Rhetoric Commons^™

Sisyphus Rolls On: Reframing Women's Ways Of “Making It” In Rhetoric And Composition, Kristin Bivens, Martha Mckay Canter, Kirsti Cole, Violet Dutcher, Morgan Gresham, Luisa Rodriguez-Connal, Eileen Schell

Harlot: A Revealing Look at the Arts of Persuasion

This is a multi-vocal, multi-institutional piece that examines ways women "make it" in rhetoric and composition. It is in the spirit of being more inclusive that we present our ideas about women's ways of making it in rhetoric and composition. This inclusiveness includes a written transcript of our audio narratives. Humbly, we present our work in this piece after four years of writing and revising in the work spaces we all know so well and offer several glimpses of the work women do as writing teachers. We honor all of the women who teach writing -- those who have made …

The 5-Sided Lego, Hanna Barker, Shawn Beaumont

Harlot: A Revealing Look at the Arts of Persuasion

The study of rhetoric usually concerns itself with analysis of discourse more clearly identifiable as a text, but often overlooked is how apparently non-textual elements may shape our own personal narratives. However, rhetorical theory can indeed be applied to something like LEGO, that beyond marketing and branding, most people do not immediately consider textual. Ultimately by using the Burkeian pentad as a terministic screen, this project aims to determine how the act of playing with LEGO, and even the LEGO brick itself, serve to construct realities, and how those realities impact our own.

The Image-World: A Found Comic Poem, Franny Howes

Harlot: A Revealing Look at the Arts of Persuasion

The text of this comic is excerpted entirely from Susan Sontag's essay, "The Image World," from her 1977 book On Photography. I was assigned to read and respond to this piece when I attended the Adventure School for Ladies Comics Intensive, an alternative graduate program focused on gender, labor, and the comics industry.Sontag's essay critiques the way contemporary western culture uses photography for "imprisoning reality" and "depersonalizing our relation to the world." Photography creates another reality by the physical impression of light on film: what she calls the "image world." The idea of a separate and additive reality created through …

Call For Submissions: The Digital Activism Issue, Ben Mccorkle, Jason Palmeri

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.

10 And Counting..., Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.

#Definerhetoric 2013, Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

No abstract provided.

Dispatches From Summer Camp: Literacies Of Suds And Scam, Cori Brewster

Harlot: A Revealing Look at the Arts of Persuasion

Rhetorical analysis of a collection of kowtowing letters written by summer camp counselors and campers, arguing that they provide a useful window into youth literacy development and conditions that foster socially-engaged, critically literate practice.

Finding Nowhere, Nathan Edwards

Harlot: A Revealing Look at the Arts of Persuasion

My audio/visual presentation, Nowhere, was a personal challenge to create a persuasive yet openly-interpretable message through a fully non-narrative presentation, leaving focus purely on the sound design, visual imagery, and the interaction between the two.The presentation and accompanying article explore questions surrounding the ways in which an artistic medium effects how our senses absorb an artistic presentation and how a message is most effectively conveyed.

Sonic Rhetorics: A Mashed-Up Introduction In Sound, Jon Stone, Steph Ceraso

Harlot: A Revealing Look at the Arts of Persuasion

Welcome to the special-themed Sonic Rhetorics issue of Harlot. Putting this issue together was a thoroughly collaborative process that involved a lot of back and forth with authors about their work, creative visions, and sonic rhetorics. For months we have been sounding out, experimenting with, and synthesizing these pieces until they seemed to hit the right note. So, rather than giving an authoratative summary of individual pieces, we thought it made more sense for contributors to speak (and sound) for themselves--and together. When you press play, you will hear a mashup of the sounds and soundbites from many of this …

Recitative: The Persuasive Tenor Of Jazz Culture In Langston Hughes, Billy Strayhorn, And John Coltrane, Andrew Vogel

Harlot: A Revealing Look at the Arts of Persuasion

Jazz is more than music. Jazz is a culture defined by a progressive ethos encoded in sound. By putting the poetry and music of Langston Hughes, Billy Strayhorn, and John Coltrane into conversation, this essay demonstrates the versatility and vitality of jazz culture. However, jazz culture has come to be drowned out in America today, and so I argue for a return to the voices of jazz's past so that we can give a new ear to jazz artists working today. Such listening should be seen as a means to reinvigorate progressive values today and in the future.

Audiobiography: A Sonic Memoir Of The 1960s, John F. Barber

Harlot: A Revealing Look at the Arts of Persuasion

This essay and its accompanying sound file speak to a personal narrative of the author's life in the 1960s, a time of tremendous social, political, and cultural change. By creating a narrative of his life at the time, sampled from period radio and television reports/programs, the author attempts to recreate the rhetorical context of his life at that time. The desired end result is a personal narrative with a broader appeal. Not a typical radio documentary, however, nor a narrated history, the intent of Sounds of My Life: A sixties radio narrative is instead to remix the medium of its …

Making Meaning In Musical Mixes, Kyle D. Stedman

Harlot: A Revealing Look at the Arts of Persuasion

SIDE A

Growing Meanings :: From Arrangement... :: ...To Development :: This Project :: My Mix

SIDE B

Developing Sounds :: Developing Expectations :: Digital Tools :: Developing Moods :: Transitions Developing Ideas/Voices :: The Self as Audience :: Fulfilling Promises :: Conclusions for Mix-Makers :: Credits

This piece explores the musical rhetorics at work in a mix CD I created for two (at times contrasting) purposes: as a gift for friends, and as an accompaniment in the car as I moved across the country. I suggest that in a linear, musical mix, the term "development" as used in music …

Two Sound Pieces, Keith Dorwick

Harlot: A Revealing Look at the Arts of Persuasion

These two sound works gathered here ("At the Edge of Sleep" and "For Voices, No Longer Human") were assembled out of ordinary, even mundane sounds. In each, I slowed down the tempo of the original sound cues such as a cat eating kibbles or a voice uttering nonsense. Further manipulation of the sounds to make entirely new pieces created abstract sound landscapes, if you will, that take on (I hope) a mythic quality far removed from their original sources. In the case of "For Voices, No Longer Human," Harlot's review process resulted in a whole new (and much stronger) work, …

The Oral Aural Walter Ong, Abigail Lambke

Harlot: A Revealing Look at the Arts of Persuasion

This is a transcription of Abigail Lambke's words during the audio piece “The Oral Aural Walter Ong." During the piece, Abigail intersperses her own commentary with excerpts from two of Ong's recorded lectures: “The End of the Age of Literacy," and “The Future of Literacy." Walter Ong explicitly barred transcription of one of these lectures, exclusively granting permission for the piece to be reproduced in audio. To honor that request, none of Ong's words will be transcribed here. The Oral Aural Walter Ong Music: Kevin MacLeod “Peace Of Mind" Hello. I am Abigail Lambke and this is “The Oral Aural …

"The Quiet, Wintry North": Digital Folk Of The Upper Peninsula, Dan W. Lawrence

Harlot: A Revealing Look at the Arts of Persuasion

In America's most "remote" of locations, a digital-centric music scene flourishes. But it's not electronic music that the folk of Michigan's wintry Upper Peninsula find interest in: it's a rootsy, quiet, lo-fi, experimental Americana that is self-produced and self-distributed. With no major venues or recording studies, and not even a well-founded independent record label, musicians of the Upper Peninsula turn to the Internet to organize musical performances and events, plan collaborative recording sessions using limited resources, and share their thoughtful, introspective music. The author reflects on these issues of independent folk music and self-production, as well as the digitization of …