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Full-Text Articles in African American Studies

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson Aug 2020

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …


Interview Of Margaret Mcguinness, Ph.D., Margaret Mcguinness Ph.D., Stephen Pierce Apr 2019

Interview Of Margaret Mcguinness, Ph.D., Margaret Mcguinness Ph.D., Stephen Pierce

All Oral Histories

Dr. Margaret McGuinness was born in 1953, in Providence, Rhode Island. She went to an all-girls Catholic high school called St. Mary’s Academy Bayview in Providence where she graduated in 1971. McGuinness went on to major in American Studies and Civilization as an undergraduate at Boston University graduating with a B.A in 1975. She continued her work at Boston University where McGuinness earned a master’s of theological studies (M.T.S) focusing on Biblical and Historical Studies in 1979. She would move to New York to work on her dissertation at Union Theological Seminary finishing with her Ph.D. in 1985 concentrating on …


The Fluid Pastoral: African American Spiritual Waterways In The Urban Landscapes Of Harlem Renaissance Poetry, Maren E. Loveland Apr 2018

The Fluid Pastoral: African American Spiritual Waterways In The Urban Landscapes Of Harlem Renaissance Poetry, Maren E. Loveland

Criterion: A Journal of Literary Criticism

In 1921 Langston Hughes penned, “My soul has grown deep like the rivers” in his poem “The Negro Speaks of Rivers” (Hughes 1254). Weaving the profound pain of the African American experience with the symbolism of the primordial river, Hughes recognized the inherent power of water as a means of spiritual communication and religious significance. Departing from the traditional interpretation of the American pastoral as typified by white poets such as Robert Frost and Walt Whitman, the African American poets emerging from the Harlem Renaissance established a more nuanced pastoral landscape embedded within urban cultures, utilizing water in particular as …