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Articles 1 - 5 of 5
Full-Text Articles in Spanish and Portuguese Language and Literature
Memoria Y Fractura Social En El Ruido De Las Cosas Al Caer De Juan Gabriel Vásquez, Luis Mora-Ballesteros
Memoria Y Fractura Social En El Ruido De Las Cosas Al Caer De Juan Gabriel Vásquez, Luis Mora-Ballesteros
Publications and Research
El presente trabajo tiene como objetivos el análisis de algunas características de la memoria en la novela El ruido de las cosas al caer de Juan Gabriel Vásquez, establecer vínculos entre la novela y la narrativa de la sicaresca colombiana y caracterizar el trauma experimentado por algunos de sus personajes. Se trata de una novela con características que la incluyen dentro de la ficción contemporánea colombiana que a su vez forma parte de la sicaresca: un concepto clave sobre violencia, criminalidad, derechos humanos y narcotráfico expresados en la novela colombiana.
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Dissertations, Theses, and Capstone Projects
This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …
Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal
Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal
Dissertations, Theses, and Capstone Projects
This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Dissertations, Theses, and Capstone Projects
This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …
Mas Yo Resto: Entrevista Con Nancy Morejón, Vanessa Pérez-Rosario
Mas Yo Resto: Entrevista Con Nancy Morejón, Vanessa Pérez-Rosario
Publications and Research
Como afirma este dossier, Morejón ha sido reconocida como una de las escritoras e intelectuales más célebres y veneradas del período revolucionario cubano, y una de las escritoras caribeñas más importantes del siglo XX y XXI. Ha publicado más de quince colecciones de poesía y numerosos ensayos. Lectora y traductora cuidadosa de los escritores e intelectuales del Caribe francófono del siglo XX, Morejón ha traducido del francés al español las obras de Aimé Césaire, Jacques Roumain y Édouard Glissant, entre otros. De 1986 a 1993 y nuevamente de 2000 a 2006, se desempeñó como directora del Centro de Estudios del …