African American Studies Commons^™

Piercing The Prison Uniform Of Invisibility For Black Female Inmates, Michelle S. Jacobs

Michelle S Jacobs

In Inner Lives: Voices of African American Women In Prison, Professor Paula Johnson has written about the most invisible of incarcerated women — incarcerated African American women. The number of women incarcerated in the United States increased by seventy-five percent between 1986 and 1991. Of these women, a disproportionate number are black women. The percentages vary by region and by the nature of institution (county jail, state prison or federal facility), but the bottom line remains the same. In every instance, black women are incarcerated at rates disproportionate to their percentage in the general population. In Inner Lives, Professor Johnson …

Becoming Belafonte: Black Artist, Public Radical, Judith Smith

Judith E. Smith

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.

In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive …

Introduction To We All Got History: The Memory Books Of Amos Webber, Nick Salvatore

Nick Salvatore

[Excerpt] Who was this Amos Webber who assumed such a prominent role in this public, regional celebration of the black presence in American life? That he was a veteran was clear, but that alone did not account for his prominent position in that day's events. Certainly James Monroe Trotter, the eminent musician, author, and politician, William H. Carney, and William Dupree were all more widely known in the black North. How did a man such as Amos Webber, unknown beyond his own circle, the recipient of no awards or editorials in the local or national press, achieve such prominence in …

Two Tales Of A City: Nineteenth-Century Black Philadelphia, Nick Salvatore

Nick Salvatore

[Excerpt] In the tension between Forging Freedom and Roots of Violence certain themes present themselves for further research and thought. Neither volume successfully analyzes the historical roots of the African-American class structure. This is especially evident in each book's treatment of the black middling orders. While neither defines the category with clarity, their basic assumption that small shopkeepers and regularly employed workers were critical to the community's ability to withstand some of the worst shocks of racism is important. The clash between these books also raises questions concerning the role of pre-industrial cultural values in the transition to industrial capitalism. …

Preface To Singing In A Strange Land, Nick Salvatore

Nick Salvatore

Salvatore delves into the life of the one of the most influential clergyman in twentieth-century African-American religious life, from his 1915 origins as a poor Mississippi farmboy to his early years as a preacher in Tennessee to his 1950s rise to acclaim in Detroit. Along the way, Franklin's charismatic preaching style revolutionized the sermon yet he was no saint away from the pulpit. His encouragement to proclaim both faith and dignity in the black community helped bolster the civil rights movement.

Buffalo's "Prophet Of Protest": The Political Leadership And Activism Of Reverend Dr. Bennett W. Smith, Sr., Sherri Wallace

Sherri L. Wallace

The Little Rock Crisis And Foreign Affairs: Race, Resistance, And The Image Of American Democracy, Mary L. Dudziak

Mary L. Dudziak

When President Dwight D. Eisenhower sent federal troops to Little Rock, Arkansas to enforce a school desegregation order at Central High School in the fall of 1957, more than racial equality was at issue. The image of American democracy was at stake. The Little Rock crisis played out on a world stage, as news media around the world covered the crisis. During the weeks of impasse leading up to Eisenhower's dramatic intervention, foreign critics questioned how the United States could argue that its democratic system of government was a model for others to follow when racial segregation was tolerated in …