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Articles 1 - 30 of 54
Full-Text Articles in Spanish and Portuguese Language and Literature
Culturalización Y Segregación, George Yudice
Los Extremos De La Sexualidad En La Caracterización Literaria De Vargas Llosa: El Chivo, Gauguin Y Flora Tristán, Dolores Rangel
Los Extremos De La Sexualidad En La Caracterización Literaria De Vargas Llosa: El Chivo, Gauguin Y Flora Tristán, Dolores Rangel
Dolores Rangel
No abstract provided.
Trabajo Y Literatura: El Topos De La Mujer Obrera En La Narrativa Argentina Del Siglo Xx, Karina Elizabeth Vázquez
Trabajo Y Literatura: El Topos De La Mujer Obrera En La Narrativa Argentina Del Siglo Xx, Karina Elizabeth Vázquez
Latin American, Latino and Iberian Studies Faculty Publications
El papel del peronismo en la historia del movimiento de los trabajadores en Argentina ha sido extensamente investigado. El trabajo de Juan Carlos Portantiero y Miguel Murmis, Estudios sobre los orígenes del peronismo (1971), ocupó un lugar medular en la profusión de estudios sobre los sectores trabajadores y su identidad política. Entre los más importantes se pueden mencionar Historia del movimiento obrero argentino (1987-1991), de Julio Godio; Resistencia e integración: el peronismo y la clase trabajadora argentina (1945-1976) (1990), de Daniel James; Educación, cultura y trabajadores (1991), de Dora Barrancos; Los trabajadores de Buenos Aires. La experiencia del mercado: …
Peel My Love Like An Onion De Ana Castillo: El Amor “Antiromántico” Y La Audiencia Mayor, Rebecca Martin
Peel My Love Like An Onion De Ana Castillo: El Amor “Antiromántico” Y La Audiencia Mayor, Rebecca Martin
Hipertexto
No abstract provided.
El Vanguardista Juego De Los Narradores En Teoría Del Zumbel De Benjamín Jarnés, Cora Requena Hidalgo
El Vanguardista Juego De Los Narradores En Teoría Del Zumbel De Benjamín Jarnés, Cora Requena Hidalgo
Hipertexto
No abstract provided.
Ideología Y Política En La Obra Narrativa De Tomás Eloy Martínez, Marcelo Coddou
Ideología Y Política En La Obra Narrativa De Tomás Eloy Martínez, Marcelo Coddou
Hipertexto
No abstract provided.
Cuba, Crisis, Crime And Police: The Panoptic View Of Leonardo Padura Fuentes’ Detective Novels, Luis O. Pérez-Simón
Cuba, Crisis, Crime And Police: The Panoptic View Of Leonardo Padura Fuentes’ Detective Novels, Luis O. Pérez-Simón
Hipertexto
No abstract provided.
Cre(C)Er Entre Los Obuses: Análisis Comparativo De Los Protagonistas De Campo Cerrado (Max Aub) Y El Rey Y La Reina (Ramón J. Sender), Emilio Jose Gallardo Saborido
Cre(C)Er Entre Los Obuses: Análisis Comparativo De Los Protagonistas De Campo Cerrado (Max Aub) Y El Rey Y La Reina (Ramón J. Sender), Emilio Jose Gallardo Saborido
Hipertexto
No abstract provided.
Fine, Ruth. Una Lectura Semiótico-Narratológica Del Quijote En El Contexto Del Siglo De Oro Español. Madrid/Frankfurt: Iberoamericana/Vervuert, 2006., Brian Patrick
Hipertexto
No abstract provided.
Blasco Ibáñez And Animal Portrayals: An Attempt At Societal Reformation, Jeffrey Oxford
Blasco Ibáñez And Animal Portrayals: An Attempt At Societal Reformation, Jeffrey Oxford
Hipertexto
No abstract provided.
Hablamos Es Un Decir Que No Termina. Entrevista Con El Poeta Argentino Osvaldo Picardo, Ioana Gruia
Hablamos Es Un Decir Que No Termina. Entrevista Con El Poeta Argentino Osvaldo Picardo, Ioana Gruia
Hipertexto
No abstract provided.
Javier Ordiz. El Mito En La Obra Narrativa De Carlos Fuentes (2ª Ed.) Universidad De León, Servicio De Publicaciones, 2005, 190 Pp., Jose Carlos González Boixo
Javier Ordiz. El Mito En La Obra Narrativa De Carlos Fuentes (2ª Ed.) Universidad De León, Servicio De Publicaciones, 2005, 190 Pp., Jose Carlos González Boixo
Hipertexto
No abstract provided.
Con La Palabra Y Con La Imagen: Entrevista Con Unai Elorriaga, Luis Daniel González, Jose Maria Martinez
Con La Palabra Y Con La Imagen: Entrevista Con Unai Elorriaga, Luis Daniel González, Jose Maria Martinez
Hipertexto
No abstract provided.
Innovación Y Técnicas Narrativas En Tiempo De Silencio, Manuel Pulido Azpíroz
Innovación Y Técnicas Narrativas En Tiempo De Silencio, Manuel Pulido Azpíroz
Hipertexto
No abstract provided.
The Use Of Humor In Manuel Mujica Láinez´S Crónicas Reales, Gregory A. Clemons
The Use Of Humor In Manuel Mujica Láinez´S Crónicas Reales, Gregory A. Clemons
Hipertexto
No abstract provided.
José Martí’S Attitude Toward Immigration In Postcolonial America, Georg M. Schwarzmann
José Martí’S Attitude Toward Immigration In Postcolonial America, Georg M. Schwarzmann
Hipertexto
No abstract provided.
“Our Theater,” In Performance, Debra Castillo
“Our Theater,” In Performance, Debra Castillo
Studies in 20th & 21st Century Literature
The final chapter of Miguel Rubio Zapata’s El cuerpo ausente (performance político) ‘Absent body (political performance)’ begins with an epigraph from Antonin Artaud, at first glance a very unexpected inspiration for a group famed for its politically-charged performances...
Where The Wild Things Go: Tourism And Ethnic Longing In The Theatre Of Rodolfo Santana , Vicky Unruh
Where The Wild Things Go: Tourism And Ethnic Longing In The Theatre Of Rodolfo Santana , Vicky Unruh
Studies in 20th & 21st Century Literature
Tapping into the performative intricacies of tourist activity and showcasing the negotiations of performed ethnicity in the implicit contrasts between tourists and the people they travel to see, Latin American and U.S. Latino theatre artists use the tourist character or theme to investigate the cultural negotiations marking contemporary social life. This work parallels critical theory that investigates the tourist as an improvisatory player in trans-regional interactions and unpacks the tourist-“native” binary to revise conceptions of people and cultures that travel. As exemplified in two plays by Rodolfo Santana (Venezuela), artists deploy the tourist theme to critique culturalism, that is, to …
The Procession That Travels Inside: Yuyachkani's "Santiago" , Miguel Rubio Zapata
The Procession That Travels Inside: Yuyachkani's "Santiago" , Miguel Rubio Zapata
Studies in 20th & 21st Century Literature
In collaborative theater projects like Yuyachkani, it is hard to define the exact moment when a new project begins. Generally we have a very imprecise idea as our initial point of departure and we explore it more fully in the day-to-day work, where it changes a great deal. Santiago is a project that began as a processional performance piece in the public plazas before premiering as a theatrical work in its current form, as a largely Quechua-language play focusing on permutations of faith in an almost uninhabited Andean village. The final project arrived as a result of this complex …
The Lost Apple Plays: Performing Operation Pedro Pan , Kimberly Del Busto Ramírez
The Lost Apple Plays: Performing Operation Pedro Pan , Kimberly Del Busto Ramírez
Studies in 20th & 21st Century Literature
From 1960 to 1962, more than 14,000 unaccompanied minors took flight from Cuba to the United States, establishing the largest recorded exodus in the Western Hemisphere. The displaced children and the country they left behind are often metaphorized using a popular Latin American nursery rhyme, “The Lost Apple.” Now, more than four decades later, Operation Pedro Pan persists through a revealing body of performance by and about a nation’s exiled children. The Lost Apple Plays investigates how memory, identity formation, nationhood, citizenship, and migration have been dramatized through these performances. Pulitzer Prize-winning playwright Nilo Cruz, director/actor/playwright Mario Ernesto Sánchez, singers …
Passion Plays: The Dominican Diaspora In Waddys Jáquez’S P.A.R.G.O., Maja Horn
Passion Plays: The Dominican Diaspora In Waddys Jáquez’S P.A.R.G.O., Maja Horn
Studies in 20th & 21st Century Literature
This article analyzes how the play P.A.R.G.O. (2001), written, directed, and performed by the Dominican Waddys Jáquez represents the contemporary experience of the Dominican diaspora. Jaquéz himself forms part of a new generation of diasporic artists who frequently return “home,” to the Dominican Republic, and who, unlike the previous generation of diasporic artists and writers, continue to find their most valuable audience there. This tendency towards an increasing interconnectivity between diaspora and homeland is represented and a/effectively reinforced in P.A.R.G.O. The play brings the experience of the diaspora close to home for the audience, not by compelling them to identify …
It’S My (National) Stage Too: Sabina Berman And Jesusa Rodríguez As Public Intellectuals, Stuart A. Day
It’S My (National) Stage Too: Sabina Berman And Jesusa Rodríguez As Public Intellectuals, Stuart A. Day
Studies in 20th & 21st Century Literature
Based on interviews with Sabina Berman and Jesusa Rodríguez, this article offers a view of artists as public intellectuals in Mexico. These two prominent figures, in addition to staging biting commentaries on Mexican politics, have reached beyond the traditional theater to take on the role of public intellectuals (artists, activists, professors, performers, writers, among others, who speak truth to power) on the national stage, Berman through a book on the 2006 elections and her television program, Shalalá, and Rodríguez as the stage director for the massive public demonstrations of Andrés Manuel López Obrador. Both artists see the importance of reaching …
Dangerous Spaces, Dangerous Liaisons: Performance Arts On And Of The U.S./Mexico Border, Kirsten F. Nigro
Dangerous Spaces, Dangerous Liaisons: Performance Arts On And Of The U.S./Mexico Border, Kirsten F. Nigro
Studies in 20th & 21st Century Literature
This essay will consider the performative arts on the border, ranging from script-based plays to performance pieces in urban spaces and public installation pieces. These will be analyzed according to their focus on 1) the plight of the illegal immigrant; 2) the violence that has become a daily factor in the lives of border citizens; and 3) the symbolic efforts to make a sacred space out of one as seemingly unsacred as the border; and if not a sacred space, one that is more transparent and hopefully, less dangerous and threatening.
From The Margins To The Mainstream: Latino/A Theater In The U.S., Jorge Huerta
From The Margins To The Mainstream: Latino/A Theater In The U.S., Jorge Huerta
Studies in 20th & 21st Century Literature
The author discusses Latina/o theatre as it evolved from social protest theatre of the 1960s to professional theatre companies and theatre artists working throughout the country. Whereas there were few scholarly articles, no books about Latina/o theatre and no plays in print (in English) in 1970, today there is a wealth of material about the theatre of the three major Latina/o groups, Chicana/os, Cuban-Americans and (mainland) Puerto Ricans. Each of these groups has a distinct relationship to the United States, as expressed in their plays.
(De)Humanizing Humor: The Anthill Of Life And Politics In The Theatre Of Sabina Berman, Priscilla Meléndez
(De)Humanizing Humor: The Anthill Of Life And Politics In The Theatre Of Sabina Berman, Priscilla Meléndez
Studies in 20th & 21st Century Literature
This article examines several theatrical works of this Mexican dramatist by means of ironic humor as a powerful resource to examine the nature of human communication, and to expose the serious and devastating social and political aspects of contemporary culture: machismo, political corruption, sexual violence, sexism, exploitation, historical manipulation, and hopelessness. In a tense environment where humor might not seem appropriate, Berman masterfully uses and critically examines it as a means to understand humor’s serious implications and its comic imperfections, as she subtly recurs to but also parodies some of the most recognized theories of humor. Berman’s use of incongruity …
Mobile Thresholds, Immobile Phones: Staging Migration, Return, And The Empty Home In Recent Ecuadorian Theater , Amalia Gladhart
Mobile Thresholds, Immobile Phones: Staging Migration, Return, And The Empty Home In Recent Ecuadorian Theater , Amalia Gladhart
Studies in 20th & 21st Century Literature
In the past decade, hundreds of thousands of Ecuadorians have emigrated, principally to Spain and the United States. A growing body of recent Ecuadorian plays has treated the experiences of the migrants and, tellingly, the experiences of those left behind. This essay focuses on three plays that present migration as a kind of threshold, a space of transition that is paradoxically temporary yet solid: Con estos zapatos me quería comer el mundo ‘With These Shoes I Meant to Take on the World,’ (2002) by Jorge Mateus and Pablo Tatés; El pueblo de las mujeres solas ‘The Village of Solitary Women,’ …
An Account Of Señorita Maquiladora, Rosina Conde
An Account Of Señorita Maquiladora, Rosina Conde
Studies in 20th & 21st Century Literature
Performer and scholar Rosina Conde finds that Señorita Maquiladora is the performance piece that has gone through the most transformations, not in its script, but in its text, as it is constantly being rewritten to speak to contemporary social issues. She believes that Señorita Maquiladora has potential because it speaks to global themes that affect workers in the assembly plant industry, not only with respect to the questions of the environment and health, but also in terms of the patriarchial patterns that force these women to compete in an atmosphere of a vertical structure dominated by men, with all the …
Legalidad, Resistencia Y Ética, George Yudice
Una Lectura De La Sociedad Porfiriana En Nadie Me Verá Llorar De Cristina Rivera Garza, Dolores Rangel
Una Lectura De La Sociedad Porfiriana En Nadie Me Verá Llorar De Cristina Rivera Garza, Dolores Rangel
Dolores Rangel
No abstract provided.
El Paradigma Ético De La Escritura Martiana : Desbordes De La Modernidad, Carlos E. Cenzano
El Paradigma Ético De La Escritura Martiana : Desbordes De La Modernidad, Carlos E. Cenzano
FIU Electronic Theses and Dissertations
This dissertation explores the nature of Jose Marti's ethical ideas in relation to the rise of late Nineteenth Century Modernity and in tandem with the deconstruction and subversion of the principal constituencies of colonial and aesthetic discourses. Marti proposes a new paradigm that question the insatiable pursuit of novelty, the hostility towards tradition, the historical perspectivism and a critical stance with regard to social aesthetic Modernity. He also questions the cult of reason, the linear historicism, and the teleological progress framed in philosophical utilitarian pragmatism of bourgeois Modernity. His radical criticism of the structures and institutions of the hegemonic power …