Spanish and Portuguese Language and Literature Commons^™

Special Focus Introduction: Centering Black Cultural Production In Translation, Corine Tachtiris, Priscilla Layne

Studies in 20th & 21st Century Literature

Special Focus Introduction: Centering Black Cultural Production in Translation

Defining Black Masculinities: Intersectional Analyses Of Gender, Race And Sexuality In Caribbean And Latin American Literature, 1955 To Present, Jerry Eugene Scruggs Jr.

Doctoral Dissertations

The objective of my dissertation is to define and construct parameters for analyzing the Afro-descendant male experience in four specific texts: Mi compadre el General Sol [General Sun, My Brother] (1955), Adire y el tiempo roto [Adire and Broken Time] (1967), Sortilégio II: mistério negro de Zumbi redivivo [Sorcery 2: Black Mystery of Resurrected Zumbí] (1979), and Negro: Este color que me queda bonito [Black: This Color Looks Good on Me] (2013). Black masculinities are distinct and this study sets five parameters: 1) Sexual Prowess, 2) Contentious relationship with the White woman, 3) Violence and Toxic Masculinity, 4) Emotive Numbness, …

Argentine Afterlives: Race, Hemispheric Comparison, And Translation In Benjamín De Garay’S Los Sertones, Thomas Genova

Spanish Publications

This article considers Argentine Benjamín de Garay’s 1938 Spanish translation of Brazilian Euclides da Cunha’s 1902 Os Sertões as a transnational meditation on racialized processes of nation formation in South America. The translation paradoxically frames the linguistic and historical relationships between Brazil and Argentina in terms of both similarity and difference. While de Garay stresses the parallels between Brazil and Argentina in his translator’s prologue, he also includes a glossary of supposedly untranslatable Portuguese terms, suggesting incommensurability between the two national experiences. Tellingly, many of the glossary’s terms refer to racial categories. In this way, the de Garay text acts …

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

La Tierra Que Pisamos: El Tercer Espacio En La Narrativa De Jesús Carrasco, Christina Ahmed

USF Tampa Graduate Theses and Dissertations

Este estudio explora las diferentes manifestaciones del tercer espacio en la novela de Jesús Carrasco, La tierra que pisamos (2016), para mostrar cómo la narrativa es capaz de generar empatía en el lector. Un ejemplo de Historia alternativa, la novela narra la colonización de España por un Imperio imperialista. Los eventos se sitúan en un pueblo en Extremadura donde un indígena llamado Leva aparece en la finca de Eva, la esposa de un militar del Imperio. La interacción entre los dos personajes principales provoca un cambio en la mentalidad de Eva, ya que se hace consciente de cómo su país …

Miedo, Celebración Y Otredad Racial En El Cambio De Siglo: Hacia La Construcción Del Negro En El Discurso Artístico-Literario Cubano (1880-1933), Alberto Sosa Cabanas

FIU Electronic Theses and Dissertations

The disrupting visual and literary languages of the turn of the 19^th century to the 1930’s constitute an area of research as a moment of crystallization of the Cuban national consciousness or identity. Writers and artists in Hispanic Caribbean region had to face the challenge of finding ways to include highly racialized elements (such as religion and popular culture) within the rhetorical space of the elites, in other words, what Angel Rama has labeled the "Republic of letters". The result of these efforts not only opened a new kind of negotiation of the idea of nation, but also meant …

Miguel Arnedo-Gómez. Uniting Blacks In A Raceless Nation: Blackness, Afro-Cuban Culture And Mestizaje In The Prose And Poetry Of Nicolás Guillén. Bucknell University Press, 2016., Cecily Raynor

Studies in 20th & 21st Century Literature

Review of Miguel Arnedo-Gómez. Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture and Mestizaje in the Prose and Poetry of Nicolás Guillén. Bucknell UP, 2016. 274 pp.

Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Contemporary cultural media illustrates the vampire as an important symbolic figure in the Brazilian imaginary. For example, in twentieth and twenty-first century Brazilian fiction, television, and political discourse, vampires have risen from their supposedly European origins as expressions of urban decay, comic excess, and government corruption in Brazil. Beyond these representations, I focus on three contemporary novels in which the vampire also plays a starring role. O vampiro que descobriu o Brasil (1999) by Ivan Jaf, Aventuras do vampiro de Palmares (2014) by Gerson Lodi-Ribeiro, and Dom Pedro I Vampiro (2015) by Nazarethe Fonseca stand out from other creative reimaginings …

Seeing (As) The Eroticized And Exoticized Other In Spanish Im/Migration Cinema: A Critical Look At The (De)Criminalization Of Migrants And Impunity Of Hegemonic Perpetrators, Maureen Tobin Stanley

Studies in 20th & 21st Century Literature

This article examines cinematic perspective in six Spanish im/migration films to show that by resituating the identification from an alignment with that of a hegemonic character (who accepts the systematic bias that confers impunity to perpetrators) to identification with a criminalized migrant subject, these films 1) denounce systemic intersectionality that confers impunity to perpetrators and criminalizes the racialized and/or feminized other and 2) aim at fostering empathy in the hegemonically identified viewer. Parameters for the selection of the six films are: immigration to Spain, African (whether geographic or ethnic) origins, eroticization of the migrant, objectification/(ab)use/commodification/victimization of the Other, criminalization of …

Jenyffer Nascimento’S Epic Poetry Of Black Female Empowerment Jenyffer Nascimento: A Poesia Épica De Empoderamento Da Mulher Negra, Sarah S. Ohmer

Publications and Research

This article presents results of auto-ethnography, literary analysis, and fieldwork research to answer an underlying, perhaps unresolved, concern, relevant to this dossier: how can we produce an ethical dialogue as transnational Black Feminists, among Black Brazilian women, and North American Black women, in an ethical manner, while realizing that one may (not ever) be a part of the “carnival without you in it.” Fertile Earth/ Terra Fertil tells a long overdue epic story to an audience within the poetry: Black women, family members, other times a Black man, Brazil, white women, or “you,” undefined. Joy to pain to chaos, sensuality, …

Mark Heimermann And Brittany Tullis, Eds. Picturing Childhood: Youth In Transnational Comics. Austin: U Of Texas P, 2017., Cristina R. Rivera

Studies in 20th & 21st Century Literature

Review of Mark Heimermann and Brittany Tullis, eds. Picturing Childhood: Youth in Transnational Comics. Austin: U of Texas P, 2017.

Degradation And Race In Anacristina Rossi's Limón Reggae, Joseph Timothy Morgan Jr.

Senior Projects Spring 2017

Senior Project submitted to The Division of Languages and Literature of Bard College.

Matilde Ros Leaves The Jungle, Susana Beatriz Camacho Vivar

Open Access Theses & Dissertations

When Matilde defies her mother and abandons her privileged life in a South American capital to fight for environmental justice in the Amazon jungle, she never imagines her journey will bring her right back to where she started. As she insists on freeing herself, four other women around her do the same, defining their freedom when class, gender and race may still get to tell them who they are.

¿Qué Es La Patria?: Peruvian National Identity And José María Arguedas, Sydney S. Welch

Chancellor’s Honors Program Projects

No abstract provided.

Joshua Lund. The Mestizo State: Reading Race In Modern Mexico. Minneapolis: U Of Minnesota P, 2012. Xx + 217 Pp., Miguel Ángel González-Abellás

Studies in 20th & 21st Century Literature

Joshua Lund. The Mestizo State: Reading Race in Modern Mexico. Minneapolis: U of Minnesota P, 2012. xx + 217 pp.

Image, Expression, And Meaning Of The Mulato In Four Moments Of Cuban Literature (1968-1948), Luciano E. Cruz-Morgado

Theses and Dissertations--Hispanic Studies

My thesis grows out of a reflection on Cuban literature, race, and national identity within the broader framework of the canon and its marginal literature. It explores the dynamics of the Cuban canon and specific visions of race and nation, and studies one play, two novels, a book of poems and a radio script from four different moments in Cuban history.

Fernández Vilarós´s play Los negros catedráticos (1868) sets for the first time the topic of race at the center of the national debate, immediately before the first and longest Cuban independence war.

The play contrasts with Cecilia Valdés (1882), …