Spanish and Portuguese Language and Literature Commons^™

Ejercicios De Sí: Escritura, Cuerpo Y Deporte En El Cono Sur (1964–2019), Pablo Yankelevich

Dissertations, Theses, and Capstone Projects

My dissertation studies the work of three performative figures from Latin America for whom physical practice is a fundamental issue of their artistic inquiries. In particular, it analyzes the ways in which writers and athletes Leonor Silvestri (Argentina), Héctor Benjamín Viel Temperley (Argentina), and Paulo Leminski (Brazil) problematize the body as the site of social and political experimentation over the last fifty years. By examining how these figures challenged liberal and neoliberal normative dictums about the place of the body, particularly in times of political repression, my research reflects on unauthorized exercises of bodily freedom and considers sport and physical …

Del Ornitorrinco A La Radio Ambulante: La Nueva Crónica Latinoamericana En La Era Neoliberal, Ulises Gonzales

Dissertations, Theses, and Capstone Projects

This dissertation explores the presence of neoliberal hegemonic imaginaries in narrative journalism written in Latin America between 1995 and 2021.

There are strong connections between a period of decline in the readership of some of the authors of the so-called “Latin American Boom,” the penetration of neoliberal economic policies in the region (with the privatization of State companies and the expansion of the telecommunications industry), and the renewed interest in non-fiction writing published by a number of print publications in the region during the last decade of the 20th Century and the beginning of the 21st Century, as in magazines …

“El Inglés Y El Spánich”: Translating The Heterolingualism Of La Frontera–A Critical Translation Of Luis Humberto Crosthwaite’S Estrella De La Calle Sexta, Nora E. Carr

Dissertations, Theses, and Capstone Projects

This dissertation offers an original translation and critical analysis of Crosthwaite’s Estrella de la calle sexta. In so doing it engages with recent work on contemporary Latin American literature, translation theory, and border theory, while also offering a version of Crosthwaite’s text—itself a seminal work in studies of the Tijuanan imaginary—that will be accessible to anglophone readers. The critical chapters, too, will allow scholars of the border to revisit the stories of Estrella through the lenses of language, translation, and heterolingualism. Chapter One offers a reevaluation of the mode of translation theory that posits translation as a textual transfer from …

El Ascendiente Latinoamericano En La Literatura Euskaldun: “Realismo Mágico”, “Literatura Mundial” Y La Emergencia Del Campo Literario Vasco, Gustavo Jimenez Vaquero

Dissertations, Theses, and Capstone Projects

My dissertation, “El ascendiente latinoamericano en la literatura euskaldun: ‘realismo mágico’, ‘literatura mundial’ y la emergencia del campo literario vasco” (“The Latin American Ascendency of Basque Literature: ‘magical realism,’ ‘world literature’ and the emergence of the Basque literary field”), analyzes the influence of Latin American literature in the formation of modern Basque literature vis-a-vis contemporary debates of World Literature. Contradicting the nationalist agenda governing the metanarrative elaborated by Basque literary histories, my work uncovers the Latin American ascendency of modern Basque literature in the canonical works of a group of Basque writers who played a key role in the modernization …

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar

Dissertations, Theses, and Capstone Projects

The Nuyorican movement was a cultural and intellectual movement beginning in the late 1960s through the 1970s that coincided with the era of civil rights struggle in the United States. The artists, writers, poets, and others in the movement were of Puerto Rican descent and resided in New York neighborhoods such as El barrio or Spanish Harlem, Loisaida or the Lower East Side and the South Bronx. The term “Nuyorican” was embraced as a badge of honor and pride by New York’s Puerto Rican community. It was during this time that cultural-specific institutions such El Museo del Barrio, Taller Boricua, …

Revisiting Juchitán: Witnessing An Indigenous Mexico Within The Latin American Archive, Michelle G. De La Cruz

Dissertations, Theses, and Capstone Projects

Throughout archives of photographic collections, as one discovers the focused, artistic selective process of images that become part of a photographer’s collection, one must venture further and ask: will these choices be decisively remembered by an individual or collective audience or actively be dismissed, misunderstood, and denied presence? For my master’s thesis, I will be analyzing Mexican photographer Graciela Iturbide’s photobook, Juchitán de las Mujeres, a photo-collection of the women-empowered indigenous society in Oaxaca, Mexico which erupted during Latin American photography’s prime in the 20th century, turning away from a deeply exoticized past and towards a celebration of Hispanism as …

Una Isla, Dos Literaturas: Contrapunteo De La Literatura De La Isla Y La Diáspora Dominicanas (1965–2018), Jose L. Peralta

Dissertations, Theses, and Capstone Projects

Una isla, dos literaturas.

Contrapunteo de la literatura de la isla y la diáspora dominicanas (1965-2018)

by

Jose Luis Peralta Genao

Advisor: Carlos Riobó

The literary works written by Dominican Diaspora as well as the ones written in the island have been dealing with a very complicated phenomena grown as the result of Dominican massive emigration of twenty century, namely the definition of dominicaness (dominicanidad). In the search of a broader notion of this concept the idea of being Dominican gets build and transforms in different Dominican literary spaces. By searching national discursive elements that construct that Dominican identities in …

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Lo Visible, Lo Invisible Y Lo Imaginable: Neoliberalismo Y Ciudad En Las Producciones Culturales De Posguerra En Centroamérica, Maria A. Leon Umana

Dissertations, Theses, and Capstone Projects

This project researches the radical change that the peace treaty of the 1990s brought to Central American societies in connection with economic models. Specifically, it examines the way in which the implementation of neoliberal policies has transformed the cities concerning the spatial and the social; consequently, resulting in an important urban shift in regard to postwar cultural productions. I build a theoretical model organizes the investigation in three representative examples of Central American urban imaginaries (The Visible, The Invisible, and the Imaginable) so as to enlighten and/or enrich the analysis of the region’s urban social realities—examined in detail in a …

Más Allá De La Comisión De La Verdad Y Reconciliación: Memoria, Cuerpo Y Producción Cultural De Mujeres En El Perú (2005–2013), Otilia M. Mendiolaza

Dissertations, Theses, and Capstone Projects

This dissertation examines literary and cinematographic works concerning the war between the Peruvian Armed Forces and the Peruvian Communist Party Shining Path (1980-2000) produced by contemporary women artists. In particular, it analyzes how these works reveal topics overlooked by the report of the Truth and Reconciliation Commission of Peru (CVR) published on August 28, 2003. To do so, it studies the socio-political and cultural factors that contributed to the violation of human rights during the internal military conflict, especially of women, focusing on questions of memory, identity, and the body. The dissertation analyzes Rocío Silva Santisteban’s poetry collection Las hijas …

A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato

Dissertations, Theses, and Capstone Projects

In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …

Una Enunciación Intersticial: La Poética Del Destierro De Carlos De Rokha, Mariana Romo-Carmona

Dissertations, Theses, and Capstone Projects

Una enunciación intersticial: la poética del destierro de Carlos de Rokha

The era of the Chilean vanguard, in early twentieth century, is currently experiencing a resurgence of interest and study. In particular, the popular uprisings of 1938 and significant advancement of women in cultural and social terms are pivotal, yet it was also the stage of state-sanctioned repression and violence, and in the ensuing decades, persecution of activists and marginalized individuals. My study of the work of the surrealist poet, Carlos de Rokha (1920-1962), highlights the close relationship in the creation of the literary canon with the definition of a …

Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer

Dissertations, Theses, and Capstone Projects

This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …

Working Lives: Artistic Solidarity In Revolutionary Peru (1960–1980), Jose R. Chavarry

Dissertations, Theses, and Capstone Projects

This dissertation examines the discourses and experiences of cultural work as a form of intellectual and artistic solidarity in Peru during the 1960s and 1970s. Amid the broader Latin American and global spirit of revolution, anti-imperialism and Third World liberation, in Peru these decades saw a radical transformation in society where rural and urban masses rose against a traditional political and socioeconomic system that maintained colonial structures of domination and oppression of marginalized populations. In an attempt to rein in this desborde popular, as it became known, the nationalist and populist Revolutionary Government of the Armed Forces and a …

La Vigencia De Lo R/Real: La Memoria Traumática Y El Relato Policial Postdictatorial En Argentina Y Chile, 1996–2015, Jelena Mihailovic

Dissertations, Theses, and Capstone Projects

The present dissertation investigates crime fiction produced in Argentina and Chile between 1996 and 2015. It offers an analytical and critical reflection on five Argentinian works (four novels and one movie) and four Chilean novels. The Argentinian corpus includes the novels El secreto y las voces (2002) by Carlos Gamerro, A quien corresponda (2008) by Martín Caparrós, El espíritu de mis padres sigue subiendo en la lluvia (2011) by Patricio Pron, and Una misma noche (2012) by Leopoldo Brizuela, and the movie El secreto de sus ojos (2009), directed by Juan José Campanella. The Chilean novels are Estrella distante (1996) …

Afecto Impropio Y Estética Huacha: Relatos Íntimos De Alejandra Costamagna, Nona Fernández, Andrea Jeftanovic, Andrea Maturana Y Lina Meruane, Nan Zheng

Dissertations, Theses, and Capstone Projects

This work examines selective novels and short stories about Chile during and after Augusto Pinochet’s the military regime, written by five contemporary female writers that share generational traits: Alejandra Costamagna, Nona Fernández, Andrea Jeftanovic, Andrea Maturana and Lina Meruane. Their intimate stories on family relations that the common society brands as non-ideal and deviant, epitomize the aesthetics defined as symbolically huacho. This is a term that originally refers to the mestizo orphans or illegitimate children born during the European conquest and colonization, but appropriated by the author of this work to address the prevailing discontent and malaise that contradict …

Haunted Stories, Haunted Selves: Ghosts In Latin American Jewish Literature, Charlotte Gartenberg

Dissertations, Theses, and Capstone Projects

This study approaches haunting in Latin American Jewish Literature from the 1990s through the 2010s as it appears in works by and featuring the descendants of Jewish immigrants. In these decades, this trope is frequently invoked as both a literary metaphor and a critical lens. It arises from and activates a number of themes common in trauma studies and in postmodernism, such as loss, the transmission of memory, our relationships to the past, the rupturing of traditional realities and questions of what can be known and represented. It is particularly prevalent amongst those who pen and protagonize the works examined …

Las Novelas De La Violencia Y La Revolución En La Formación Del Frente Nacional En Colombia Y El Estado Revolucionario Mexicano, Luis J. Henao Uribe

Dissertations, Theses, and Capstone Projects

In the face of the social and political crises that were both cause and consequence of the Mexican Revolution and the period in Colombia known as “la Violencia”, two state projects were consolidated and dominated the field of power throughout the 20th century. The Institutional Revolutionary Party (PRI) in Mexico and the bipartisan coalition of the National Front in Colombia made use of the notions of revolution and violence, respectively, to legitimize their nation projects. This project investigates the role of the novel in the formation of these two new founding myths, from the urgent literary works that were written …

Ansiedades Épico-Criollas Y El Mecenazgo De Indias En El Arauco Domado De Pedro De Oña, Andrea L. Fernandez

Dissertations, Theses, and Capstone Projects

Among the characteristics of epic poetry are the topic of war, love encounters, heroism of exemplary individuals, and the narration of events contemporary to the audience to reinforce a collective historical identity. Arauco domado by Pedro de Oña, born in Angol (modern Chile), reiterates these traditional expectations with its protagonist, characters, setting, and latter theatrical representations within the viceregal context. The poem was made possible by the sponsorship of García Hurtado de Mendoza y Manrique, IV Marquis of Cañete and Viceroy of Peru. If the title of “espíritu cesarino novelo” [Caesar’s new spirit] (V.76.3) corresponds to the patron, Pedro de …

El Negro Y El Haitiano En La Literatura Dominicana De La Diáspora, Juan Nicolás Tineo

Dissertations, Theses, and Capstone Projects

This thesis analyzes the diverse representations of blackness and Haitian culture in the literary works of the Dominican diaspora. First, the texts of the Dominican diaspora that highlight Africa are analyzed in order to determine to what extent these works represent real historical and social phenomena accurately, and in what ways these texts question or present other realities that have not been studied by the critics. It may be said that the writers of the diaspora allude to their African heritage because it was in the United States that they discovered their true racial identities. It is because of this …

El Narcotráfico Como Realidad Y Representación En La Narrativa De Germán Castro Caycedo, Edgar Augusto Verastegui

Dissertations, Theses, and Capstone Projects

The work of the Colombian author Germán Castro Caycedo (Bogotá, 1944) has produced some of Colombia's most widely read non-fiction works during the last five decades. Among other intellectuals, his work represents a post-1970s Colombian society conditioned by the complex issue of drugs and drug trafficking, which were the by-products of a socio-historical process since the beginning of the 20th century. The present investigation examines journalistic articles, essays and non-fiction narrative by Castro Caycedo to study how they articulate a privileged knowledge about the perception and signification of the phenomenon of drug trafficking. From a merely anecdotal and marginal activity, …

El Tango Y La Cultura Popular En La Reciente Narrativa Argentina, Monica A. Agrest

Dissertations, Theses, and Capstone Projects

The aim of this doctoral thesis is to show that Tango as scenario, background, atmosphere or lending its stanzas and language, helps determine the tone and even the sentiment of disappointment and nostalgia, which are in much of Argentine recent narrative. In addition, this thesis aims, to answer questions like: How is it possible for Tango to transform itself into a literary component, and to be considered essential to Argentinean identity? Which of its characteristics allow it to provide literary language, atmosphere and even inspiration to the narrative’s creative process? How is the intertextual dialogue between its lyrics and the …

The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo

Dissertations, Theses, and Capstone Projects

The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …

Marginalidad Y Subversión En Tres Novelas De Juan Filloy De La Década De 1930, Sonia M. Tejada

Dissertations, Theses, and Capstone Projects

This dissertation focuses on the concepts of marginality and subversion in three novels written by Juan Filloy in the 1930s: ¡Estafen! (1932), Op Oloop (1934) and Caterva (1937). I study these novels in the context of the avant-garde movement of the 1920s and 1930s. I analyze the transformation that the concepts of marginality and subversion undergo when they are explored within the context of the avant-garde aesthetics, instead of that of social realism. I contrast Filloy’s approach to these themes with those of the novelists of the preceding decades. More importantly, I compare and contrast Filloy’s novels to Roberto Arlt’s …

Segunda Parte De La Historia General Llamada Índica (1572) De Pedro Sarmiento De Gamboa. Estudio Y Edición Anotada., Aleksín H. Ortega

Dissertations, Theses, and Capstone Projects

Pedro Sarmiento de Gamboa’s History of the Incas (1572). A Critical Study and Annotated Edition.

by Aleksín H. Ortega

Pedro Sarmiento de Gamboa wrote his polemic and undoubtedly political History of the Incas at the request of Francisco de Toledo (Viceroy of Peru, 1569-1581). Toledo wanted to deliver to the Spanish King a version of Incan history which could subsequently be used as an ideological tool in the search of legal and moral arguments to defend the Andean colonization by the Spanish monarchy. Since his arrival to the Peruvian territories, Toledo embarked on a long personal visit to …

Espacios Alternativos Y Nomadismo En Tres Poetas Salvadoreñas De La Guerra: Leyla Quintana, Kenny Rodríguez Y Eva Ortiz, Juana M. Ramos

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the literary production of Leyla Quintana, Kenny Rodríguez, and Eva Ortiz, three Salvadoran poets who participated actively in the Civil War of El Salvador (1980-1992), and produced their literary work in that same period. It explores, from the perspective of Nomadism developed by Rosi Braidotti, the resignification of the feminine subjectivity, as well as the construction of new figurations in order to articulate a counter discourse that challenges the official hegemonic and heteropatriarcal narrative. In the same order, it questions the validity of the cultural codes established and imposed by those groups that hold the political and …

La Nación Está En Otra Parte: Cultura Y Neoliberalismo En México (1977-1996), Rafael Lemus

Dissertations, Theses, and Capstone Projects

This dissertation studies a series of cultural products and practices that, between 1977 and 1996, either contributed to the formation and propagation of a neoliberal rationality in Mexico or opposed it. By analyzing objects as diverse as cultural magazines, art exhibitions, literary polemics and social movements, it addresses the reconfiguration of the Mexican cultural field triggered by the neoliberal turn in the 1980s as well as the construction of a new national narrative intended to displace the old revolutionary tale and to rationalize and facilitate the insertion of the country into the global economy.

The first chapter focuses on the …