African American Studies Commons^™

Still Waiting: An Analysis Of The Permeation Of Racial Stereotypes In Top-Grossing Black Romance Films From The 1960s To The 2000s, Jasmine Boyd-Perry

Honors College Theses

In this study, I compare how films portray relationships involving Black people, over the course of 5 decades. I do this by analyzing the characters and relationships in the top-grossing film from each decade (1960’s through 2000’s), that have a focus on Black love. I started this journey curious about how the silver screen portrayed how Black people loved romantically. As a person who regularly frequents my local major movie theatre, I had become tired of only seeing Black actors in comedies, Black men in drag and buddy dramas. I also grew tired of the sappy love stories featuring White …

'People Want To See What Happened': Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell L. Thomas

American Studies Faculty Publication Series

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith E. Smith

American Studies Faculty Publication Series

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with the civil rights insurgency and benefited from input from activists. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young.

This essay argues that the film’s unusual attention to labor …

Introduction, Wornie L. Reed

Trotter Review

The mass media can be a positive or negative force in the struggle for racial progress. Unfortunately, the black community faces media that provide many negative influences. Consequently, there is a continuing need to address this issue.

In the articles in this issue of the Trotter Review we examine the current representation of blacks in the news media and representations of blacks in history through the entertainment media.

Consequences Of Racial Stereotyping, Wornie L. Reed

Trotter Review

What are the consequences of negative portrayals of blacks? As mentioned in the previous articles, the media help to provide definitions of social reality, of social situations. Attendant upon such definitions is an implicit action orientation, a recommendation as to action appropriate to the situation.

The media are a significant factor in the ongoing battle for racial progress. While some of the battles take place in official forums (i.e., governmental institutions), other battles take place in unofficial forums such as newspapers, television, radio, movies, books, and magazines. These should not be taken lightly; there is ample evidence that individuals act …

Reel Blacks: A Kinder, Gentler Fbi, Patricia A. Turner

Trotter Review

Revisionist interpretations of the Federal Bureau of Investigation's (FBI) role in enforcing civil rights legislation and its monitoring of black activists have proliferated during the last decade. Agents of Repression: The FBI's Secret Wars Against the Black Panther Party and the American Indian Movement by Ward Churchill and Jim Vander Wall, Racial Matters by Kenneth O'Reilly, and The FBI and Martin Luther King, Jr. by David Garrow are just a few of the numerous books to chronicle the FBI's somewhat embarrassing record on race-related issues. Given this wealth of documentation in print, it is even more startling that in the …

Media Images Of Boston's Black Community, Kirk A. Johnson

Trotter Review

In their efforts to report on the forces that affect Boston's racial climate, the local media have typically focused on the more obvious institutional actors: businesses, city hall, school boards, churches, the courts, neighborhood groups. Rarely have the media themselves been subjected to the same scrutiny. This study represents one such effort. It is an analysis of the images of Boston's black community that are conveyed through the local news media. It asks the question: If a Bostonian relied solely on the local news for information about local blacks, what impressions would he or she be left with, and how …

Tainted Glory: Truth And Fiction In Contemporary Hollywood, Patricia A. Turner

Trotter Review

In the earliest days of cinema, the image of the African American on screen matched the off-screen image. When a 12-minute version of Uncle Tom's Cabin (1903) was filmed, "Tom" shows were the most popular stage shows, the Stowe novel was still a top-seller, and the notion that white southerners were the real victims of the peculiar institution was gaining increasing acceptance in academic circles. When D.W. Griffith's epic and revolutionary Birth of a Nation (1915) depicted a set of stock African-American movie characters — the subservient overweight domestic servant; the indifferent, coquettish mulatto; the savage, sexually driven buck; and …

Reel Blacks: The Good Old Days, Patricia A. Turner

Trotter Review

Like most of my colleagues engaged in film studies rather than film practice, I occasionally allow myself to fantasize about the kind of films I would produce if I were a film maker. Several commercial films popular in the last fifteen years have inspired in me a bare bones scenario. My movie would have an all black “ensemble” cast. The plot would contain flashbacks tracing the events in the characters’ adolescence that solidified their friendship. These flashbacks would be punctuated by rhythmless music performed by white artists, Although no hint of “soul” would be tolerated on my movie’s soundtrack, my …

Commentary: Trotter Review, Vol. 1, Issue 2, Wornie L. Reed

Trotter Review

This issue of the Trotter Institute Review is devoted to the portrayal of blacks in the media. The mass media can be a positive or negative force in the struggle for racial progress. Unfortunately, the black community faces media that provide many negative influences. Consequently, there is a continuing need to address this issue.

The mass media is a major instrument of socialization in the American society. As such, it helps to determine how an individual sees the world. The prevailing definitions of social reality and social problems, as well as the characterization of groups of individuals, are learned through …

Media Images And Racial Stereotyping, Kirk A. Johnson

Trotter Review

To better understand how the local media portray Boston's black community, I monitored news reports from a sample of newspapers and radio and television stations for one month during the summer of 1986. I noted the roles blacks played, the activities blacks were shown to be engaged in, and the events that brought blacks into the news. By comparing the portrayal of blacks in Boston's major media with portrayals in the black media, I sought to understand the criteria that reporters and editors use to judge the newsworthiness of items relating to the black community, and to determine whether (and …

Reel Blacks: Blacks In Disguise, Patricia A. Turner

Trotter Review

Gremlins and Little Shop of Horrors are very likeable films. The former is rather charming, and the latter is one of the most originally-rendered musicals ever produced. Indeed, it is the positive surface of the films that makes their underlying message so insidious. Fortunately, the final twist common to both films can give solace to the viewer who would like to see the disguised blacks triumph. At the end of Gremlins the original Mogwi is still alive, albeit back in the capable hands of the mysterious Chinese man, and Little Shop closes as the camera follows Seymour and Audrey into …

Editor's Note: Trotter Review, Vol. 1, Issue 1, Wornie L. Reed

Trotter Review

This edition of The Trotter Institute Review addresses issues in economics and the entertainment media. Topics include employment, affirmative action, income, and the black experience as presented in movies. The articles address these concerns at what may be a critical point in race relations in the United States. At a time when the national mood suggests that civil rights and economic opportunities have been provided sufficiently to blacks and that nothing further needs to be done, these articles suggest how far we have to go before that is a reality.

Reel Blacks: Everything Is Not Satisfactual, Patricia A. Turner

Trotter Review

An unaccompanied black adult female at a matinee performance of Song of the South is about as out of place as Big Bird at a cockfight. However, having encouraged the students in my course on black media images to see the film during its fortieth anniversary run, I felt obligated to reexamine it myself. So there I sat, surrounded by exuberant white pre-schoolers and their parents, watching as animation and live action seamlessly interchanged on the screen in Walt Disney’s adaptation for Joel Chandler Harris’ classic collection of Afro-American folktales.