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Full-Text Articles in African American Studies
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Master of Arts in English Plan II Graduate Projects
In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.
Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess
Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess
Dissertations, Theses, and Capstone Projects
Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …
Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green
Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green
Dissertations, Theses, and Capstone Projects
Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …
The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks
The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks
Graduate Theses and Dissertations
The American South has long been a region associated with myth and fantasy; in popular culture especially, the region is consistently tied to skewed notions of the antebellum South that include images of large plantation homes, women in hoop skirts, and magnolia trees that manifest in television and film representations such as Gone With the Wind (1939). Juxtaposed with these idealized, mythic images is the hillbilly trope, reinforced by radio shows such as Lum and Abner, and films such as Scatterbrain (1940). Out of this idea comes the southern illiteracy stereotype, which suggests that southerners are collectively unconcerned with education …
Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra
Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra
Electronic Thesis and Dissertation Repository
My contention is that the narrative framework of social movements, especially the ones deemed “successful” such as the American Civil Rights Movement and the Polish Solidarity Movement, reflects unity and collectivity within collective memory. During the period of the movements’ duration, this provides a clear rhetorical purpose: to give the appearance of unity in order to give effective voice to the demands. I argue that the voices that did not fit into the collective movements emerge subsequently to question this monologic language in literary form. This dissertation uses Bakhtin’s notion of dialogic language to argue that novels in the postresistance …
Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein
Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein
Honors Projects
This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring …
Race, Class, And Herman Melville, Joan A. De Santis
Race, Class, And Herman Melville, Joan A. De Santis
Master's Theses, Dissertations, Graduate Research and Major Papers Overview
Analyzes two of the short stories in Herman Melville's The Piazza Tales, "Bartleby the Scrivener: a Story of Wall Street" and "Benito Cereno" and argues that these stories are highly critical of the bourgeois class structure of American society that inform Wall Street, as well as the slave trade, in mid-Nineteenth-Century America. Posits that in these works Melville addresses the questions of hierarchical power in the workplace and the effects of racism and slavery in the colonization of America.