African American Studies Commons^™

Gender And Orality In Toni Morrison's Song Of Solomon, Nessa Ordukhani

Criterion: A Journal of Literary Criticism

This essay explores the intersection of postmodernism and multiculturalism in Toni Morrison's novel, Song of Solomon. It delves into the destabilization of historical metanarratives by postmodernism through the theories of Jean-François Lyotard, which challenges the notion of a singular truth and questions who constructs popular historical narratives. The essay discusses the role of the victors, particularly white males, in shaping history and the process of legitimation through which historical facts are determined. It examines how Morrison's novel offers an alternative history that highlights African American perspectives and challenges the dominant white narrative. Additionally, the essay explores the tension between multiculturalism …

Double Consciousness, Mirrors, And The Children Within Them: A Conceptual Reading Of W. E. B. Du Bois's "As The Crow Flies", Adeline Navarro

Rushton Journal of Undergraduate Humanities Research

This research essay argues that W. E. B. Du Bois’s Crow from his magazine column “As the Crow Flies” is a figurative device for double consciousness and examines how aspects of double consciousness are present in the frequent motifs of dialectic doubleness in the column. Drawing from scholar Rudine Sims Bishop, this essay explores how the Crow functions as a mirror that children can use to realize their own double consciousness and thus see themselves. This insight into Du Bois’s news column provides a further understanding of the significance of accessible, multicultural children’s literature.

Plotting The Plantationocene With The History Of Mary Prince, Shelby Johnson

ABO: Interactive Journal for Women in the Arts, 1640-1830

In this essay, I consider how The History of Mary Prince, A West Indian Slave, Related by Herself (1831) extends vital affordances for assembling a literary history of ecological rupture, settler colonialism, and transatlantic slavery. These insights arise from my experiences teaching Prince in “Plotting the Plantationocene in Early Atlantic Literature” (Fall 2021), a course which took up what it means to orient to historical formations of climate change as co-emergent with plantation systems. I argue that my students explored how figures like Prince open politically vibrant pathways for being in the world otherwise to plantation modernity.

Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa

Criticism

On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA’s inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine’s bestsellers’ list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of …

Babel Blackness: The Aesth-Ethical Turn In Post-Colonial Translation, Emanuela Maltese

Living in Languages

“How do we make art in an ethical way?” (Marlene NourbeSe Philip) is the leading question lying at the basis of this article, which inspired by the story of the unauthorized Italian translation of Zong! seeks to investigate on the ethics of translation and propose a new turn in translation studies, namely a black aesth-ethical one. The proposal here examined is indeed informed by both aesthetics, and ethics. It presents translation as a practice, that draws on recent debates on black aesthetics, with specific reference to the Afro-optimism (AO) of cultural theorist and poet Fred Moten (2013, 2018, 2019) and …

Economies Of Extinction: Animals, Labour, And Inheritance In The Longleaf Pine Forests Of The Us South, Nathaniel Otjen

Animal Studies Journal

Despite mounting critiques, extinction continues to be framed as a unidirectional problem where humans, through acts of negligence and intent, lead nonhuman species to their demise. In addition to universalizing the actors and processes involved, unidirectional approaches overlook the ways nonhuman beings participate in the extinction of others and the ways extinction continues to impact multispecies communities long after the violent event or the death of an endling. With its focus on how nonhuman animals experience and navigate violence, the field of critical animal studies can illustrate how nonhuman animals contribute to extinction events and how extinction unfolds across distinct …

A Material Stratum: Black Bodies And Environmental Exploitation In Edward P. Jones' The Known World, Julia Woodward

The Quiet Corner Interdisciplinary Journal

This paper seeks to reckon with the entwined realities of black lives, environmental degradation, and the Anthropocene through engagement with Edward P. Jones’ 2003 novel The Known World and Kathryn Yusoff’s recent critical work on the Black Anthropocenes. Yusoff contends that, “Literally stretching black and brown bodies across the seismic fault lines of the earth, Black Anthropocenes subtend White Geology as a material stratum,” (xii). This paper will examine the ways in which Yusoff and Jones are in conversation, and try to elucidate the ways in which the Anthropocene is both built upon and a harbinger of mass death. How …

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

Color And Descriptors To See A Deeper Meaning In "Passing", Dani Szafran

Anthós

A small glimpse into the novel “Passing” by Nella Larsen. A fictional story of Irene Redfield, a black woman living in Harlem during the Harlem Renaissance in the 1920s, and her unraveling life brought on by a chance meeting of an old friend. This is a look at the latent lesbian feelings as shown by the use of descriptive words to paint a picture of a desire that was forbidden during those times.

Scenes Of Slavery And The 'Chinee' In Uncle Remus And A Minstrel Picture Book, Caroline H. Yang

Research on Diversity in Youth Literature

No abstract provided.

Between Laughter And Tears: Topsy's Performance In Harriet Beecher Stowe's Uncle Tom's Cabin, Jewon Woo

Research on Diversity in Youth Literature

No abstract provided.

Editors' Introduction, Brigitte Fielder, Katrina Phillips

Research on Diversity in Youth Literature

No abstract provided.

Priscilla Layne. White Rebels In Black: German Appropriation Of Black Popular Culture. U Of Michigan P, 2018., Mona Eikel-Pohen

Studies in 20th & 21st Century Literature

Review of Priscilla Layne. White Rebels in Black: German Appropriation of Black Popular Culture. U of Michigan P, 2018. ix + 259 pp.

Green Thumbs: Cultivating Greenery And Personal Freedoms In Miné Okubo’S Citizen 13660 And Lorraine Hansberry’S A Raisin In The Sun, Akasha L. Khalsa

Conspectus Borealis

In her classic 1959 play, A Raisin in the Sun, Lorraine Hansberry explores the impacts of generations of violence, exploitation, and discrimination on an African American family in Chicago’s Southside. Throughout the play, a family house plant comes to symbolize the matriarch's hopes for her children, and her ability to nourish the plant reflects on her ability to fulfil her own modest dreams and provide for the dreams of her progeny. Similarly, we see plants fulfilling the same role in another tale of American racial injustice, namely Miné Okubo’s Citizen 13660, an illustrated personal account of the artist’s experience …

Bodily Evidence: Racism, Slavery, And Maternal Power In The Novels Of Toni Morrison, Jonathan Garren

South Carolina Libraries

Jonathan Garren reviews Bodily Evidence: Racism, Slavery, and Maternal Power in the Novels of Toni Morrison by Geneva Cobb Moore.

The Bioethical Significance Of “The Origin Of Man’S Ethical Behavior” (October 1941, Unpublished) By Ernest Everett Just And Hedwig Anna Schnetzler Just, Theodore Walker Jr.

Journal of the South Carolina Academy of Science

Abstract –

E. E. Just (1883-1941) is an acknowledged “pioneer” in cell biology, and he is perhaps the pioneer in study of egg cell fertilization. Here we discover that Just also made pioneering contributions to general biology and evolutionary bioethics.

Within Just’s published contributions to observational cell biology, there are substantial fragments of his theory of ethical behavior, a theory with roots in cell biology. In addition to such previously available fragments, Just’s fully developed theory is now available. This recently discovered unpublished book-length manuscript argues for the biological origins of ethical behavior (evolving from cells to humans, within a …

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

Jet Magazine: Celebrating Black Female Beauty, Jazmyn Shepherd

XULAneXUS

Once referred to as, “the Negro bible” by famed actor and comedian Redd Foxx^[1], Jet has continued to be a pioneer in representing Black Americans as beyond the stereotypes to which they are so often relegated. The magazine has not only provided accurate coverage throughout momentous Black historical movements such as the Civil Rights Movement in the 1950s, the Black is Beautiful movement of the late 1960s, and the Natural Hair Movement of the 2000s, but it has also catered to the daily interests of Black Americans, such as fashion and beauty, lifestyle advice, dating advice, politics, health …

"A Dark, Abiding, Signing Africanist Presence" In Walker Percy’S Dr. Tom More Novels, David Withun

The Coastal Review: An Online Peer-reviewed Journal

Many of the tropes, commonplaces, symbols, and values used and reflected by American literary works written by white authors, as Toni Morrison writes, are “in fact responses to a dark, abiding, signing Africanist presence.” The black/white racial binary and racial différance that mark this presence inform the use of racialized characters as signifiers in the novels of Walker Percy. In the Dr. Tom More novels Love in the Ruins and The Thanatos Syndrome, Percy adopts racial symbolism as a means toward his critique of the American notion of “the pursuit of happiness.” In Love in the Ruins, Percy …

More Than Skin-Deep: Reading Past Whiteness In Hemingway’S “Hills Like White Elephants”, Laura Valeri

Journal of Creative Writing Studies

The author argues a much neglected element in the seminal Hemingway's story "Hills Like White Elephant." Reading the story by taking into context a subtext of racial bias lends new interpretation to the story.

Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure

Studies in 20th & 21st Century Literature

Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.

The Fluid Pastoral: African American Spiritual Waterways In The Urban Landscapes Of Harlem Renaissance Poetry, Maren E. Loveland

Criterion: A Journal of Literary Criticism

In 1921 Langston Hughes penned, “My soul has grown deep like the rivers” in his poem “The Negro Speaks of Rivers” (Hughes 1254). Weaving the profound pain of the African American experience with the symbolism of the primordial river, Hughes recognized the inherent power of water as a means of spiritual communication and religious significance. Departing from the traditional interpretation of the American pastoral as typified by white poets such as Robert Frost and Walt Whitman, the African American poets emerging from the Harlem Renaissance established a more nuanced pastoral landscape embedded within urban cultures, utilizing water in particular as …

Book Review - Jim Crow, Literature, And The Legacy Of Sutton E. Griggs, Michael K. Law

Georgia Library Quarterly

No abstract provided.

Unhealed Cultural Memories: Styron’S Nat Turner, Shaun O'Connell

New England Journal of Public Policy

William Styron’s The Confessions of Nat Turner, a novel about the leader of a slave rebellion in Virginia in 1831, was highly praised after its publication in 1967. Then African American essayists in William Styron’s Nat Turner: Ten Black Writers Respond took issue with the novel and rejected Styron’s asserted right to reimagine Nat Turner’s life and to assume his voice, claiming their rights of racial heritage and historical accuracy to castigate Styron for his offensive presumption. That distant argument of unshared assumptions and crossed purposes between high-minded and hypersensitive artists and intellectuals of another day may throw refracted …

Ideal Objects: The Dehumanization And Consumption Of Racial Minorities In Joyce Carol Oates's Zombie, April D. Pitts

Bearing Witness: Joyce Carol Oates Studies

This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oates's novel, Zombie (1995). It argues that in Zombie, white social status is depicted as dependent upon the dehumanization and consumption of racial minorities.

The City Is Full Of Bugs, Michael Stanley

The Downtown Review

This essay explores the use of symbolism and metaphor in Ralph Ellison’s Invisible Man, focusing on a particular scene inside Mary Rambo’s apartment in the middle of the novel. The use of symbolism in the novel is extensive, and many objects and characters serve as metaphors for social classes and groups, and often these representations also function as direct satire for various political groups, folkways, and the expectations or prejudices of the time period in which the novel is set. The objects and events that take place in Mary Rambo’s apartment go beyond symbolism to include a forecast of …

Le Mélange Of Francophone Culture In William Wells Brown’S Clotel, Sandra Andrade

Undergraduate Review

In Clotel; Or, The President’s Daughter, William Wells Brown argues that for fugitive African American slaves France represented freedom. This connection between African Americans and France that is familiar to many Americans in the twentieth century was existent at the time of Brown’s own escape. The Francophone culture became a major motivator in the author’s personal life and also in his writings. This project covers many themes, including the “tragic mulatta”, American identity, American freedom and slavery, and explores readings from Anna Brickhouse’s Transamerican Literary Relations and the Nineteenth-Century Public Sphere, and Eve A. Raimon’s The Tragic Mulatta …

Inside The American Stratification System: Imageries From The Black Writers, Clinton M. Jean

Trotter Review

The following paper was given at a seminar, "Teaching African-American Literature," at the Center for Literary and Cultural Studies of Harvard University in April 1991. The paper addresses several questions. If social science, as a matter of scientific principle, must choose to avoid ethical conclusions, do black novelists, poets, and essayists help fill the ethical void? But then, are they objective enough?

Commentary: Trotter Review, Vol. 1, Issue 2, Wornie L. Reed

Trotter Review

This issue of the Trotter Institute Review is devoted to the portrayal of blacks in the media. The mass media can be a positive or negative force in the struggle for racial progress. Unfortunately, the black community faces media that provide many negative influences. Consequently, there is a continuing need to address this issue.

The mass media is a major instrument of socialization in the American society. As such, it helps to determine how an individual sees the world. The prevailing definitions of social reality and social problems, as well as the characterization of groups of individuals, are learned through …

Reel Blacks: Everything Is Not Satisfactual, Patricia A. Turner

Trotter Review

An unaccompanied black adult female at a matinee performance of Song of the South is about as out of place as Big Bird at a cockfight. However, having encouraged the students in my course on black media images to see the film during its fortieth anniversary run, I felt obligated to reexamine it myself. So there I sat, surrounded by exuberant white pre-schoolers and their parents, watching as animation and live action seamlessly interchanged on the screen in Walt Disney’s adaptation for Joel Chandler Harris’ classic collection of Afro-American folktales.