Spanish and Portuguese Language and Literature Commons^™

Song Of Exile: A Cultural History Of Brazil’S Most Popular Poem, 1846–2018, Joshua Alma Enslen

Purdue Studies in Romance Literatures

Song of Exile: A Cultural History of Brazil’s Most Popular Poem, 1846–2018 is the first comprehensive study of the influence of Antônio Gonçalves Dias’s “Canção do exílio.” Written in Coimbra, Portugal, in 1843 by a homesick student longing for Brazil, “Song of Exile” has inspired thousands of parodies and pastiches, and new variations continue to appear to this day. Every generation of Brazilian writers has adapted the poem’s Romantic verses to glorify the wonders of the nation or to criticize it via parody, exposing a litany of issues that have plagued the country’s progress over the years. Based on a …

Las Voces Desde La Liminalidad Sino-Peruana: –Una Lectura Comparativa De Mongolia Y La Vida No Es Una Tómbola–, Jing Tan

LSU Master's Theses

Chinese immigrants first arrived in Peru in the mid-19th Century. Since then, the Sino-Peruvian community has lived through myriad vicissitudes. Today, despite its indisputable influence in Peru’s history, it is still largely invisible in society, just as the concept of an Asian Latin American identity remains elusive in the national consciousness. In the literary and academic world, the scarcity of a voice highlighting Chinese legacies in Peruvian literature is echoed by the dearth of such a voice in the criticism regarding works by Sino-Peruvian writers about Sino-Peruvian experiences.

This comparative analysis engages with two novels that evince deep parallelism with …

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

A World Of Infinite Possibilities: Recoding Popular Culture In Modern U.S. Ethnic Fiction, Todd Martinez

UNLV Theses, Dissertations, Professional Papers, and Capstones

This project examines how the U.S. ethnic authors Ralph Ellison, Maxine Hong Kingston and Junot Díaz reflect the dynamic, reciprocal process of transculturation by decoding popular cultural forms. Using strategies made available by cultural studies, hemispheric theory and neoMarxism, critical attention will be directed to each author’s major literary work: Ellison’s Invisible Man, Kingston’s Tripmaster Monkey, and Díaz’s The Brief Wondrous Life of Oscar Wao. This dissertation further analyzes a hitherto overlooked area of U.S. multiethnic literary studies: the ethnic subject’s relationship to encoded popular culture forms and how they impact dentity formation. Recent scholarship has focused on the ethnic …

Más Allá De La Comisión De La Verdad Y Reconciliación: Memoria, Cuerpo Y Producción Cultural De Mujeres En El Perú (2005–2013), Otilia M. Mendiolaza

Dissertations, Theses, and Capstone Projects

This dissertation examines literary and cinematographic works concerning the war between the Peruvian Armed Forces and the Peruvian Communist Party Shining Path (1980-2000) produced by contemporary women artists. In particular, it analyzes how these works reveal topics overlooked by the report of the Truth and Reconciliation Commission of Peru (CVR) published on August 28, 2003. To do so, it studies the socio-political and cultural factors that contributed to the violation of human rights during the internal military conflict, especially of women, focusing on questions of memory, identity, and the body. The dissertation analyzes Rocío Silva Santisteban’s poetry collection Las hijas …

Memoria, Identidad Y Literatura Del Yo: Narrativas De La Segunda Generación De Escritores Exiliados Por La Guerra Civil Española, Juan Antonio Godoy

FIU Electronic Theses and Dissertations

The victory of the dictator Francisco Franco, after the Spanish Civil War (1936- 1939), resulted in the political repression of thousands of citizens who had been loyal to the Republican government, and the exile of more than 200,000 civilians. The studies of Spanish Civil war exile literature have paid more attention to the first generation of exiled writers. However, the purpose of this dissertation is to study the construction of the self in the autobiographical and auto-fictional works written by the second generation. These authors -- born between 1920 and 1938-- left Spain as children and reached adulthood in different …

El Tango Y La Cultura Popular En La Reciente Narrativa Argentina, Monica A. Agrest

Dissertations, Theses, and Capstone Projects

The aim of this doctoral thesis is to show that Tango as scenario, background, atmosphere or lending its stanzas and language, helps determine the tone and even the sentiment of disappointment and nostalgia, which are in much of Argentine recent narrative. In addition, this thesis aims, to answer questions like: How is it possible for Tango to transform itself into a literary component, and to be considered essential to Argentinean identity? Which of its characteristics allow it to provide literary language, atmosphere and even inspiration to the narrative’s creative process? How is the intertextual dialogue between its lyrics and the …

Frida's Daughter, Myrta Vida

Theses

The purpose of my creative writing is to highlight a group of U.S. citizens still woefully underrepresented in literature proper: the Latinx middle class. I’m keenly interested in exploring Puerto Rican and first- and second-generation Latinx immigrant stories. Even though some of the experiences from these groups have been elegantly visited by writers such as Giannina Braschi, Sandra Cisneros, Junot Diaz, Julia Alvarez, and others, there are nuances to the Latinx middle class experience that are yet to be uncovered. Being stuck in the cultural, linguistic, socio-economic, and political middles in a country that has recently taken a largely nationalist …

Flora Tristan’S Plural Identities In "Peregrinaciones De Una Paria": Challenging And Reproducing Existing Power Structures, Nancy Tille-Victorica

The Coastal Review: An Online Peer-reviewed Journal

This article analyses the ways in which Franco-Peruvian author Flora Tristan crosses the border of her plural identities in her famous travel book Peregrinaciones de una paria (1837). It especially looks at how she performs as a male in certain situations and how these are generally associated with her French identity. It also considers her identification as a woman and how it is linked to her Peruvian identity. These examinations reveal how Tristan actually redefines herself as a pariah and how her definition differs from that of outcast imposed on her in France prior to her departure for Peru.

El Espacio Como Constructor De Identidad En Los Cuentos De Julio Ramón Ribeyro, Anna Vanessa Torres Mallma

All Graduate Theses, Dissertations, and Other Capstone Projects

The purpose of this study is to analyze the importance of spatiality in the works of Julio Ramon Ribeyro and how these spaces reflect on the city’s physical and architectural transformation related to the inhabitants. The centralism of Lima has been a social phenomenon that accompanies the Peruvian culture from the 1940s to the 1950s due to the first wave of modernization of the city. This modernizing movement involved tremendous changes in the environment of Lima’s residents. Through these massive transformations, the city of Lima became an alienating space full of new symbols and meanings that altered the social geography …

Between Confession And Realism: Lack, Vision, And The Construction Of Identity In Rafael Arévalo Martínez’S Una Vida And Manuel Aldano, Maria Spitz

School of American and Global Studies Faculty Publications with a Focus on Modern Languages and Global Studies

The present study explores the relationship between generic ambiguity in Una vida (1914) and Manuel Aldano (1922) by the Guatemalan Rafael Aróvalo Martínez, and the Darwinian/Spencerian discourse with which the narrator attempts to construct an identity that will grant him a legitimate speaking subjectivity in the face of his inability to adapt to the changes in the Spanish American letrado’s role within societies at the periphery of modernization. Through an analysis of the narrator’s development and the emerging relationships between sexuality, language, genre, and vision in Arévalo Martínez’s short novels, the reader will note the irresolute tension between confession and …

Estrategias Desestabilizadoras En La Narrativa De Silvina Ocampo, Lorena Loguzzo

FIU Electronic Theses and Dissertations

La narrativa de Silvina Ocampo (1903-1993) no goza del lugar que merece en la ficción argentina y latinoamericana como obra de la principal cuentista del siglo XX. Hace relativamente poco que su obra comenzó a despertar el interés de la crítica, atención que se evidencia en la cantidad de artículos y disertaciones recientes.

Mediante una disección de la narrativa ocampeana a partir de las grandes coordenadas que la intersectan se pueden caracterizar los aspectos peculiares y distintivos de su estilo. Desarrollada tras la consolidación del psicoanálisis y su influencia en la estética surrealista, la narrativa de Ocampo incorpora algunos de …

Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley

The Quiet Corner Interdisciplinary Journal

This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …

Un Análisis De Personajes Menores En La Novela De Cómo Las Muchachas García Perdieron El Acento Por Julia Álvarez: ¿Cómo Representan La Idea Del Transculturación Laura García Y Chucha?, Molly Donovan

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

This work explores the identities and experiences of two minor characters (Laura García and Chucha) in Julia Alvarez' iconic work, How the García Girls Lost Their Accents. The essay compares and contrasts their experiences as women, as 'otras', and as immigrants. In studying how identities and perceptions change as borders are crossed, one can see how arbitrary status and social position can be. The characters examined in this essay exemplify two very different immigration experiences, which allows readers to remember the unique circumstances of all migrants. Written in Spanish.

Re-Formando Cuerpos: Las Identidades Femeninas En Escritoras Cubanas Durante El PeríOdo Especial, Amanda M. Montenegro

Honors Projects

Esta tesis explora cómo una variedad de autoras cubanas representan el cuerpo, las identidades femeninas y la relación entre las mujeres y la nación. Las autoras estudiadas incluyen Marilyn Bobes, Karla Suárez y Daína Chaviano. Sus narrativas ilustran y desarrollan una variedad de personajes –desde las mujeres blancas prerrevolucionarias hasta las “hijas de la revolución” afrocubanas—que representan diferentes maneras en que las mujeres construyen y reconstruyen sus identidades en la Cuba revolucionaria y hasta el comienzo del “Período especial”. Ilustran además cómo las mujeres vivieron fenómenos propios de ese período como la migración, la dolarización y el jineterismo. Así, revelan …

Yo, Ciborg: El Andamiaje Político De La Subjetividad Y De La Otredad En La Ciencia- Ficción Argentina, Silvia Gabriela Kurlat Ares

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Se ha dicho que los textos de ciencia-ficción abarcan todas las posibles formas de lo Otro al proveerle una identidad que subraya la diferencia como punto de partida para el diálogo. La ciencia-ficción argentina es tanto una excepción como una prueba de tal afirmación puesto que, aunque aparecen raras veces, los monstruos, los extraterrestres y las razas extrañas que la habitan ponen en evidencia en qué medida esa diversidad constituye una amenaza para discursos políticos que se organizan en torno a una deseada homogeneidad nacional. Pero a su vez, la misma singularidad de esa diferencia ofrece un espacio contra y …

Maurice Echeverría’S Labios: A Disenchanted Story About Lesbians In Guatemala’S Postwar Reality, Yajaira M. Padilla

Studies in 20th & 21st Century Literature

In the last two decades, lesbian, gay, and queer literary studies have gained significant ground in the broader field of Latin American cultural studies. Within this growing body of critical work, however, the Central American region and its literature have been largely ignored. This article, which focuses on the representation of lesbians and queer desire in the Guatemalan novel Labios (2004) ‘Lips’ by Maurice Echeverría, seeks to contribute to such a lack in Central American perspective. This essay contends, Echeverría’s text, one of a growing number of recent Central American narratives to call attention to and portray gay, lesbian, and/or …

The Disembodied Subject: Resistance To Norms Of Hegemonic Identity Construction In Carmen Naranjo’S Diario De Una Multitud, Regan Boxwell

Studies in 20th & 21st Century Literature

Costa Rica, whose civil war ended in 1948, represents a distinct literary space in which problematics of subjectivity were debated long before such dialectics appeared overtly in the rest of the isthmus. Carmen Naranjo’s novel Diario de una multitud (1974) is situated in this context, and her novel demonstrates a preoccupation with the heterogeneity of tico identity.

Naranjo favors a collective representation of the urban citizenry. Through the perceptual liminality of the individual subject, the friction generated by its absence, the constant blurring that resets the boundaries of specific identities, and the disappearance of the private realm, Naranjo avoids inscribing …

Chilean Cultural Identity: A Case Study Of Contemporary Mapuche Poetry, La Identidad Cultural Chilena: Un Caso De Estudio De La Poesía Mapuche Contemporánea, Christopher Culbertson

Senior Independent Study Theses

The topic is approached in three different manners: hybrid theory, academic perspectives, and poetry analysis. An application of hybrid theory facilitates the understanding of cultural identity within Chile. A discussion by three Chilean professors reveals the important themes of geographic location, generation, and language in both the production and reception of written contemporary Mapuche poetry. An analysis of selected of written Mapuche poetry depicts the unique conceptualizations of identity by contemporary Mapuche poets. As a result, this independent study shows how written contemporary Mapuche poetry is an appropriate indicator of the evolution of Mapuche hybrid identity.

Un Pie Aquí Y Otro Allá: Translation, Globalization, And Hybridization In The New World (B)Order, Jorge Jimenez-Bellver

Masters Theses 1911 - February 2014

This thesis explores the role of translation in the production and manipulation of identities in the contemporary Americas as exemplified in the work of Guillermo Gómez-Peña. Underscoring the instrumentality of borders vis-à-vis dominant constructions of identity and in connection with questions of language, race, and citizenship, I argue that translation not only functions as an agent of hegemonic superiority and oppression, but also as a locus of plurivocity and hybridization. Drawing from the concepts “continuous variation” (Deleuze and Guattari [1987] 2004), “coloniality of power” (Mignolo 2000), and “hybridization” (García-Canclini 1995), I discuss the connection of translation with three main topics: …

“Identity, Nation, And Revolution In Latin America.” Review Of Feminism And The Legacy Of Revolution: Nicaragua, El Salvador, Chiapas By Karen Kampwirth, Women, Creole Identity, And Intellectual Life In Early Twentieth-Century Puerto Rico By Magali Roy-Féquière, The Revolution Question: Feminisms In El Salvador, Chile And Cuba By Julie D. Shayne, And My Life As A Colombian Revolutionary: Reflections Of A Former Guerrillera By María Eugenia Vásquez Perdomo, Trans. Lorena Terando., Lee Joan Skinner

CMC Faculty Publications and Research

Women's relationships to the state, to their societies, and to the construction of national discourses continue to provide topics for at-times-heated debates. On the one hand, generalizing about women in such a way as to claim that all women have a particular type of connection to political or social phenomena runs the risk of subsuming certain categories of difference—racial, ethnic, class, sexual—at the same time that it attempts to highlight gender difference. On the other hand, refusing to make any kind of statement about the issues faced by groups of women as they negotiate their relationships with the political movements, …

Texts Of Light And Shadow: Dickens And Lautréamont In Alejandra Pizarnik's Sombra Poems , Beth Zeiss

Studies in 20th & 21st Century Literature

In her poetry, the Argentinean Alejandra Pizarnik (1936-72) persistently explores the transformations that the poetic subject undergoes in language. She articulates a cycle wherein the subject's desire to (re)create herself as a presence in language is followed by the desire for death, the absence of the self, when her desire becomes frustrated by language's inadequacies. As yet, the importance of the theme of the fluctuating self in language as developed by Pizarnik in a series of poems protagonized by Sombra, has not been analyzed. The character Sombra appears in six fragment-like poems published posthumously in Textos de Sombra (1982) and …

Where Am I? Who Am I? The Problem Of Location And Recognition In Helena Parente Cunha's Woman Between Mirrors , Joanne Gass

Studies in 20th & 21st Century Literature

Helena Parente Cunha's novel, Woman Between Mirrors explores the many ways in which a dominant and domineering patriarchy can and does impose itself upon its subjects through what Louis Althusser calls interpellation. Parente Cunha's woman, a true twentieth-century heroine, faces her divided self—a self determined by ideology—and begins a quest which will end when she becomes an "I" before her shattered mirrors. But before that can happen, she must author herself, and, in the process of writing herself, she must overcome the demons of location and recognition. In the material sense, the woman must locate herself geographically, historically, socially, and …

A Clear-Sighted Witness: Trauma And Memory In Maryse Condé'S Desirada, Dawn Fulton

Studies in 20th & 21st Century Literature

Maryse Condé's 1997 novel recounts a young Guadeloupean woman's frustrating search for the identity of her father. Because the information she seeks is initially guarded by her mother and later contradicted by friends and family, this heroine confronts an epistemological impasse, a potentially traumatic event to which she will never have direct access. Informed by Toni Morrison's reflections on memory and invention and by recent studies in trauma theory, this essay examines the ways in which Condé negotiates this impasse in her novel, creating a narrative field of knowledge that allows for its own lacunae and maintains multiple registers of …

Reconfiguring Boundaries In Maryse Condé'S Crossing The Mangrove , Deborah B. Gaensbauer

Studies in 20th & 21st Century Literature

Maryse Condé's 1989 novel, Crossing the Mangrove, presents a compelling performance of the complicated patterns of place and space inherent in the social masquerade of a small, isolated, Guadeloupean village. Because the novel corresponds to Condé's return to a Caribbean "stage" to continue a long process of questioning mapped configurations of identity, critical attention has focused on the character of Francis Sancher, the returning "stranger," whose wake serves as both frame and catalyst for the action. Insufficient attention has been paid to the role of Mira Lameaulnes, Sancher's rejected mistress and the mother of his child, whose story the …

The Integration Of A Fragmented Self In The Works Of Angelina Muñiz-Huberman, Malva E. Filer

Studies in 20th & 21st Century Literature

Literary creation is always a transposition of individual and collective experiences…

(Ef)Facing The Face Of Nationalism: Wrestling Masks In Chicano And Mexican Performance Art , Robert Neustadt

Studies in 20th & 21st Century Literature

Masks serve as particularly effective props in contemporary Mexican and Chicano performance art because of a number of deeply rooted traditions in Mexican culture. This essay explores the mask as code of honor in Mexican culture, and foregrounds the manner in which a number of contemporary Mexican and Chicano artists and performers strategically employ wrestling masks to (ef)face the mask-like image of Mexican or U.S. nationalism. I apply the label "performance artist" broadly, to include musicians and political figures that integrate an exaggerated sense of theatricality into their performances. Following the early work of Roland Barthes, I read performances as …

Introduction , Charles Tatum

Studies in 20th & 21st Century Literature

Contemporary cultural critics have theorized the multiple aspects of "location" in many different ways…

Reading The Other Side Of The Story: Ominous Voice And The Sociocultural And Political Implications Of Luis Spota's Murieron A Mitad Del Río , Francisco Manzo-Robledo

Studies in 20th & 21st Century Literature

It is always contoversial to proclaim a literary work, at face value, as a sociocultural study of a particular society. It is even more controversial when one deals with a hybrid work, combining factors from two completely distinct societies. Yet, there are some literary works that seem to call for exactly this type of analysis, presenting a range of ideas which in retrospect reveal origins of significant sociocultural trends. Such is the case of Luis Spota's Murieron a mitad del río (1948). This novel presents a panorama of ancestral problems in the life of thousands of immigrants and inhabitants of …

Hegemony And Identity: The Chicano Hybrid In Francisco X. Alarcón's Snake Poems , George Hartley

Studies in 20th & 21st Century Literature

Snake Poems renegotiates power relations between the discourse of Spanish imperialism and Aztec poetic practice. Alarcón's extended poem enacts a process of ethnic, cultural, and spiritual identification through a confrontation between texts—Alarcón's original poems, passages of commentary from the Spanish Inquisitor Hernando Ruíz de Alarcón's treatise on Aztec spells and invocations, and the Aztec spells themselves in the original Náhuatl, the Aztec language. Each of these three layers of text represents a unique and competing people, ideology, and culture, and it is the clash and the hybrid fusion of these distinct discourses that Alarcón the poet stages in Snake Poems …