Spanish and Portuguese Language and Literature Commons^™

Una Entrevista Con José Plácido Ruiz Campillo Sobre La Gramática Operativa Y Cognitiva Y Su Estado En La Enseñanza Del Español Como Lengua Extranjera, David Sánchez-Jiménez

Publications and Research

No abstract provided.

From Locus Amoenus To Locus Horribilis: Provincial And Urban Spaces Of Cultural (Re)Assertion And Hegemony In Yates And Sigel’S When The Mountains Tremble And Bustamante’S Ixcanul, Katrina Abad

Views from Below: The Underdog in Contemporary Latin American and Spanish Film

The trope of locus amoenus, or the idyllic representation of heaven on earth, and its counterpart locus horribilis, or the mundane incarnation of hell, was first critically defined by Ernst Robert Curtius in 1953 and identified in religiously influenced literature as early as Latin and medieval European works. Since then, the locus theory has appeared in numerous secular texts and films, such as Marcelo Ferrari’s Sub Terra (2004), as a means of distinguishing the once-pristine ‘purity’ of provincial spaces from the physically and metaphorically cramped mines and buildings produced by an urbanized modernity. This essay seeks to translate …

Introduction To Spanish Literature/Introducción A La Literatura Española (Span 22) Syllabus, Eli Cohen

Digital Humanities Curricular Development

This course covers the history of Spanish literature from its medieval origins to the latest developments in electronic literature. Through readings of representative works, we will consider the nature and role of literature in times of political and civic upheaval, and in relation to the soaring ideologies and crushing defeats that mark the changing social, economic, and political conditions in Spain throughout the centuries. Readings represent particular literary periods, genres and styles, including medieval epic, renaissance lyric poetry, baroque theater and the origins of the novel, romantic poetry, realist fiction, surrealist poetry, and postmodern electronic pastiche. This course also places …

Scalar Book Project, Eli Cohen

Digital Humanities Curricular Development

Students will develop a website using the platform Scalar, which will enable them to "assemble media from multiple sources and juxtapose them with their own writing in a variety of ways" (according to Scalar's website). This project, to be introduced at the end of the semester and in juxtaposition to the overall course organization which follows a chronological model, will allow students to attain a perspective on the material they have been studying in a radically new way while at the same time giving them access to a tool which will allow them to bring the various fields of …

Posthumanism, Animism, And Sérgio Medeiros’S Pluriverse Poetics, Malcolm Mcnee

Spanish and Portuguese: Faculty Publications

The works of Sérgio Medeiros are populated by a multitude of beings of diverse and often shifting orders and species. Drawing upon intersecting conceptual orientations of animal and multispecies studies, posthumanism, and ecocriticism, I survey a range of interspecies encounters and worldings in Medeiros’s writing, especially his collection of poems, O choro da aranha, etc.(2013). As Medeiros pointedly draws inspiration from diverse aesthetic and philosophical traditions—from Amerindian cosmogonies and verbal arts to Japanese Zen poetry and various strains of modernist avantgardism—I trace here as a unifying feature his engagement with animist imaginings and a post- or anti-anthropocentric unsettling of …

“Contemporary Latinx Media” Digital Humanities Research Project, Désirée Diaz

Digital Humanities Curricular Development

As part of the “Contemporary Latinx Media” Digital Humanities Research Project, students explore and analyze different aspects related to the representation of Latino/as in contemporary digital media. Using the digital platform Scalar, the students produced a digital research essay as the final project of the course.

Introduction To Latinx Literature And Culture (Span015 / Litr 15s) Syllabus, Désirée Diaz

Digital Humanities Curricular Development

This First Year Seminar is an introduction to the writings of Latino/as in the U.S. with emphasis on the distinctions and similarities that have shaped the experiences and the cultural imagination among different Latinx communities. We will focus particularly in works produced by the three major groups of U.S. Latinx (Mexican Americans or Chicanos, Puerto Ricans or Nuyoricans, and Cuban Americans) during the 20th and 21st centuries but will also include (mostly toward the end of the course) some pieces representative of other Latinx identities. By critically analyzing works from a range of genres and cultural expressions including poetry, fiction, …

“Those Who Don’T Remember Don’T Exist Anywhere:” Historical Redemption In Patricio Guzmán’S Nostalgia For The Light (2010), Cristina Ruiz-Poveda Vera

Journal of Religion & Film

The poetic aesthetic of Patricio Guzman’s documentary Nostalgia for the Light (2010) ponders the nature of memory and history. The film uses a metaphysical approach to explore the traumatic past of Chile, creating a sense of historical redemption as defined by Walter Benjamin (1940). Contemporary Latin American documentaries have abandoned the idea of objectivity to focus on subjective portrayals of memory as a way to capture the plurality of personal experiences of historical events. As a result, these documentaries have become more artistic and formally innovative than the previous epic informative films of the region. In the case of Guzman’s …

La Nación Está En Otra Parte: Cultura Y Neoliberalismo En México (1977-1996), Rafael Lemus

Dissertations, Theses, and Capstone Projects

This dissertation studies a series of cultural products and practices that, between 1977 and 1996, either contributed to the formation and propagation of a neoliberal rationality in Mexico or opposed it. By analyzing objects as diverse as cultural magazines, art exhibitions, literary polemics and social movements, it addresses the reconfiguration of the Mexican cultural field triggered by the neoliberal turn in the 1980s as well as the construction of a new national narrative intended to displace the old revolutionary tale and to rationalize and facilitate the insertion of the country into the global economy.

The first chapter focuses on the …

Madrid Frente A Santo Domingo: La /D/ Intervocálica Y La /S/ Implosiva, Orlando Alba

Faculty Publications

En esta presentación se comparan dos procesos de reducción consonántica presentes en la norma lingüística culta que se manifiesta en la televisión de dos países: la realización de la /d/ intervocálica postónica en España, y la variación de la /s/ implosiva en la República Dominicana. El análisis revela la presencia de un caso de valoración social inversa de la relajación de los dos segmentos fonéticos analizados. El modo de hablar culto expuesto en la televisión española acepta como normal la omisión total del segmento /d/ en el contexto fonético específico [-ádo]; excluye, sin embargo, la variante aspirada de /s/ en …

El Arte De "Lágrimas En La Lluvia", Todd K. Mack

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Uno de los elementos destacados de Lágrimas en la lluvia, la excelente novela de ciencia ficción de la madrileña Rosa Montero, es la genial inclusión de obras de arte con fines simbólicos dentro de la obra. Entre estas obras de arte se incluye el famoso cuadro de Johannes Vermeer, Una señora escribiendo una carta con su criada. En este artículo, el dr. Todd Mack muestra cómo este cuadro presagia el principal dilema de la protagonista de la novela. Bruna Husky es una replicante, y por eso sabe exactamente cuánto tiempo vivirá. El conocimiento de su inescapable fin hace …

Sttcl Editorial Board, Necia Chronister

Studies in 20th & 21st Century Literature

STTCL Editorial Board and Advisory Council

Against Representation: A Note On Jorge Luis Borges’ Aleph, Ilan Stavans

Studies in 20th & 21st Century Literature

Faced with the need to represent Jorge Luis Borges’s classic tale “The Aleph,” which also gives name to his 1949 collection of stories, for decades publishers have resorted to a variety of dependable images, including works by Borges’s friend Xul Solar. Yet the argument of the tale is that no human language, either verbal or visual, is capable of summing up the fullness of the object Borges’s narrator discovers in a dark Buenos Aires basement. That object—the universe itself—is unrepresentable.

Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, And Documentary Form. Cambridge: Harvard Up, 2016., Julia Watson

Studies in 20th & 21st Century Literature

Review of Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.

El Universo Posthumano De "Lágrimas En La Lluvia": Memoria Artificial, Identidad, Historia Y Ficción, Juan C. Martin Galvan

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Cary Wolfe señala que el poshumanismo se suele concentrar en “el descentramiento de lo humano en relación a las coordenadas tanto evolutivas, ecológicas o tecnológicas” (xvi). En este sentido, Lágrimas en la lluvia, novela de ciencia ficción de la autora madrileña Rosa Montero, construye con bastante acierto una versión poshumana de una sociedad futura, partiendo del fenómeno neuro-cognitivo complejo que representa la memoria biológica y su duplicación artificial a través de avances tecnológicos. Este artículo se enfoca principalmente en delinear cómo en la novela de Montero la memoria se convierte en una sugerente metáfora para profundizar de manera crítica …

Neoliberalism In The Gutter: Latin American Comics And Society Since The 1990s, Mauricio Espinoza

Studies in 20th & 21st Century Literature

Since the 1990s, Latin America has undergone important economic, social, political, and cultural transformations marked by the consolidation of neoliberal policies that swept through the region and helped define its contemporary societies. This essay explores comic books and cartoons produced by Latin American artists during this period, interrogating the various ways in which the graphic narrative medium has both reflected and reacted against neoliberalism’s impact throughout the continent. Through the use of political cartooning, superhero comics, and graphic novels that employ supernatural themes, the artists analyzed here have engaged with the big, contentious issues of contemporary Latin America, including foreign …

David William Foster. El Eternauta, Daytripper, And Beyond: Graphic Narrative In Argentina And Brazil. Austin: U Of Texas P, 2016., Laura M. Fernandez

Studies in 20th & 21st Century Literature

Review of David William Foster. El Eternauta, Daytripper, and Beyond: Graphic Narrative in Argentina and Brazil. Austin: U of Texas P, 2016.

Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey By Interview. San Diego: ¡Hyperbole Books!, 2017., Jessica Rutherford

Studies in 20th & 21st Century Literature

Review of Frederick Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyperbole Books!, 2017.

Advertisement: Tulsa Studies In Women's Literature, Necia Chronister

Studies in 20th & 21st Century Literature

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Frederick Luis Aldama. Latinx Superheroes In Mainstream Comics. Tucson: U Of Arizona P, 2017., Danielle A. Orozco

Studies in 20th & 21st Century Literature

Review of Frederick Luis Aldama. Latinx Superheroes in Mainstream Comics. Tucson: Uof Arizona P, 2017.

Mark Heimermann And Brittany Tullis, Eds. Picturing Childhood: Youth In Transnational Comics. Austin: U Of Texas P, 2017., Cristina R. Rivera

Studies in 20th & 21st Century Literature

Review of Mark Heimermann and Brittany Tullis, eds. Picturing Childhood: Youth in Transnational Comics. Austin: U of Texas P, 2017.

“Vidas Virtuales, Memorias Postizas: Teorías De La Identidad Personal En Lágrimas En La Lluvia”, Dale J. Pratt

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

“Vidas virtuales, memorias postizas: teorías de la identidad personal en Lágrimas en la lluvia”

En Lágrimas en la lluvia (2011) de Rosa Montero, mientras la detective tecnohumana Bruna Husky investiga un complot para exterminar los replicantes del Madrid del siglo XXII, se despliega un estudio profundo sobre qué es la identidad. Se presentan en la novela varias teorías de la identidad personal, con divergentes posturas sobre los estados mentales y emocionales, las memorias personales, la pervivencia corporal, la esencia espiritual y la posibilidad de la existencia del alma. Bruna paulatinamente llega a aceptar que su identidad surge de un …

Introducción A Tres Artículos Sobre "Lágrimas En La Lluvia" De Rosa Montero, Dale J. Pratt, Juan C. Martin, Todd K. Mack

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

This is a brief presentation/introduction to the following articles related to Rosa Montero´s novel "Lágrimas en la lluvia".

El Agradecimiento De Una Madre Protectora, Rosa Montero

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

No abstract provided.

Nuestras Patologías De La Realidad Virtual, Jorge Armando Romo

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Is a review of Patologías de la realidad virtual. Cibercultura y ciencia ficción, Teresa López-Pellisa. Madrid: FCE, 2015, 279 páginas. ISBN: 978-84-375-0731-6

Políticas De Lo Estético En La Ilustración De Ciencia Ficción. El Caso De “Think Blue, Count Two” De Cordwainer Smith, Silvia Gabriela Kurlat Ares

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Desde el período del Dadá se han ido borrando los límites entre las formas artísticas y sus soportes, entre las estéticas de uso y las estéticas formales, entre los espacios altos y bajos de producción cultural, y también, entre la percepción de centros y periferias que parecen haberse astillado y reproducido a la interioridad de espacios hasta hacer de la hegemonía misma, al decir the Beasley Murray, un concepto no sólo inestable sino casi inexistente. En el caso de la ciencia ficción, esa porosidad hace a la constitución misma de una estética que opera desde la factura del naturalismo pero …

On The Road To Nowhere: A Reading Of Franz Galich’S Managua, Salsa City (¡Devórame Otra Vez!), Kerri A. Muñoz

Dissidences

On the Road to Nowhere:

A Reading of Franz Galich’s Managua, Salsa City (¡Devórame otra vez!)

This article examines how Franz Galich, in Managua, Salsa City (¡Devórame otra vez!), narrates the Central American neoliberal experience from the perspective of the underprivileged. I explore how, beginning with the title, the author positions his protagonists in the neoliberal, fragmented moment. From there, Galich proceeds to document a night in the life of the marginalized. Here, Beatriz Cortez’s concept of cinismo is used to understand how the role-playing, that is central to the novel, brings into question arbitrary social barriers. In so …

La Emigración A Norteamérica, La Peregrinación Y La Hospitalidad, Charli Tyree

The Kennesaw Tower Undergraduate Foreign Language Research Journal

¿Qué es la peregrinación?: Hay varias definiciones de la palabra “peregrinación.” Una peregrinación es un viaje largo hecho a un lugar especial o sagrado para la urificación, como un acto de algún tipo de afiliación religiosa (Duque 270). Por ejemplo, cuando los cristianos van en peregrinación, viajan a un lugar que se considera especial para su fe personal, un práctico más viejo que cosmocentrismo teocrático (Duque 273). Estos lugares podrían ser donde nació Jesús, donde han ocurrido milagros, donde está enterrado un santo, como el Camino de Santiago, o cualquier otro lugar mencionado en la Biblia y que contiene un …

Un’Analisi Di Sei Poesie Di Sibilla Aleramo, Olivia Mazza

The Kennesaw Tower Undergraduate Foreign Language Research Journal

Sibilla Aleramo è lo pseudonimo di Rina Faccio, un’autrice italiana, nata a Alessandra, in Italia, il 14 agosto 1876 e morta il 13 gennaio 1960 a Roma. Lei era una femminista meglio conosciuta per le sue raffigurazioni autobiografiche della vita come una donna nel tardo XIX secolo in Italia. Aleramo dice che si sente come se lei avesse vissuto tre vite. "La sua 'vita prima,' come madre e moglie, è delineata nel suo romanzo Una Donna. Una citazione da Una Donna spiega: “Ubbidisci al comando della tua coscienza, rispetta sopra tutto la tua dignità, madre: sii forte, resisti lontana, nella …

Florecitas Roqueras: Rock, Punk Y El Problema De Género En Hispanoamérica, Micaela Lyons

The Kennesaw Tower Undergraduate Foreign Language Research Journal

Se puede afirmar que la sociedad latinoamericana en general es predominantemente patriarcal, una en la que sus miembros tienen ideas rígidas sobre las vidas de las mujeres y en la que los hombres tienen cierta ventaja. En este sentido, el rock y la industria de música no son diferentes. Sin embargo, a lo largo de la historia moderna la música rock ha abierto varias posibilidades para otorgar poder a las mujeres, ofreciéndoles herramientas para rechazar la naturaleza patriarcal y dominante de su entorno. En este ensayo, exploro las relaciones entre las mujeres y el rock para mostrar como estas mujeres …