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Articles 1 - 13 of 13
Full-Text Articles in Spanish and Portuguese Language and Literature
Cuerpos Para Tocar: El Uso De La Imagen En La Representación De La Corporalidad Femenina Y La Política En La Ficción De María Teresa Andruetto, Karina Elizabeth Vázquez
Cuerpos Para Tocar: El Uso De La Imagen En La Representación De La Corporalidad Femenina Y La Política En La Ficción De María Teresa Andruetto, Karina Elizabeth Vázquez
Latin American, Latino and Iberian Studies Faculty Publications
Es poco común comenzar un estudio de crítica literaria hacienda referencia a lo visual; incluso si la propuesta analítica tiene como eje la coalescencia entre texto e imagen. El texto literario se encuentra en diálogo con otros, y por eso, como principio que respeta el genera discursivo, así como la práctica crítica, desde el comienzo a las novelas cabe encuadrarlas en el conjunto de textos de su especie. No obstante, el diálogo entre palabras e imágenes es una constante, y trabajos notables, como Pliegues visuales: narrativa y fotografía en la novela latinoamericana contemporánea (2013), de Magdalena Perkowska, ofrecen un puntapié …
Inherited Exile And The Work Of María Rosa Lojo, Marcela Crespo Buiturón
Inherited Exile And The Work Of María Rosa Lojo, Marcela Crespo Buiturón
Studies in 20th & 21st Century Literature
In recent decades, Argentine literature has demonstrated increasing interest not in Spanish immigrants or exiles but rather in their children, prompting a reconsideration of critical approaches to exile to account for situations in which the same experience acts as a mirror between parents and the children who inherit exile from them. The work and the reflections of the poet, essayist and narrative writer María Rosa Lojo, daughter of exiles—a Spanish Republican father and Francoist mother—in Buenos Aires, can be considered a paradigmatic example.
Hibridaciones Corpóreas: Los “Ejemplares Raros” De Botánica Del Caos De Ana María Shua, Ilka Kressner
Hibridaciones Corpóreas: Los “Ejemplares Raros” De Botánica Del Caos De Ana María Shua, Ilka Kressner
Languages, Literatures and Cultures Faculty Scholarship
Los cuerpos humanos, sus procesos paulatinos y cambios repentinos, sus misterios, espantos y goces forman una tematica central en la narrativa de Ana Maria Shua. En casi todas sus novelas, cuentos y mini-cuentos, la fabuladora argentina nos invita a asistir a espectaculos textuales de lo corporeo en transformacion--a menudo ilogicos, semi-surrealistas, grotescos y exuberantes. Sus protagonistas transitorios enfrentan aventuras proteticas que cuestionan tanto las diferenciaciones sexuales como las taxonomias de diferentes especies como las categorizaciones de lo humano, lo animal y lo botanico. Hasta refutan la division entre lo animado y lo inanimado. Tambien la ultima coleccion de mini-cuentos de …
A Tale Of Two Authors: Valenzuela And Borges , Sharon Magnarelli
A Tale Of Two Authors: Valenzuela And Borges , Sharon Magnarelli
Studies in 20th & 21st Century Literature
Although Luisa Valenzuela and Borges were friends for many years, it is only recently that we find traces of that friendship in her narrative. "La calesita" and "El otro libro," published in 1998 and 1999 respectively, evoke many of the elements we find in Borges's narrative. The latter story, which is the main focus of this study, employs nearly all the narrative elements we have come to associate with the Argentine master. Nonetheless, a single sign is changed as Borges's male characters are replaced by females in Valenzuela's work. The end result is a tribute to Borges but one that …
Introduction , Charles Tatum
Introduction , Charles Tatum
Studies in 20th & 21st Century Literature
Contemporary cultural critics have theorized the multiple aspects of "location" in many different ways…
Victoria Ocampo And Alfonso Reyes: Ulysses's Malady , Doris Meyer
Victoria Ocampo And Alfonso Reyes: Ulysses's Malady , Doris Meyer
Studies in 20th & 21st Century Literature
Ocampo (Argentina, 1890-1979) and Reyes (Mexico, 1889-1959) were arguably Latin America's most influential writers and cultural catalysts in the first half of the twentieth century. They met in Argentina in 1927 and their friendship and correspondence lasted until Reyes's death. Over three decades of private and public discourse, they articulated a similar vision of Latin American identity and its future potential. Because they were both internationally known—Ocampo as founder and director of the literary review SUR, and Reyes as a diplomat and intellectual leader—their ideas found resonance in the Americas and Europe. Two dramatic works they wrote before meeting, Ifigenia …
Usurping Difference In The Feminine Fantastic From The Riverplate, María B. Clark
Usurping Difference In The Feminine Fantastic From The Riverplate, María B. Clark
Studies in 20th & 21st Century Literature
This study intended to define the concept of a feminine fantastic as a narrative mode in contemporary short fiction by women writers from Argentina and Uruguay. As a point of departure, the study examined the narrative techniques and conventions of the fantastic and their strategic use for the expression of feminine concerns. The concept of the feminine was used in the sense of referring to an interpretation of femininity as a construct of language rather than an essentially feminine narrative mode based on a biological gender division. An overview of fantastic short stories by women writers from Argentina and Uruguay …
The Early (Feminist) Essays Of Victoria Ocampo, Doris Meyer
The Early (Feminist) Essays Of Victoria Ocampo, Doris Meyer
Studies in 20th & 21st Century Literature
This study examines the essays written by Ocampo between 1920 and 1934, prior to the time when she publicly voiced her adhesion to feminism and the rights of women in Argentine society. In these works from her Testimonios in which Ocampo struggles to find her voice as a female writer, the maleable essay serves her need to engage in discursive dialogues from the margins of the literary culture of her time. Both as a woman and a member of the oligarchy, she questions cultural assumptions and gender-based binary structures common among the male writers of her time, many of whom …
Dramatic Strategies Made Clear: The Feminist Politics In Griselda Gambaro's Puesta En Claro, Sandra Cypess
Dramatic Strategies Made Clear: The Feminist Politics In Griselda Gambaro's Puesta En Claro, Sandra Cypess
Studies in 20th & 21st Century Literature
In this essay I explore the feminist aspects of Puesta en claro, written in 1974, when Griselda Gambaro was not yet considered a writer who paid attention to feminine issues. Yet to the extent that Gambaro always focuses on the constellation of problems relating to power relations, she is including feminine and feminist issues in her text, and continues a tradition many critics relate to Sor Juana Inés de la Cruz, as I shall argue in my conclusion. Seen within the trajectory of Gambaro's dramaturgy, Puesta en claro, as a play from the 1970s is also remarkable in …
The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli
The New Novel / A New Novel: Spider's Webs And Detectives In Luisa Valenzuela's Black Novel (With Argentines), Sharon Magnarelli
Studies in 20th & 21st Century Literature
The article analyzes Valenzuela's novel in relation to Shaw's summary of projections about the directions the new novel will or should take. Specifically, it examines the novel in terms of the detective novel to which the title alludes and demonstrates that Valenzuela departs from the traditional detective novel with its quest for knowledge. In Valenzuela's novel there are no definitive answers, only obscurely intuited connections, which we would perhaps prefer not to make, for Valenzuela eschews both a master narrative and a narrative of mastery. Nonetheless, as the article demonstrates, the protagonists' search for motives, their quest to understand the …
Ideology And Structure In Giardinelli's Santo Oficio De La Memoria, Gustavo Pellón
Ideology And Structure In Giardinelli's Santo Oficio De La Memoria, Gustavo Pellón
Studies in 20th & 21st Century Literature
The article studies the most recent novel by Argentine novelist Mempo Giardinelli from the point of view of its polyphonic structure. Santo Oficio is compared to one of its models, William Faulkner's As I Lay Dying, and the respective modern and postmodern aesthetics ofboth novels are discussed. Giardinelli's approach in this ambitious novel is contrasted with that of major authors of the Latin American Boom. A family tree of the Domeniconelle family, the protagonists of Santo Oficio, is included.
The Oldest Trick In The Book: Borges And The "Rhetoric Of Immediacy'', James Winchell
The Oldest Trick In The Book: Borges And The "Rhetoric Of Immediacy'', James Winchell
Studies in 20th & 21st Century Literature
In his most "philosophical'' texts, Jorge Luis Borges paradoxically posits the act of reading as the scene of affectively "immediate" experience: his reader reads a reader reading (ad infinitum). This sort of hyper-meditated, specular imitation actually comes to mirror the substantive preoccupation of the "philosophical" text itself. Borges thereby breaks down what Theodor Adorno calls "concept fetishism'' by making mimesis his textual concept. Given Italo Calvino's claim for the novelty of "The Approach to Al-Mu'tasim" in relation to modern genres, I propose a two-fold thesis: first, that this typically Borgesian narrative juxtaposes concept and mimesis (a traditional …
Unreading Borges's Labyrinths, Lawrence R. Schehr
Unreading Borges's Labyrinths, Lawrence R. Schehr
Studies in 20th & 21st Century Literature
Borges's stories often valorize the figures of text and labyrinth, and, in "The Garden of Forking Paths," an identity is posited between them. This identity is the means to deconstructing the story and, at the same time, for refusing both structuralist and metaphysical readings of the work. The text of the story gradually subsumes the world it seeks to represent under and within an all-encompassing textuality without origin and without any clearly delimited meaning except absence, the destruction of meaning, death. The solution of the labyrinth is its dissolution, that is, the deconstruction of the text. This easily thematizable deconstruction …