African American Studies Commons^™

"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson

School of Professional and Continuing Studies Faculty Publications

This essay explores the trope of the wilderness in the slave spirituals, arguing that it functions to recreate symbolically the natural landscape into which slaves regularly took refuge in order to elude white surveillance. Drawing on a variety of sources, it considers the unique surveillance culture in the antebellum South, its effect on the everyday lives of the slaves, and the ways in which the slaves used their natural surroundings to avoid it. It then uses a close analysis of the song "Go in the Wilderness " as a point of departure for a broader discussion of the way the …

Whence Comes Black Art?: The Construction And Application Of “Black Motivation”, Derrell Acon

Lawrence University Honors Projects

George Schuyler, in his tragically misguided 1926 essay for The Nation magazine, “The Negro-Art Hokum,” suggests that the only difference between Blacks and Whites is the color of skin, and that both races experience the same social, psychological and educational forces in America. He blatantly disregards American racism and inequality, and in his attempt to put forth his advocacy of color-blindness he merely projects and perpetuates the most racist of ideals within our country. Schuyler views the concept of Black Art very narrowly and insists on the impossibility of such an idea because of the supposed Americanness of the art. …

Detroit Blues Women, Michael Duggan Murphy

Wayne State University Dissertations

ABSTRACT

DETROIT BLUES WOMEN

by

Michael Duggan Murphy

August 2011

Advisor: Dr. John J. Bukowczyk

Major: History

Degree: Doctor of Philosophy

"Detroit Blues Women" explores how African American "women's blues" survived the twentieth century relatively unscripted by the image-makers of the male-dominated music industry. In the 1920s, African American blues queens laid out a foundation for assertive and rebellious women's blues that the many musical heirs who succeeded them in the twentieth century and into the first decade of the twenty first century sustained, preserved and built upon. The dissertation argues that women's blues, which encouraged women to liberate themselves …

What Child Is This?: Closely Reading Collectivity And Queer Childrearing In Lackawanna Blues And Noah’S Arc, Vincent L. Stephens

Vincent L Stephens

Increasing hostilities toward intimate change are rooted in longstanding affective investments in a sexual normativity that oppresses multiple strands of intimacy, including African American kinship networks and same-sex coupling. Since homosexuality is always racialized sexuality and African American kinship patterns have always been marginal by U. S. heteronormative standards, the present essay unmasks the ways sexual normativity has obscured collectivity as a resistive strategy in the lives of two "alternative" intimate groups with important overlaps, black gay and lesbian communities and African American extended families. The essay interrogates sexual normativity by defining and affirming the relevance of black collectivity to …