercamiento Crítico A Un Oso Rojo, Mariana Pensa

South East Coastal Conference on Languages & Literatures (SECCLL)

Nos proponemos realizar un análisis del film argentino Un oso rojo (2002, dirigido por Israel Adrián Caetano). Un punto de entrada para el análisis nos remite al concepto mismo de lo que es una ciudad, tal como Lewis Mumford lo expone en su canónico artículo “What is a city?”. Si la ciudad se constituye, al decir de Mumford, en espacio simbólico de “unidad colectiva”, en donde los hombres realizan sus actividades mas “útiles”, las preguntas a las que nos llevan estos conceptos serán ¿cuál es el estatuto de una ciudad recorrida por la violencia? ¿Cómo el espacio refiere y significa …

Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena

Dissertations, Theses, and Capstone Projects

Television is often thought of as monolithic and totalizing, controlling viewers and upholding the status quo. This project will propose different understandings of the mass-medium. In order to historically contextualize my study, I will begin with a brief discussion of the role of television in democratic Spain (from c.1978-present). The thesis will primarily consist of an analysis of two sides of contemporary Spanish TV: fiction and politics; and will explore the way that certain programs, alternately catalyze critical thought and actions or enable spectators to, following John Ellis, “work through” traumatic events. I furthermore propose that imaging a concept might …

El Teatro De La Época Democrática, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

La trayectoria del teatro contemporáneo en España es una historia de supervivencia. Entre las múltiples capas y campos que componen el paisaje teatral de la época democrática, la palabra «crisis» quizá sea la que se repite con más frecuencia, como si fuera una especie de mantra que persiste en la punta de la lengua, lista para ser pronunciada con tanta facilidad e incluso con tanto entusiasmo por tantos profesionales de las artes escénicas que habría que preguntarse si podría ser un milagro que la revolución tecnológica contemporánea -junto con los dilemas perpetuos que han surgido en torno a las subvenciones …

The Baroque And The Cultures Of Crises, Luis Martín-Estudillo

Luis Martín-Estudillo

No abstract provided.

Post-Franco Theatre, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

In the multiple realms and layers that comprise the contemporary Spanish theatrical landscape, “crisis” would seem to be the word that most often lingers in the air, as though it were a common mantra, ready to roll off the tongue of so many theatre professionals with such enormous ease, and even enthusiasm, that one is prompted to wonder whether it might indeed be a miracle that the contemporary technological revolution – coupled with perpetual quandaries concerning public and private funding for the arts – had not by now brought an end to the evolution of the oldest of live arts, …