African American Studies Commons^™

Women Of African Descent: Persistence In Completing A Doctorate, Vannetta L. Bailey-Iddrisu

Vannetta L. Bailey-Iddrisu

This study examines the educational persistence of women of African descent (WOAD) in pursuit of a doctorate degree at universities in the southeastern United States. WOAD are women of African ancestry born outside the African continent. These women are heirs to an inner dogged determination and spirit to survive despite all odds (Pulliam, 2003, p. 337).This study used Ellis’s (1997) Three Stages for Graduate Student Development as the conceptual framework to examine the persistent strategies used by these women to persist to the completion of their studies.

Belief And Performance, Morrison And Me, Koritha Mitchell

Koritha Mitchell

A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.

The African-American Struggle For Equality: Two Divergent Approaches, Steven Washington

Honors College Theses

This paper focuses on two leaders and how their divergent strategies for one goal led to them working together without actively coordinating their efforts. The research conducted in the paper is based primarily on the writings of Booker T. Washington and W. E. B. Du Bois. It examines their upbringing and their views on education, labor and voting rights.

Aa Ms 06 Home Is Where I Make It - Oral History Collection Finding Aid, Marieke Van Der Steenhoven

Search the Manuscript Collection (Finding Aids)

Description:

This oral history project was directed by Dr. Maureen Elgersman Lee, of USM, and Rachel Talbot Ross. The interviews were conducted by local high school students. The Collection includes transcripts, photographs and audiotapes from the two phases of the project, which documented African American life in the Greater Portland and Lewiston-Auburn areas.

Date Range:

2001-2003

Size of Collection:

1 ft.

Toni Morrison, Oprah Winfrey, And Postmodern Popular Audiences, John K. Young

John K. Young

In this essay the author examines the "Oprah Effect" on the career of Toni Morrison, who after three appearances on "Oprah's Book Club" has become the most dramatic example of postmodernism's merger between Morrison's canonical status and Winfrey's commercial power has superseded the publishing industry's field of normative whiteness, enabling Morrison to reach a broad, popular audience while being marketed as artistically important.

A. Philip Randolph And Boston's African-American Railroad Worker, James R. Green, Robert C. Hayden

James R. Green

On October 8, 1988, a group of retired Pullman car porters and dining car waiters gathered in Boston's Back Bay Station for the unveiling of a larger-than-life statue of A. Philip Randolph. During the 1920s and 1930s, Randolph was a pioneering black labor leader who led the Brotherhood of Sleeping Car Porters. He came to be considered the "father of the modern civil rights movement" as a result of his efforts to desegregate World War II defense jobs and the military services. Randolph's importance as a militant leader is highlighted by a quote inscribed on the base of the statue …

Tupac In The Classroom: From Cointelpro To Critical Consciousness, Jesse Benjamin

Jesse Benjamin

No abstract provided.

Mccartt-Jackson, Sarah (Fa 578), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full text (Click on "Additional Files" below) for Folklife Archives Project 578. Paper by Sarah McCartt-Jackson titled “Narrative Compromise: African American Representation at Henry Clay’s Ashland Estate.” Paper provides analysis of the inclusion and accuracy of the history of slavery at Ashland, and slavery’s depiction in tour narratives, brochures, exhibit signage, advertisements, and websites. This project won the 2011Folklife Archives Award competition at Western Kentucky University.

Race, Memory, And Historical Responsibility: What Do Southerners Do With A Difficult Past?, Larry J. Griffin, Peggy G. Hargis

Catalyst: A Social Justice Forum

Newly emerging, transitional societies –– that is, societies that traded dictatorial or authoritarian rule for some form of open or liberal polity –– face at least three interdependent problems of what is called in legal scholarship and social science “transitional justice”: the first is how (if at all) to hold the old regime’s autocratic, often violence-laden leadership responsible for its wrongdoings while in power; the second is what (if anything) to do with thousands upon thousands of ordinary folk whose participation in, or compliance with, the old regime helped legitimate and thus perpetuate the wrongdoing; and the third task how …

Negrocity: An Interview With Greg Tate, Camille Goodison

Publications and Research

No abstract provided.

"A Shade Too Unreserved": Destabilizing Sexuality And Gender Constructs Of The New Negro Identity In Harlem Renaissance Literature, Renee E. Chase

Electronic Theses and Dissertations

Much of the Harlem Renaissance artistic movement was directly intertwined with the New Negro social movement of the time. Race leaders spoke to and influenced artistic trends, while artists often engaged with the New Negro race issues and social debates through their works. Wallace Thurman, Nella Larsen, and Zora Neale Hurston used their own fictional works to explore the New Negro construct being promoted. In examining the constructed nature of this New Negro identity, these artists strove to destabilize the social "norms" upon which the identity was based. As they thematically and stylistically explored such social constructs through their fiction, …

'People Want To See What Happened': Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell L. Thomas

American Studies Faculty Publication Series

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

Sassin' Through Sadhana': Learned Leadership Journeys Of Black Women In Holistic Practices, Rachel Panton

Communication, Media, and Arts Faculty Book and Book Chapters

Women of color, especially Black women, are underrepresented in the extant literature and research of adult development and mind, body, spirit leadership. This in-depth qualitative portraiture study explored the lives of three Black women who have been leading their communities as adult educators of mind, body, spirit practices. This examination seeks to extend the research on Black female adult development and learning to include those who are guiding their respective communities through Yoruba, Yoga, and Christian-based holistic practices by addressing these questions: How have their spiritual/religious practices changed from childhood? What was their preparation for their current teaching practice like? …

"People Want To See What Happened": Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell Thomas

Lynnell Thomas

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

From The Struggle To Liberation: A Critical Analysis Of The Film The Color Purple, Rebecca Matlock

Undergraduate Research Conference

This paper critiques and analyzes The Color Purple movie. The Color Purple movie released in 1985 is based on the 16982 novel written by author Alice Walker (Jones & Spielberg, 1985). The movie sheds light on he struggles that African American females faced as their reality in the 1930s. This paper begins with a brief overview of the movie discussing the context of the movie. The paper then discusses four intercultural concepts that is significantly related to the movie. The four concepts are: cultural norms, identity, self-awareness, and discrimination. From an intercultural communication view, the movie impacts, viewers by making …

Richey, Nancy Carol, B. 1959 (Fa 575), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Manuscripts Small Collection 575. Interview conducted on 21 February 2012 by Nancy Richey and Sue Lynn McDaniel with Angela Townsend regarding Jonesville, an African American community in Bowling Green, Kentucky, that was eliminated by an urban renewal project in the 1960s.

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith E. Smith

American Studies Faculty Publication Series

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with the civil rights insurgency and benefited from input from activists. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young.

This essay argues that the film’s unusual attention to labor …

Hollywood's White Legal Heroes And The Legacy Of Slave Codes, Katie Rose Guest Pryal

Katie Rose Guest Pryal

This chapter explores the portrayal of black defendants in mainstream legal cinema and draws connections between these portrayals, the legacy of slave codes, and the Supreme Court's rejection of statistical and historical proof of racism in the application of the death penalty. I focus on a sub-genre of legal cinema, what I call the "White Legal Hero" narrative. The typical white legal hero film tells the story of an innocent or otherwise righteous black male defendant facing a capital charge. He is represented by a white male "hero" lawyer who tries to overcome the racist justice system. The failure of …

Reading Between The Lines Of Slavery: Examining New England Runaway Ads For Evidence Of An Afro-Yankee Culture, Lauren Landi

Pell Scholars and Senior Theses

This paper focuses on New England slavery and the way Africans and African-Americans were able to infuse aspects of the dominant English culture and their combined African heritage into their own Afro-Yankee culture. They created their own American identity, in which they adopted and at times mocked the very culture that placed them in this system of bondage. By looking at runaway advertisements from the colonial era we can see evidence of an Afro-Yankee culture that is clearly visible in the clothes slaves wore, the hairstyles they kept, their mannerisms, talents, and overall presence.

Finger Lickin’ Good: An Analytical Investigation Into The Urban Diet, Jennifer T.R. Tomlinson

Jennifer T.R. Tomlinson

In this analysis, the origins, customs and implications of fast-food culture will be explored with important focus on the customs of fast-food urban eating. Research indicates that lower-income urban areas are more likely to consume fast-food. The high consumption of fast-food subsequently results in the development of social and economical implications, which include health implications, economic dilemmas, a disconnection between consumers and their consumption and issues of social classification. This analysis also explores the customs of fast-food culture of Pine Hills, Florida with added emphasis on Pine Hills’ cultural uniqueness.

Postcolonial Religion And Motherhood In The Novels By Louise Erdrich And Alice Walker, Kateryna Chornokur

USF Tampa Graduate Theses and Dissertations

This thesis is a comparative analysis of the works of the Native American author Louise Erdrich (Love Medicine, Tracks) and the African American writer Alice Walker (The Color Purple). Originating from different cultural traditions, Native American and African American women writers address common themes in their novels because of their common colonial background. One of the main themes in their writings is that of religion. Despite becoming victims of Christianity used as a means of cultural colonization, both African American and Native American communities reinterpret it in terms of their traditional religious beliefs and create a new, unique hybridized form …

James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell

Koritha Mitchell

James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …

Taft, Ann Celine (Fa 49), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 49. Oral history interview with The Straightway Gospel Singers from Gallatin, Tennessee conducted by Ann Celine Taft for a folk studies class at Western Kentucky University. Subsequent paper titled "The Straightway Gospel Singers" also included.

Study Guide For United In Anger: A History Of Act Up, Matt Brim

Open Educational Resources

The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.

Interview Of Cherylyn Rush, Cherylyn Rush, Linda Sago

All Oral Histories

Cherylyn Landora Edwards Rush was born in 1959 in Shirley, Massachusetts. Mrs. Rush moved to Pennsylvania at a very young age. Her father, Lester Edwards, was in the military. After her parents divorced, Cherylyn’s mother Pearl developed ovarian cancer and passed away when Cherylyn was about seven years old. Her grandmother Louise Jackson then cared for Cherylyn until she went to live with their father. Mr. Edwards had remarried. When Cherylyn’s father and her stepmother divorced, she returned to Philadelphia, PA and attended William Penn High School. Cherylyn earned her high school diploma although she was pregnant with her son. …

Interview Of Minister Rodney Muhammad, Rodney Muhammad, Venold Johnson

All Oral Histories

Minister Rodney Muhammad (born Rodney Ellis) was born in 1952 in Chicago, Illinois, where he grew up in the South Shore neighborhood. His father, Jim Ellis, played football for Michigan State University, graduated from there with a degree in sociology, played for the Chicago Bears, and was a social worker. His mother, Kathryn Ellis, attended Roosevelt University, was the first black model for Ford in Detroit, Michigan, and achieved a Ph.D. in Public Administration. Rodney Muhammad majored in business administration at DePaul University and worked as an estate planner before he entered the Nation of Islam. At the time of …

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …

Understanding Social Integration And Student Involvement As Factors Of Self-Reported Gains For African American Undergraduate Women, Edna Jones Miller

USF Tampa Graduate Theses and Dissertations

Diversity of student populations within higher education has considerably increased, particularly for women and minority populations, which is indicative of greater access to education toward a college degree. However, increased diversity of student populations has introduced a new set of challenges for higher education administrators in that it is becoming increasingly difficult for administrators to maintain current educational methods when considering the changing needs of matriculating students. As a result, higher education institutions are compelled to strategize beyond the "one-size-fits all" approach in the way teaching and support services are delivered in order to provide a more holistic approach to …

"You Understand Me Now": Sampling Nina Simone In Hip Hop, Amanda Renae Modell

USF Tampa Graduate Theses and Dissertations

The overarching goal of this research is to explicate the implications of hip hop artists sampling Nina Simone's music in their work. By regarding Simone as a critical social theorist in her own right, one can hear the ways that hip hop artists are mobilizing her tradition of socially active self-definition from the Civil Rights/Black Power era(s) in the post-2000 United States. By examining both the lyrics and the instrumental compositions of Lil Wayne, Juelz Santana, Common, Tony Moon, Talib Kweli, Mary J. Blige and Will.I.Am, G-Unit and Timbaland, and bearing in mind the intersecting oppressions of race, class, gender, …

Introduction To "The Americans Are Coming! Dreams Of African American Liberation In Segregationist South Africa", Robert T. Vinson

Arts & Sciences Book Chapters

For more than half a century before World War II, black South Africans and “American Negroes”—a group that included African Americans and black West Indians—established close institutional and personal relationships that laid the necessary groundwork for the successful South African and American antiapartheid movements. Though African Americans suffered under Jim Crow racial discrimination, oppressed Africans saw African Americans as free people who had risen from slavery to success and were role models and potential liberators.

Many African Americans, regarded initially by the South African government as “honorary whites” exempt from segregation, also saw their activities in South Africa as a …