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Articles 1 - 13 of 13
Full-Text Articles in African American Studies
The Burdens And Blessings Of Responsibility: Duty And Community In Nineteenth- Century America, Leslie Leonard
The Burdens And Blessings Of Responsibility: Duty And Community In Nineteenth- Century America, Leslie Leonard
Doctoral Dissertations
The Burdens of Responsibility traces the emergence of moral responsibility as both a concept and problem in the nineteenth-century United States. Drawing on a range of sources –works of literature, philosophy, domestic manuals, newspaper archives – I show how many Americans began to conceive of moral responsibility as distinct from both duty and rules of behavior prescribed by traditional social roles. Although ethicists today take this distinction for granted, it was an emergent and problematic space in the nineteenth-century United States, brought into being by historical forces, including the rise of market capitalism, abolition, changing women’s roles, and increasing concern …
Conjuring New Worlds: Black Women’S Speculative Fiction And The Restructuring Of Blackness, Chloe Hunt
Conjuring New Worlds: Black Women’S Speculative Fiction And The Restructuring Of Blackness, Chloe Hunt
Doctoral Dissertations
This dissertation, Conjuring New Worlds: Black Women’s Speculative Fiction and the Restructuring of Blackness, examines Black speculative fiction as a site of theorization within worlds where Black existence has not already been pre-determined by the forces of slavery and ideologies of race and culture in a white supremacist world. In this sense, my dissertation models ways of reading Black literature that demonstrates how Blackness can disturb, rather than reproduce, notions of racial meaning and the Human. I argue that writers of Black speculative fiction go beyond the creation of alternative realities to produce sites that allow for nearly limitless …
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Masters Theses
This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
Doctoral Dissertations
This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing …
“The Blackness Of Blackness”: Meta-Black Identity In 20th/21st Century African American Culture, Casey Hayman
“The Blackness Of Blackness”: Meta-Black Identity In 20th/21st Century African American Culture, Casey Hayman
Doctoral Dissertations
The central claim in this dissertation is that much contemporary African American cultural expression would be better conceptualized not as “post-black,” as some would have it, but as what I call “meta-black.” I use the preface “meta-” because while this contemporary black identity also resists sometimes constrictive conceptions of “authentic” black identity from within the African American community, I diverge from theorists of “post-blackness” in observing the ways that, as Nicole Fleetwood observes, blackness necessarily “circulates” within a technologically-driven mediascape, and these postmodern black subjects work within and against the constraints of this aural-visual regime of blackness in order to …
‘Woman Thou Art Loosed’: Black Female Sexuality Unhinged In The Fiction Of Frances Harper And Pauline Hopkins, Crystal Donkor
‘Woman Thou Art Loosed’: Black Female Sexuality Unhinged In The Fiction Of Frances Harper And Pauline Hopkins, Crystal Donkor
Doctoral Dissertations
Race-sex narratives that dominated in the nineteenth and twentieth centuries permeated the political, scientific, and social fabric of the nation, but did not solely center on black bodies. These narratives demeaned and degraded a race of black citizens, characterizing them as sexually deviant social pariahs. Consequently, these same notions elevated whites to the highest rungs of society, marking them as moral and desirable. This crafting of racial identity acted as just one way to justify racial subordination through the creation of notions that proved detrimental to black life and worthiness. Writer-activists penning their tales of fiction after the Civil War …
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
Doctoral Dissertations
Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …
Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo
Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo
Doctoral Dissertations
This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …
Texts And Subtexts In Performing Blackness: Vernacular Masking In Key And Peele As A Lens For Viewing Paul Laurence Dunbar’S Musical Comedy, Spencer Kuchle
Texts And Subtexts In Performing Blackness: Vernacular Masking In Key And Peele As A Lens For Viewing Paul Laurence Dunbar’S Musical Comedy, Spencer Kuchle
Doctoral Dissertations
When Kegan Michael Key and Jordan Peele’s sketch-comedy show Key & Peele took Comedy Central by storm in 2012, the perceived need by the comedians to “adjust their blackness” to gain social recognition became a recurring theme. Throughout their comedic performances, language becomes a proxy for identity, and Key and Peele’s parodic employment of African American Vernacular English (AAVE) and linguistic variation serves to challenge notions of black authenticity, while emphasizing the absurdity of racial essentialism. An embodiment of Jonathan Rossing’s concept of emancipatory racial humor, Key and Peele’s comedy creates nonthreatening spaces that facilitate the contestation of cultural authority …
Race Patriots: Black Poets, Transnational Identity, And Diasporic Versification In The United States Before The New Negro, Jason T. Hendrickson
Race Patriots: Black Poets, Transnational Identity, And Diasporic Versification In The United States Before The New Negro, Jason T. Hendrickson
Doctoral Dissertations
This dissertation explores the contributions of black poets in the United States before the New Negro / Harlem Renaissance Movement. Specifically, it focuses on their role in creating and maintaining a tradition of regional transnationalism in their verses that celebrates their African ancestry. I contend that these poets are best understood as “race patriots”; that is, they at once sought inclusion within the nation-state in the form of full citizenship, yet recognized allegiances beyond the nation-state on account of race through a recognition of shared African ancestry across borders. Their verses point to a shared kinship – be it through …
Sweat The Technique: Visible-Izing Praxis Through Mimicry In Phillis Wheatley's "On Being Brought From Africa To America", Karla V. Zelaya
Sweat The Technique: Visible-Izing Praxis Through Mimicry In Phillis Wheatley's "On Being Brought From Africa To America", Karla V. Zelaya
Doctoral Dissertations
“On Being Brought from Africa to America” was written in 1768, seven years after a seven or eight-year-old Phillis Wheatley arrived to British North America. Phillis Wheatley was about fifteen-years-old when she wrote the most reviled poem in Black literature. Charged with thinking white and writing white, “On Being Brought from Africa to America” would condemn Phillis Wheatley as an imitator of the white gaze. Although accused of straightening her tongue, Phillis Wheatley did not imitate the white gaze in “On Being Brought from Africa to America.” She mimicked it. To imitate means to do something the same way. To …
"The Imagination And Construction Of The Black Criminal In American Literature, 1741-1910", Emahunn Campbell
"The Imagination And Construction Of The Black Criminal In American Literature, 1741-1910", Emahunn Campbell
Doctoral Dissertations
My dissertation examines the origins of the perception of black people as criminally predisposed by arguing that during eighteenth and nineteenth-century America, crime committed by black people was used as a major trope in legal, literary, and scientific discourses, deeming them inherently criminal. Furthermore, I contend that enslaved and free black people often used criminal acts, including murder, theft, and literacy, as avenues toward freedom. However, their resistance was used as a justification for slavery in the South and discrimination in the North. By examining a diverse set of materials such as confessional literature, plantation management literature, (social) scientific studies, …
Here, There, And In Between: Travel As Metaphor In Mixed Race Narratives Of The Harlem Renaissance, Colin Enriquez
Here, There, And In Between: Travel As Metaphor In Mixed Race Narratives Of The Harlem Renaissance, Colin Enriquez
Doctoral Dissertations
Created to comment on Antebellum and Reconstruction literature, the tragic mulatto concept is habitually applied to eras beyond the 19th century. The tragic mulatto has become an end rather than a means to questioning racist and abolitionist agendas. Rejecting the pathetic and self-destructive traits inscribed by the tragic label, this dissertation uses geographic, cultural, and racial boundary crossing to theorize a rereading of mixed race characters in Harlem Renaissance literature. Focusing on train, automobile, and boat travel, the study analyzes the relationship between the character, transportation, and technology whereby the notion of race is questioned. Furthermore, the dissertation divides …