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Full-Text Articles in African American Studies

Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell Nov 2011

Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell

Koritha Mitchell

Chapter analyzing May Miller's Nails and Thorns, a lynching play not discussed in my book LIVING WITH LYNCHING.


“A General State Of Terror”: The Enforcement Acts, The Ku Klux Klan, And The Struggle Over Education In The Post-Bellum South, Kathryn E. Murdock May 2011

“A General State Of Terror”: The Enforcement Acts, The Ku Klux Klan, And The Struggle Over Education In The Post-Bellum South, Kathryn E. Murdock

Senior Theses and Projects

No abstract provided.


“'You Done Cheat Mose Out O' De Job, Anyways; We All Knows Dat'”: Faith Healing In The Fiction Of Kate Chopin, Karen Kel Roop May 2011

“'You Done Cheat Mose Out O' De Job, Anyways; We All Knows Dat'”: Faith Healing In The Fiction Of Kate Chopin, Karen Kel Roop

UNLV Theses, Dissertations, Professional Papers, and Capstones

Born in St. Louis, Missouri, in 1850, the half-way mark of the century in which the country itself would be broken in two, Kate Chopin was destined to bear witness to the many divisions that have distinguished the United States. Especially noticeable in the post-Reconstruction period in which she wrote was the expanding chasm between the races. This dissertation argues that even Chopin's most seemingly orthodox Southern stories betray a quest for a theology capable of healing the physical, emotional, and spiritual ills omnipresent in the country and especially apparent in the post-Civil War South. The alternative to mainstream Protestantism …


Cotter, Joseph Seaman, 1861-1949 (Sc 378), Manuscripts & Folklife Archives Mar 2011

Cotter, Joseph Seaman, 1861-1949 (Sc 378), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 378. Letter, from Joseph S. Cotter, Louisville, Kentucky, to James Tandy Ellis, a fellow poet, which relates an incident of Cotter’s early life.


State Killing, The Stage Of Innocence, And The Exonerated, Katy Ryan Feb 2011

State Killing, The Stage Of Innocence, And The Exonerated, Katy Ryan

Katy Ryan

This essay considers the innocence argument and sentimentality in Jessica Blank and Erik Jensen’s The Exonerated (2003), a documentary play based on interviews with people sentenced to die for crimes they had not committed. The play’s composition, performance, and reception reveal the challenges of art committed to social reform and confirm the difficulty in assessing the political function or, in Fredric Jameson’s sense, the political unconscious of American literature. As a celebrated example of political theatre, The Exonerated also provides a forum for thinking through the contemporary terms and framework of conversations about state killing. The play promotes reform and …


Performance Review Of By Hands Unknown, Koritha Mitchell Jan 2011

Performance Review Of By Hands Unknown, Koritha Mitchell

Koritha Mitchell

Performance Review of BY HANDS UNKNOWN, theatrical presentation composed of 7 one-act lynching plays from the 1920s and 1930s.


Waiting To Exhale, Kaavonia Hinton Jan 2011

Waiting To Exhale, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Savannah Jackson’s sister Sheila tells Savannah about a business owner named Lionel, and Lionel invites Savannah to attend a New Year’s Eve party. As Savannah gets ready to ring in 1990, she reflects on her annoyance with Sheila and their mother, who have suggested that Savannah is miserable because she does not have a husband and does not live closer to her family. She realizes she does not need a man to validate her but admits that, as she broke up with Kenneth Dawkins four years ago, she wants to be in love again


Choosing My Best Thing: Black Motherhood And Academia, Kaavonia Hinton-Johnson Jan 2011

Choosing My Best Thing: Black Motherhood And Academia, Kaavonia Hinton-Johnson

Teaching & Learning Faculty Publications

(First paragraph) Scholars argue that White feminist theoretical undertakings concerning mothering are not appropriate for studying Black mothers because they rarely take race and culture into consideration (Collins, 1991; Joseph, 1991). Collins (1994) argues that the experiences of Black mothers are paramount to any inclusive discussion about mother/child relationships. Scholars who have turned their attention to the Black mother often do so via literary works and/or criticism (see, for example, Crews, 1996; Morrison, 1987; Wade-Gayles, 1984; Washington, 1990; Williams, 1986) or in reality (Collins, 1991, 1994; Roberts, 1997a). However, a computerized search for studies on the Black mother produces literature …


How Stella Got Her Groove Back, Kaavonia Hinton Jan 2011

How Stella Got Her Groove Back, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Stella Payne is an ambitious African American woman who holds masters degrees in fine arts and in business administration. A successful analyst for a large investment firm, she makes more than $200,000 per year and has an impressive portfolio. Despite her accomplishments, she no longer finds her career satisfying and feels her life is simply boring and predictable. Anxious to get a respite from single motherhood, she watches her eleven-year-old son, Quincy, board a plane to Colorado, where he will spend a few weeks with his father


Le Mélange Of Francophone Culture In William Wells Brown’S Clotel, Sandra Andrade Jan 2011

Le Mélange Of Francophone Culture In William Wells Brown’S Clotel, Sandra Andrade

Undergraduate Review

In Clotel; Or, The President’s Daughter, William Wells Brown argues that for fugitive African American slaves France represented freedom. This connection between African Americans and France that is familiar to many Americans in the twentieth century was existent at the time of Brown’s own escape. The Francophone culture became a major motivator in the author’s personal life and also in his writings. This project covers many themes, including the “tragic mulatta”, American identity, American freedom and slavery, and explores readings from Anna Brickhouse’s Transamerican Literary Relations and the Nineteenth-Century Public Sphere, and Eve A. Raimon’s The Tragic Mulatta …


What Child Is This?: Closely Reading Collectivity And Queer Childrearing In Lackawanna Blues And Noah’S Arc, Vincent L. Stephens Dec 2010

What Child Is This?: Closely Reading Collectivity And Queer Childrearing In Lackawanna Blues And Noah’S Arc, Vincent L. Stephens

Vincent L Stephens

Increasing hostilities toward intimate change are rooted in longstanding affective investments in a sexual normativity that oppresses multiple strands of intimacy, including African American kinship networks and same-sex coupling. Since homosexuality is always racialized sexuality and African American kinship patterns have always been marginal by U. S. heteronormative standards, the present essay unmasks the ways sexual normativity has obscured collectivity as a resistive strategy in the lives of two "alternative" intimate groups with important overlaps, black gay and lesbian communities and African American extended families. The essay interrogates sexual normativity by defining and affirming the relevance of black collectivity to …