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Full-Text Articles in African American Studies

Defending Eulalie, Mimi Ayers Dec 2018

Defending Eulalie, Mimi Ayers

University of New Orleans Theses and Dissertations

No abstract provided.


Place Of Joyful Gathering: The Story Of Cleveland's Karamu House, Jacey Kepich Oct 2018

Place Of Joyful Gathering: The Story Of Cleveland's Karamu House, Jacey Kepich

Researchers, Instructors, & Staff Scholarship

Recognized as the oldest active African American theater in the United States, Karamu House is truly a ‘Cleveland collection’. Portions of its history are housed in several institutions: the Cleveland Public Library, Western Reserve Historical Society, and Cleveland State University. In 2021 Karamu donated its administrative and programmatic archives to Case Western Reserve University’s Kelvin Smith Library. CWRU is home to one of the first academic theater programs in the country, and given that the Karamu materials will live alongside KSL’s archives of Playhouse Square – a venerable institution that dominates the cultural spotlight – KSL will help make Karamu’s …


Strange Fruit: Black Female Body Politics In Contemporary American Culture, Eleanor Kipping Sep 2018

Strange Fruit: Black Female Body Politics In Contemporary American Culture, Eleanor Kipping

Electronic Theses and Dissertations

The African American Civil Rights movement of the 1950s and 60s was an organized effort by and for Black American populations to receive equal treatment by law. Its legacy has much reason to be celebrated: not only for its accomplishments and successes in unifying the Black community but also in bringing issues of segregation, violence, and racial discrimination to the forefront of the public’s attention. The decade was a pivotal point in contemporary race relations, and served as an apex in attempts to bridge America’s past and what America is striving to become. Today however, the social and political climate …


African American Performers In Stalin’S Soviet Union: Between Political Promise And Racial Propaganda, Christopher E. Silsby Sep 2018

African American Performers In Stalin’S Soviet Union: Between Political Promise And Racial Propaganda, Christopher E. Silsby

Dissertations, Theses, and Capstone Projects

In the first half of the twentieth century, a significant number of African Americans left the United States for the promise of racial and economic equality in the supposedly class-less society of a post-Revolution Soviet Union. This dissertation uses a series of interrelated case studies to contextualize the theatrical work of Paul Robeson, jazz dancer Henry Scott, actor Wayland Rudd, and the 1955-56 international tour of Porgy and Bess within the overlapping social, political, and aesthetic landscapes of African American and Soviet performance in Moscow during the rise and height of Stalinism.

Starting with an overview of race in the …


The Creation And Development Of Rise, Paul Randall Mcinnis May 2018

The Creation And Development Of Rise, Paul Randall Mcinnis

Graduate Theses and Dissertations

In “The Creation and Development of Rise”, I will explain how my play evolved from the initial writing process until the actual production of the show. The Department of Theatre allows students to experience the development of new work through the functions of the classroom. The goal is to simulate how a process would occur in the professional world. The purpose of this thesis is to explore the journey of creation within Rise. Rise tells the story of the community of St. Marie, Louisiana during Mardi Gras, 1972. The play highlights the city’s triumphs and downfalls, and it is set …


"I'S Not So Wicked As I Use To Was:" The Interplay Of Race And Dignity In Nineteenth-Century American Drama And Blackface Minstrelsy, Sam Volosky Apr 2018

"I'S Not So Wicked As I Use To Was:" The Interplay Of Race And Dignity In Nineteenth-Century American Drama And Blackface Minstrelsy, Sam Volosky

HON499 projects

Blackface was an extremely popular and pervasive performance type unique to nineteenth century American performance. For years, the black characters of Uncle Tom’s Cabin and The Octoroon were played by white actors in blackface makeup whereas mixed-raced characters were presented as white. These two plays, each having played a role in affecting public opinion toward slavery, do not stand out from the tradition of blackface minstrelsy and, subsequently, take part in subjugating black entertainers in the realm of theatre as well as society. The playwrights borrowed conventions of contemporary theatrical performance in order to cater to the tastes of their …


The Making Of A Raisin In The Sun, Judith E. Smith Jan 2018

The Making Of A Raisin In The Sun, Judith E. Smith

American Studies Faculty Publication Series

Lorraine Hansberry’s play A Raisin in the Sun premiered on the Broadway stage in January 1959 just as the edifice of national segregation was cracking open. Response to the momentous 1954 Supreme Court decision in Brown v. Bd. of Education included both the important early challenges to long-accepted practices of white supremacy and the intensified mobilization of widespread white defiance to the ruling. Black Bus boycotters in Montgomery, Alabama, and their young minister leader, Martin Luther King, Jr., and Black high school students attempting to attend Little Rock’s Central High and their families faced organized harassment and dangerous forms …


Ua1c6/7 Entertainment Photos, Wku Archives Jan 2018

Ua1c6/7 Entertainment Photos, Wku Archives

WKU Archives Collection Inventories

Images of entertainment events.


Radical Black Drama-As-Theory: The Black Feminist Dramatic On The Protracted Event-Horizon, Jaye Austin Williams Jan 2018

Radical Black Drama-As-Theory: The Black Feminist Dramatic On The Protracted Event-Horizon, Jaye Austin Williams

Faculty Journal Articles

In this essay, I elaborate my present project, grounded in what I call drama theory, the critical theoretical dimensions of dramatic writing, and address the deeply troubling intramural tensions across Black Studies, between those who read blackness, and black cultural production, through largely futurist, celebratory lenses; and those who apply a structural analysis to blackness as the site against, upon, and through which the world coheres its soci(et)al apparatuses and machinations. I situate myself within the latter constellation, and sample here two plays by Suzan-Lori Parks to demonstrate how I translate the analyses of antiblack violence by black feminist …