African American Studies Commons^™

Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison

Occasional Essays

No abstract provided.

Hip Hop Is Dead: The Rhetoric Of Hip Hop, Kalyana Champlain

Senior Honors Projects

There is no doubt that Hip Hop has become a most influential international force. This animal has had many faces: two of these faces have been as a political tool as displayed by Public Enemy, and as a therapeutic release-- as I discovered while in AmeriCorps interning at AS220 for a program called Hip Hop 220, in which we took underprivileged youth and helped them to channel their energy through this art form. However, there is a dark side to this culture that includes extreme misogyny, self- sabotage, hatred, and an unhealthy obsession with status. As I reflected on these …

Re-Taking It To The Streets: Investigating Hip-Hop's Emergence In The Spaces Of Late Capitalism, Kevin Waide Kosanovich

Dissertations, Theses, and Masters Projects

No abstract provided.

Ua1c6 Events Photos, Wku Archives

WKU Archives Collection Inventories

Images of events not otherwise categorized.

1. Demonstrations & Protests
2. Commencement
3. Homecoming
4. Banquets / Dinners
5. Conferences / Workshops
6. Dedications
7. Entertainment
8. Exhibits

Includes images of College High and Training School events.

Crooning On The Fault Lines: Theorizing Jazz And Pop Vocal Singing Discourse In The Rock Era, 1955-1978, Vincent L. Stephens

Vincent L Stephens

The critical boundaries drawn between pop crooning and jazz singing are less discrete than commonly perceived by critics and historians. Commercial choices rather than clear-cut aesthetic differences have influenced classifications of non-improvisers like Tony Bennett and Peggy Lee as “jazz” singers, a category presumed to represent the ultimate in vocal interpretation. Comparatively, singers like Johnny Mathis and Barbra Streisand are aesthetically similar to prerock crooners (PRCs) but typically understood as pop singers and thus on a lower interpretive tier. This article interrogates the binary by examining the overlaps and divergences between PRCs whose recording careers (mostly) began during the big …