Slavic Languages and Societies Commons^™

Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson

Theses and Dissertations

This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …

The People Who “Burn”: “Communication,” Unity, And Change In Belarusian Discourse On Public Creativity, Anton Dinerstein

Doctoral Dissertations

The main intellectual problem I address in this study is how everyday communication activates the relationship between creativity, conflict, and change. More specifically, I look at how the communication of creativity becomes a process of transformation, innovation, and change and how people are propelled to create through everyday communication practices in the face of conflict and opposition. To approach this problem, I use the case of communication in modern-day Belarus to show how creativity becomes a vehicle for and a source of new social and cultural routines among the independent grassroots communities and initiatives in Minsk. On one level, I …

The Problem Of Literary Development In Russian Formalism And Digital Humanities, Basil Lvoff

Dissertations, Theses, and Capstone Projects

The interest of this dissertation is how our understanding of literary development—as gradual or revolutionary; self-governed or socio-politically determined; like or unlike biological evolution—informs the status, meaning, and value of literature and literary studies. The dissertation shows how this problem—most pressing in our post-logocentric age—was addressed at the dawn of contemporary literary theory by the Russian Formalists. The latter are compared with Distant Readers, i.e., the Digital Humanists from, or conducting research in dialogue with, the Stanford Literary Lab: Franco Moretti, Matthew Jockers, Ted Underwood, William Benzon, and others.

This dissertation argues that both Russian Formalism and Distant Reading were …

Revolutionaries In Form: The Russian Futurist Poets In The Cultural Politics Of The Early Soviet Union, 1917-1928, Noah Wurtz

Senior Projects Fall 2020

Senior Project submitted to The Division of Languages and Literature of Bard College.

Ideology In Literature And Literature As Ideology: Totalitarian And Reactionary Appropriation Of Resistant Texts, Huntley Hughes

Master’s Theses

This thesis seeks to explore the means by which nominally or potentially resistant texts are appropriated into violent or exploitative political structures for propaganda and profit. In the first chapter two pre-soviet Russian novels closely associated with the radical tradition are examined, through the lens of literary analysis, in order to uncover the ways in which ideologically egalitarian revolutionary movements can degenerate into authoritarian regimes. The second chapter is concerned with a Welsh text, How Green Was My Valley, which, despite being concerned with the conditions of the Welsh mining class, utilizes the narrative form of childhood recollection to insidiously …

For Narrativity: How Creating Narratives Structures Experience And Self, Natallia Stelmak Schabner

Dissertations, Theses, and Capstone Projects

This dissertation responds to the challenge to narrativity posed by Galen Strawson in “Against Narrativity,” where he claims that not everyone is Narrative by nature and that there is no reason to be. I make my claim “For Narrativity” as a mental process of form finding and coherence seeking over time that is an inherent mental activity and essential for experience of one’s Self. I make my case through examinations of our experience of time, our use of language, how we plan, and our sense of Self. In the first chapter, I show that considering Narrativity as viewing life as …