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Full-Text Articles in African American Studies

Fearless Friday: Jasmine Matos, Jasmine S. Matos Jan 2016

Fearless Friday: Jasmine Matos, Jasmine S. Matos

SURGE

This week Surge is honored to highlight Jasmine Matos for Fearless Friday!

Originally from the Bronx in NYC, Jasmine is here at Gettysburg majoring in Health Sciences and minoring in Women, Gender, and Sexuality Studies. She now finds herself in her last semester at Gettysburg College and is trying to make the most of it. She’s the Captain of B.O.M.B. Squad, a member of the Black Student Union (BSU), a member of the Latin American Student Association (LASA), and she works in the Admissions Office. [excerpt]


The Killing Of An ‘Angry Black Woman’: Sandra Bland And The Politics Of Respectability, Victoria D. Gillon Jan 2016

The Killing Of An ‘Angry Black Woman’: Sandra Bland And The Politics Of Respectability, Victoria D. Gillon

Eddie Mabry Diversity Award

On July 13th, 2015, 28-year-old Sandra Bland was pulled over by a police officer in Waller County, TX, for failure to signal a lane change. Around six minutes later, Bland was being slammed and handcuffed to the ground. What happened in these six minutes that caused a minor traffic violation to escalate to what would later be three days in jail, concluding with Bland’s death? Hundreds of years of significations towards black women led to Sandra Bland’s arrest. However, at a time when Bland was perceived to be at her most vulnerable, she resisted. By intentionally not putting ...


"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner Jan 2012

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers ...