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Full-Text Articles in African American Studies
Race Patriots: Black Poets, Transnational Identity, And Diasporic Versification In The United States Before The New Negro, Jason T. Hendrickson
Race Patriots: Black Poets, Transnational Identity, And Diasporic Versification In The United States Before The New Negro, Jason T. Hendrickson
Doctoral Dissertations
This dissertation explores the contributions of black poets in the United States before the New Negro / Harlem Renaissance Movement. Specifically, it focuses on their role in creating and maintaining a tradition of regional transnationalism in their verses that celebrates their African ancestry. I contend that these poets are best understood as “race patriots”; that is, they at once sought inclusion within the nation-state in the form of full citizenship, yet recognized allegiances beyond the nation-state on account of race through a recognition of shared African ancestry across borders. Their verses point to a shared kinship – be it through …
Sweat The Technique: Visible-Izing Praxis Through Mimicry In Phillis Wheatley's "On Being Brought From Africa To America", Karla V. Zelaya
Sweat The Technique: Visible-Izing Praxis Through Mimicry In Phillis Wheatley's "On Being Brought From Africa To America", Karla V. Zelaya
Doctoral Dissertations
“On Being Brought from Africa to America” was written in 1768, seven years after a seven or eight-year-old Phillis Wheatley arrived to British North America. Phillis Wheatley was about fifteen-years-old when she wrote the most reviled poem in Black literature. Charged with thinking white and writing white, “On Being Brought from Africa to America” would condemn Phillis Wheatley as an imitator of the white gaze. Although accused of straightening her tongue, Phillis Wheatley did not imitate the white gaze in “On Being Brought from Africa to America.” She mimicked it. To imitate means to do something the same way. To …
"The Imagination And Construction Of The Black Criminal In American Literature, 1741-1910", Emahunn Campbell
"The Imagination And Construction Of The Black Criminal In American Literature, 1741-1910", Emahunn Campbell
Doctoral Dissertations
My dissertation examines the origins of the perception of black people as criminally predisposed by arguing that during eighteenth and nineteenth-century America, crime committed by black people was used as a major trope in legal, literary, and scientific discourses, deeming them inherently criminal. Furthermore, I contend that enslaved and free black people often used criminal acts, including murder, theft, and literacy, as avenues toward freedom. However, their resistance was used as a justification for slavery in the South and discrimination in the North. By examining a diverse set of materials such as confessional literature, plantation management literature, (social) scientific studies, …