Rhetoric Commons^™

Death Positivity: A New Genre Of Death And The Genre Function Of Memento Mori, Melony Elsie Del Real

Electronic Theses, Projects, and Dissertations

This article explores Caitlin Doughty’s “death positivity” as an evolved form of the medieval memento mori, and how this medieval genre serves as a genre function for current day thanatophobic audiences. This is specifically done by analyzing Doughty’s book titled Smoke Gets in Your Eyes, as well as some of her other death positivity mediums. By modeling her rhetoric of death positivity after memento mori, Doughty can effectively deliver her anti-death fearing message to the very audiences that fear death.

Furthermore, analyzing Doughty’s rhetoric as operating within the genre function, a concept put forth by Anis Bawarshi, …

Engl 400: A Rhetorical Analysis Of The Song, "We Are The World": A Call To Change -- Yesterday, Today, And Tomorrow (And A Potential Rhetorical Framework For Covid-19 Relief Efforts), Cammy Toddy

2020 Virtual Spring Student Showcase for Research and Creative Inquiry

On the night of January 28, 1985, the charity single song, “We Are The World,” written by Michael Jackson and Lionel Richie, was produced in A&M Studios in Los Angeles. At the recording studio, there was a sign that said, “Check your egos at the door,” which acted as a visual reminder for why these artists were there. This idea was put in place by producer Quincy Jones, who knew he had one night to bring over 40 of the country’s biggest stars together for a cause much bigger than themselves. A rhetorical analysis of “We Are The World” reveals …