African American Studies Commons^™

Jazz Sampling Hip Hop: A View Of The Expanded Rhythm Section And The Musical Interactions Between Musicians And Machines, Molly Kaylynn Redfield

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a study on a musical fusion that I term “jazz/hip hop.” The study presents a historical overview of jazz/hip hop origins beginning with 1960s beat poets to jazz/hip hop artists emerging in the early 2000s. Modeled after Phillip Tagg’s and John Fiske’s semiotic methodology and William C. Banfield’s African American Cultural Theory and Heritage Model, the methodology defines the musical and cultural aesthetics of jazz/hip hop. Interviews from jazz/hip hop artists are presented; justifying the use of hip-hop aesthetics and countering the argument that commercial elements are added for mainstream recognition. I examine that samples musically interact …

A Performance Analysis Of Dorothy Rudd Moore's Sonnets On Love, Rosebuds, And Death, Cordelia Elizabeth Anderson

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this document is to evaluate Dorothy Rudd Moore’s Sonnets on Love, Rosebuds, and Death through a performance analysis, and to discuss the significance of the Harlem Renaissance in relation to the song cycle. Moore used seven reputable poets from the Harlem Renaissance to compile this song cycle. The poets are Alice Dunbar Nelson, Clarissa Scott Delany, Gwendolyn Bennett, Langston Hughes, Arna Bontemps, Countee Cullen, and Helene Johnson. A few of them were a part of the core group that spurred this powerful movement. The Harlem Renaissance was a flourishing time in American history when African Americans felt …

Image, Narrative, & Concept Of Time In Valerie Capers's Song Cycle Song Of The Seasons, Lillian Channelle Roberts

UNLV Theses, Dissertations, Professional Papers, and Capstones

Once I was a classical pianist, then I was a jazz pianist, but now I’m a pianist – No label. And in my writing, I’m not concerned with any particular style. I’ve found that if you have musical groundwork and some idea of the emotional impact the music should have, the musical style will hang together.

—Valerie Capers

Primarily known as a renowned jazz pianist, Valerie Capers is a blind, African-American woman composer who defied all odds by becoming the first blind graduate of The Juilliard School. Dr. Capers also became valedictorian of the New York Institute for the Education …

An Examination Of The Compositional Style Of Dorothy Rudd Moore And Its Relationship To The Literary Influence Of Langston Hughes, Latoya Andriel Lain

UNLV Theses, Dissertations, Professional Papers, and Capstones

Dorothy Rudd Moore, born in 1940, grew up during a period in American history where many of the principles upon which this country was founded were denied to African - Americans. It was a time when black people in this country, amidst a struggle, were fighting for the basic human rights afforded to whites. In addition to protests, marches, and speeches, black artists used the power of artistic expression to communicate anger at the racial climate in America. Writers, dancers, actors, and musicians all used their various genres as platforms to speak out against inequality. Dorothy Rudd Moore and Langston …