Slavic Languages and Societies Commons^™

Origin Of The Glagolitic Letter For ‘R’; It Looks Like Greek Rho (Ρ), But Why Is It Upside Down?, Gerald Leonard Cohen

Arts, Languages and Philosophy Faculty Research & Creative Works

No abstract provided.

Russian Language Use In The United States: Demographics And Implications, Julie Brock, Sadia Zoubir-Shaw

Posters-at-the-Capitol

As a large nation covering 1/9 of the Earth’s surface, Russia and its language necessarily draw linguistic attention. Between the time of the Russian Revolution (1917) until now, Russian speakers (both from Russia itself and former Soviet territories) immigrated to the United States in four or five waves. Russian is currently identified as one of the world’s Critical Languages, according to the U.S. State Department. U.S. Census data indicate that Russian language spoken in respondents’ homes increased by 393% between 1980-2010, with just under a million people speaking Russian in their homes in 2011. English language use among this population …

Understanding The Cultural And Nationalistic Impacts Of The Moguchaya Kuchka, Austin M. Doub

Musical Offerings

This paper explores Russian culture beginning in the mid nineteenth-century as the leading group of composers and musicians known as the moguchaya kuchka, or The Mighty Five, sought to influence Russian culture and develop a "pure" school of Russian music amid rampant westernization. Comprised of César Cui, Alexander Borodin, Mily Balakirev, Modest Mussorgsky, and Nikolay Rimsky-Korsakov, this group of inspired musicians opposed westernization and supported Official Nationalism by the incorporation of folklore, local village traditions, and promotion of their Tsar as a supreme political leader. In particular, the works of Balakirev, Cui, and Mussorgsky established cultural pride and contributed …

Blessed Assurance: A Postmodern Midwestern Life, Marcelline Hutton

Zea E-Books Collection

In this book, a historian of women’s lives turns the lens on her own experience. Her story is “Midwestern” for its work ethic, modesty, faith, and resilience; “postmodern” for its sudden changes, strange juxtapositions, and retrospective deconstruction of the ideologies that shaped its progress. It describes a life in and out of academia and a search for acceptance, recognition, equality, and freedom.

The author of three books on women’s experiences in Russia and Europe, Dr. Marcelline Hutton traces her personal journey from traditional working-class La Porte, Indiana, through college, graduate school, marriage, motherhood, divorce, and independence in Iowa City, Southampton, …

Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond

Art Faculty Articles and Research

This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …

Radio Maria Transylvania: National Representation, Prayer, And Intersubjectivity In A Growing Catholic Media Network, Marc Roscoe Loustau

Journal of Global Catholicism

This article examines the public discourse of a Radio Maria Transylvania, a growing Catholic media network for members of the Hungarian ethnic minority in Romania. I look at two primary narratives: first, accounts about how the network was founded in the mid-2000s. And second, listeners’ prayers to the Virgin Mary published on the media network’s web site. Acts of petitioning powerful others for assistance on behalf of a family are central features of Radio Maria Transylvania’s storytelling–on behalf of a national family in the case of the network’s origin narratives and a natal family in the case of prayers to …

Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget

Journal of Global Catholicism

No abstract provided.

Overview & Acknowledgements, Mathew Schmalz

Journal of Global Catholicism

No abstract provided.

From Family Reintegration To Carnivalistic Degradation: Dismantling Soviet Communal Myths In Russian Cinema Of The Mid-1990s, Alexander V. Prokhorov

Alexander Prokhorov

No abstract provided.

The Unknown New Wave: Soviet Cinema Of The Sexties, Alexander V. Prokhorov

Alexander Prokhorov

No abstract provided.

Nature And The Poet: A Comparision Of The Poetry Of Joseph Freiherr Von Eichendorff And Kobayashi Issa, Jane Cox

Undergraduate Honors Theses

This thesis examines the bearing that metaphysical philosophy about nature has on two late 18^th century and early 19^th century poets. Although living in different hemispheres and cultures, the works of Romantic poet Joseph Freiherr von Eichendorff and haikai Kobayashi Issa both used interactions with nature to illustrate their own personal experiences. However, their differing metaphysical beliefs concerning nature impacted their presentation of their experiences as well as their experiences themselves. Eichendorff viewed nature as a medium through which the divine can choose to communicate. Nature’s purpose is to act as a vehicle for the divine. His descriptions …

Ivan And His Doubles: The Failure Of Intellect In The Brothers Karamazov, Alex Donley

Montview Journal of Research & Scholarship

The purpose of this research is to explore Dostoevsky’s theodicy in The Brothers Karamazov, including key critical commentary that enhances an understanding of the text. One of the novel’s title characters, Ivan, embodies the emerging spirit of intellectualism and freethinking in nineteenth-century Europe. He confronts the Christian concept of God in two famous speeches. First, Ivan’s “Rebellion” epitomizes the problem of evil by asking why an omnipotent, omnibenevolent God allows earthy atrocities. Second, Ivan’s “Grand Inquisitor” rejects the moral freedom given to men, reasoning that it is too great a burden for mankind to bear. These arguments remain relevant …

Introduction. Viktor Shklovsky’S Heritage In Literature, Arts, And Philosophy, Slav N. Gratchev, Howard Mancing

Dr. Slav N. Gratchev

This book aims to examine the heritage of Victor Shklovsky in a variety of disciplines. To achieve this end, we drew upon colleagues from eight different countries across the world – USA, Canada, Russia, England, Scotland, the Netherlands, Norway, and Hong Kong – in order to bring the widest variety of points of view on the subject. But we also wanted this book to be more than just another collection of essays of literary criticism: we invited scholars from different disciplines – literature, cinematography, and philosophy – who have dealt with Shklovsky’s heritage and saw its practical application in their …

Revisioning Aleksandrov’S Circus: Seventy Years Of The Great Family, Alexander V. Prokhorov

Alexander Prokhorov

No abstract provided.

Size Matters: The Ideological Functions Of The Length Of Soviet Feature Films And Television Mini-Series In The 1950s And 1960s, Alexander V. Prokhorov

Alexander Prokhorov

No abstract provided.

Reconfiguring The War And Family Tropes In Thaw-Era Homefront Melodrama, Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

The Diamond Arm. Brilliantovaia Ruka, Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

A Person Is Born: Stalinist Myth Of The Great Family In Film Genres Of The Thaw, Alexander V. Prokhorov

Alexander Prokhorov

Метафоры социального и кровного родства стали в последнее время едва ли не господствующей формой концептуанализации политического, экономического и культурного развития: от "ельцинской Семьи" до "питерского клана", от "Солдатских матерей" до "батяни-комбата", от "солнцевской братвы" до "дедовщины", наконец, от "Моей семьи" до кинодилогии о "Брате". Используя обширный исторический, социологический и культурологический материал, статьи, собранные в этой книге, пытаются объяснить привлекательность родственных связей и семейных уз. В первом томе сборника исследуются идеологические контексты существования семей, способы формирования семейных союзов, а также разнообразные бытовые тактики и половые стратегии семейной жизни. Во второй том вошли статьи, посвященные различным типам семейного воспитания детей, проблемам жизни …

Cinema Of The Thaw (1953 – 1967), Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

Lenin’S Guard. Zastava Il’Icha, Alexander V. Prokhorov

Alexander Prokhorov

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …

Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird

CLCWeb: Comparative Literature and Culture

In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …

Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev

CLCWeb: Comparative Literature and Culture

In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …

Intertextuality, Aesthetics, And The Digital: Rediscovering Chekhov In Early British Modernism, Sam Jacob

Modernist Short Story Project

Mark Halliday’s poem, “Chekhov,” published in 1992, raises a simple yet profound question regarding the Russian playwright and author, Anton Chekhov: What do we get from Chekhov? Considering the present article’s particular focus, Halliday’s query may be used to ask how Chekhov influenced early modernist writers (circa 1900-1930) from the British literary context. However, when considering the amount of scholarly work devoted to this question, the initial simplicity of Halliday’s inquiry evaporates, giving way to a breadth of complexity, nuance, and ambiguity. Such ambiguity has led scholars attempting to trace the intertextual convergence between Chekhov and the early modernist writers …

Vladimir Mayakovsky’S Agit-Semitism, Ludmila Lavine

Faculty Journal Articles

Images of Jewishness as ethnic, cultural, and biblical categories in Vladimir Mayakovsky’s works are both plentiful and understudied. The present article attempts to bridge this gap while exploring the mechanisms that guide the poet’s responses to anti-Semitism. I begin by focusing on the function of the Exodus story in Stikhi ob Amerike(Verses about America), and then move to Mayakovsky’s “agitational” works: his collaboration on the film Evrei na zemle(Jews on the Land, 1927), and his poems ““Evrei (Tovarishcham iz OZETa)” (“Jew [To Comrades from OZET],” 1926) and “‘Zhid’” (“‘Yid’,” 1928). I argue that, while Mayakovsky continues the established …

The Embodied Language Of Sasha Sokolov's "A School For Fools", José Vergara

Russian Faculty Works

The present article investigates the tension between speech/thought and writing present in Sasha Sokolov's first novel, Shkola dlia durakov (A School for Fools). It maintains that the critical tendency to view the hero's narrative as an unstructured, unnatural speech or thought act tends to exaggerate its deviancy and obscures its peculiar status as a frenzied transcription of his ideas. As the first half of the article demonstrates, Sokolov uses visual markers inherent to a written text alone, along with readerly habits, to craft his tale about thought materializing on the page in concrete form. Furthermore, Sokolov deploys related body imagery …

Introduction. Viktor Shklovsky’S Heritage In Literature, Arts, And Philosophy, Slav N. Gratchev, Howard Mancing

Modern Languages Faculty Research

This book aims to examine the heritage of Victor Shklovsky in a variety of disciplines. To achieve this end, we drew upon colleagues from eight different countries across the world – USA, Canada, Russia, England, Scotland, the Netherlands, Norway, and Hong Kong – in order to bring the widest variety of points of view on the subject. But we also wanted this book to be more than just another collection of essays of literary criticism: we invited scholars from different disciplines – literature, cinematography, and philosophy – who have dealt with Shklovsky’s heritage and saw its practical application in their …

Bolstering Career Opportunities For Stem University Graduates With Russianfor Stem University Graduates, Irina V. Ivliyeva

Arts, Languages and Philosophy Faculty Research & Creative Works

No abstract provided.

The Role Of Implicit Semantic Components During The Synthesis Of Russian Verbal Modifications (A Case Study For The Verbs Of Mechanical Phonation), Irina V. Ivliyeva

Arts, Languages and Philosophy Faculty Research & Creative Works

The article examines the implicit components in the meaning of semantically modified derivatives. Using the methods of componential analysis of definitions from various Russian explanatory and aspectual dictionaries, the implicit components in the sound verbs' meanings are inventoried. The impact of the relevant implicit components on the synthesis process is examined; the dichotomy of the implicit components of meaning and corresponding synthesizing prefixes is identified. The productivity and typical colloquial usage of synthesized derivatives is demonstrated using data from the Russian National Corpus.

Modern Russian Language: Functions And Teaching Methodology, Irina V. Ivliyeva

Arts, Languages and Philosophy Faculty Research & Creative Works

No abstract provided.

Substituting Stories: Narrative Arcs And Pilgrimage Material Culture Between Lourdes And Csíksomlyó, Marc Roscoe Loustau

Journal of Global Catholicism

In this essay, I propose that substitution is one way subjects situate themselves in relation to European Catholics’ growing interest in multiple pilgrimages. I elaborate this claim through a case study of one Transylvanian Hungarian Catholic woman, Emilia, who substituted a story about a Transylvanian Hungarian shrine, Our Lady of Csíksomlyó, for a story about the Lourdes pilgrimage in France. I set also Emilia’s experience within a social context of memory production in the World Family of Radio Mária, a global Catholic media network that promotes devotional remembering. Emilia’s story about Our Lady of Csíksomlyó had revealed the strain of …