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Rhetoric Commons

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Full-Text Articles in Rhetoric

Building A Dream, Jenny Nestelberger Apr 2012

Building A Dream, Jenny Nestelberger

Graduate Research Symposium (GCUA) (2010 - 2017)

The August 28, 1963 March on Washington is often remembered primarily for Martin Luther King, Jr.’s “I Have a Dream” speech, which serves as the pinnacle of civil rights movement oratory. This thesis, in contrast, examines speeches of the leaders of the “Big Six” organizations that preceded King’s well-known words in order to shed light on the complexities of the movement and the outcomes that can result from meaningful dissent. Occurring at a time of division, the March emerged as a symbol of hope for change in the nation. The addresses of the day reflected this hope and helped build …


What Is Conservatism?, Heidi Peters Apr 2011

What Is Conservatism?, Heidi Peters

Graduate Research Symposium (GCUA) (2010 - 2017)

The re-branding of the right manifested itself in conservative movements and gatherings across the country in-between 2008 & 2010. One of those events included Glenn Beck's Restoring Honor Rally on August 28, 2010. This research project is a case study that illustrates how the conservative political ideology is defined and rejuvenated after massive defeat.


Ghost Hunting: A Rhetorical Analysis Of The American Media On The Waterboard, William Saas Apr 2010

Ghost Hunting: A Rhetorical Analysis Of The American Media On The Waterboard, William Saas

Graduate Research Symposium (GCUA) (2010 - 2017)

This project looks at popular media hands-on investigations of the waterboard (an interrogation method used in the war on terror, viewed historically as "torture") to discover what I argue are the haunting effects of the second Bush administration's rhetorical war.


The Rhetorical Significance Of Gojira, Shannon Stevens Apr 2010

The Rhetorical Significance Of Gojira, Shannon Stevens

Graduate Research Symposium (GCUA) (2010 - 2017)

This project tackles the 1954 Japanese film Gojira, known to most Americans as Godzilla. By examining the strong emotions expressed in the film’s narrative, we can begin to understand better the experience of the Japanese survivor of World War II. Specifically, by studying the way the primary emotional responses to a war experience (guilt/anger, pain/suffering, and powerlessness/fear) are represented in the film it is possible to see how Gojira functions rhetorically to provide for the Japanese people a safe venue for post-war expression and healing.