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Articles 1 - 9 of 9
Full-Text Articles in Slavic Languages and Societies
To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall
To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall
CMC Senior Theses
In this thesis, I argue that in his novel in verse, Eugene Onegin, Alexander Pushkin transcends the traditional narrator-reader hierarchy to foster a sense of friendship between himself and his reader. I suggest that Pushkin’s desire for friendship with his reader necessitates a keen awareness of his and his reader’s collective engagement within the novel. If Pushkin seeks friendship with his readers, he must treat them as friends. Consequently, the reader’s role in Eugene Onegin is elevated to that of Pushkin’s intimate. In my analysis, I identify three methods by which Pushkin successfully fosters a sense of overlapping experience …
Ruslan And Lolita: Nabokov's Pursuit Of Pushkin's Monsters, Maidens, And Morals, Ludmila Lavine
Ruslan And Lolita: Nabokov's Pursuit Of Pushkin's Monsters, Maidens, And Morals, Ludmila Lavine
Faculty Journal Articles
This article discusses the Russian precursor to Humbert’s explicit “kingdom by the sea”: Pushkin’s mock-epic Ruslan and Liudmila (RL). An amalgam of Slavic and Western folklore that scandalized the reading public in its day, Pushkin’s work underpins Nabokov’s own transnational position as a writer whose splash onto the Anglophone scene was accompanied by similar outcries of smut and pornography. In addition to a multitude of fairy-tale sources already documented in the scholarship, Lolita’s cluster of mermaids, sleeping beauties, dark magic, invisibility, pursuit and captivity, physical topography, and “brothers”-rivals finds in Pushkin’s RL a synthesizing subtext. Moreover, Pushkin’s play …
Shalamov's Testament: Pushkinian Precepts In Kolyma Tales, Andres I. Meraz
Shalamov's Testament: Pushkinian Precepts In Kolyma Tales, Andres I. Meraz
Senior Projects Spring 2020
In a letter from 1972, the author of Kolyma Tales and survivor of the gulag Varlam Shalamov, declared “In my prose, I consider myself the inheritor of the Pushkinian tradition <…>.” Indeed, in Kolyma Tales, Shalamov exhibited a studied understanding of Pushkin’s artistic technique. Through his implementation of Pushkinian artistic principles, Shalamov was seeking to restore the poet’s image to what it had been prior to the Soviet Union’s politicized interpretation while simultaneously revealing the truth about life in the labor camps to a readership that could not otherwise fathom what the inmates endured on day-to-day basis. In writing …
Review: Russian Function Words: Meaning And Use, Brendan Nieubuurt, Evelina Mendelevich
Review: Russian Function Words: Meaning And Use, Brendan Nieubuurt, Evelina Mendelevich
Russian Language Journal
Nabokov’s change in attitude toward Pushkin—a change from passive worshipper of Pushkin to self-assured interlocutor with him—he remains quiet about why Nabokov’s theory of translation changed so radically concerning Onegin. Shvabrin sets 1955 as the year of Nabokov’s “literalist” turn, though he makes little matter of the date itself. I wonder about the potential influence of surrounding events. Before he adopted his literalist rhetoric, which presented the translator as a meticulous scholar, Nabokov claimed that a translator must be a “creative genius” on par with the original poet. In 1955 Nabokov also published the novel that he knew to be …
An Anti-Locust Campaign In Nabokov (And Pushkin), Victor Fet
An Anti-Locust Campaign In Nabokov (And Pushkin), Victor Fet
Victor Fet
Pushkin’s non-apocryphal anti-locust campaign is reflected in Nabokov’s unpublished sequel to The Gift.
The Owl, The Goldfish And The Bull - The Question Of The Animal And Romantic Poetry, Hui Zhang
The Owl, The Goldfish And The Bull - The Question Of The Animal And Romantic Poetry, Hui Zhang
Between the Species
This article argues that the representation of animals in Romantic poetry contributes to the contemporary philosophical and ethical discussion of the question of animals by providing a literary expression of the latter. Conversely, reading depictions of animals in Romantic poetry with their philosophical implications in mind throws light on the oppositions between different human groups, such as between Orientals and Occidentals, or between males and females, in Romantic poetry. These categories connect with each other in different ways in the works of three prominent Romantic poets: William Wordsworth, Lord Byron and Alexander Pushkin. Animals in their poetry reflect their views …
Eugene Onegin The Cold War Monument: How Edmund Wilson Quarreled With Vladimir Nabokov, Tim Conley
Eugene Onegin The Cold War Monument: How Edmund Wilson Quarreled With Vladimir Nabokov, Tim Conley
Studies in 20th & 21st Century Literature
The tale of how Edmund Wilson quarreled with Vladimir Nabokov over the latter’s 1964 translation of Eugene Onegin can be instructively read as a politically charged event, specifically a “high culture” allegory of the Cold War. Dissemination of anti-Communist ideals (often in liberal and literary guises) was the mandate of the Congress for Cultural Freedom, whose funding and editorial initiatives included the publication of both pre-Revolution Russian literature and, more notoriously, the journal Encounter (1953-1990), where Nabokov’s fiery “Reply” to Wilson appeared. This essay outlines the propaganda value of the Onegin debate within and to Cold War mythology.
An Anti-Locust Campaign In Nabokov (And Pushkin), Victor Fet
An Anti-Locust Campaign In Nabokov (And Pushkin), Victor Fet
Biological Sciences Faculty Research
Pushkin’s non-apocryphal anti-locust campaign is reflected in Nabokov’s unpublished sequel to The Gift.
Poetry, Prose, And Pushkin's Egyptian Nights, Ludmila Lavine
Poetry, Prose, And Pushkin's Egyptian Nights, Ludmila Lavine
Faculty Journal Articles
No abstract provided.