Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in African American Studies
Womxn Of Color In Print Subculture: 1970-2018, Lenora Yee
Womxn Of Color In Print Subculture: 1970-2018, Lenora Yee
Summer Research
My research is rooted in the archival analysis of primary alternative print mediums produced by womxn of color collectives. Through the exploration of numerous databases and archives, I analyzed and explored the different ways in which the written word was, and continues to be, utilized by womxn of color as a site for activism. Focusing on the work of five different womxn of color collectives spanning from 1970-2018, I evaluated works by the collectives Asian Lesbians of the East Coast (ALOEC), Las Buenas Amigas (LBA), The Groit Press (African Ancestral Lesbians), the book #NotYourPrincess Voices of Native American Women and …
Study Guide For United In Anger: A History Of Act Up, Matt Brim
Study Guide For United In Anger: A History Of Act Up, Matt Brim
Open Educational Resources
The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.
Rhythms Of Rebellion: Artists Creating Dangerously For Social Change, Susan J. Erenrich
Rhythms Of Rebellion: Artists Creating Dangerously For Social Change, Susan J. Erenrich
Antioch University Dissertations & Theses
On December 14, 1957, after winning the Nobel Prize for literature, Albert Camus challenged artists attending a lecture at the University of Uppsala in Sweden to create dangerously. Even though Camus never defined what he meant by his charge, throughout history, artists involved in movements of protest, resistance, and liberation have answered Camus’ call. Quite often, the consequences were costly, resulting in imprisonment, censorship, torture, and death. This dissertation examines the question of what it means to create dangerously by using Camus’ challenge to artists as a starting point. The study then turns its attention to two artists, Augusto Boal …