Asian American Studies Commons^™

“Home Sweet Home”: Displacement And Belonging In Post-1960s Diasporic Chinese Literature, Melody Yunzi Li

Arts & Sciences Electronic Theses and Dissertations

Situated at the intersection of Sinophone and Diaspora Studies and focusing on the rhetoric of “home,” my dissertation explores the ways in which Chinese immigrant Sinophone writers and Anglophone writers in the U.S. construct “imaginative homes” in response to the absence of their physical homes. Through detailed analysis of works by Yu Lihua (Again the Palm Trees, 1967), Yan Geling (The Criminal Lu Yanshi, 2011; A Woman’s Epic, 2006), Pai Hsien-yung (Taipei People, 1971), Shi Yu (New York Lover, 2004), Chen Qian (Listen to the Caged Bird Sing, 2010), Rong Rong (Notes of a Couple, 2004) and Ha Jin (A …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Mei Mei, A Daughter's Song: Review, Masako Fukui

RadioDoc Review

The most compelling aspect of Mei Mei: A Daughter’s Song is its enduring power as cultural critique. On the surface, the subject matter is the universal conflict between mother and daughter, but this radio docudrama by Taiwanese-American producer Dmae Roberts is in fact an ambitious exploration of the complex meanings of race, hybridity and cultural ‘mixedness’ that outline the contours of identity in multicultural societies such as the US.

As an Asian-American ‘minority’ discourse, this documentary disrupts the dominant ‘white vs other’ understanding of culture by exploring Roberts’ ambivalence about her own biracial identity (her mother is Taiwanese, her father …