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South and Southeast Asian Languages and Societies Commons

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Full-Text Articles in South and Southeast Asian Languages and Societies

Volume 10: Muslim Cultures Of The Indian Ocean : Diversity And Pluralism, Past And Present, Stephane Pradines, Farouk Topan Jan 2023

Volume 10: Muslim Cultures Of The Indian Ocean : Diversity And Pluralism, Past And Present, Stephane Pradines, Farouk Topan

Exploring Muslim Contexts

Scholars are increasingly recognising the centrality of the Indian Ocean in the study of Muslim cultures.

This volume explores the expanding and changing roles of these Muslim communities across the Indian Ocean World from the seventh century to the mediaeval period to the present day. The book goes beyond the usual focus on geographical sub-regions to highlight different aspects of interconnectivity in relation to Islam. By analysing textual and material evidence, the fifteen papers in this volume examine identities and diasporas, manuscripts and literature, as well as vernacular and religious architecture. It explores the networks and movements of peoples, ideas …


World Churches Vertical File, Mcgarvey Ice Jun 2016

World Churches Vertical File, Mcgarvey Ice

Center for Restoration Studies Vertical Files Finding Aids

This set of files is especially useful to scholars of the history missions, particularly among Churches of Christ in the twentieth century. Students and researchers interested in applied missiology among Restorationist traditions, Stone-Campbell movements, and Churches of Christ will also find them helpful. For assistance with specific files or items, contact Mac Ice - mac.ice@acu.edu, or 325.674.2144.


Steel Pan's Heart, Chioma Viola Ozuzu Apr 2012

Steel Pan's Heart, Chioma Viola Ozuzu

Senior Theses and Projects

Even though mostly Afro-Trinidadians play pan, the Steel Pan instills national identity and pride because Pan has become internationally popular and the proliferation of so many steel drum events before carnival, including Panorama-the world largest Steel Pan competition.The purpose of this paper looks the hybridization and Creolization of the music culture of the nation, in regards to the major ethnic groups, especially Indo-Trinidadian.