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Articles 1 - 6 of 6
Full-Text Articles in African American Studies
When Communities Fall: A Critical Analysis Of Toni Morrison's Sula, Sami Saigh
When Communities Fall: A Critical Analysis Of Toni Morrison's Sula, Sami Saigh
Rushton Journal of Undergraduate Humanities Research
When women dare to self-actualize they frequently face barriers that tear their spirits down, leading to guilt, shame, and feelings of inadequacy. For the lineage of women in Toni Morrison’s Sula, these consequences are fatal for everyone. As these factors thwart fundamental social development, communal collapse becomes easier, leaving entire cultures vulnerable to erasure. Whether self-determination is expressed through promiscuity or properness, paradoxical moralism leaves no room for either. This essay explores how Morrison offers a retrospective look from the graveyard of a town while illustrating the impact of the loss of friends, lovers, and communities.
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
Theses and Dissertations
The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …
Representations Of Hustling Women: The Figure Of The Black Sex Worker In Ann Petry’S The Street And Louise Meriwether’S Daddy Was A Number Runner, Deborah L. Uzurin
Representations Of Hustling Women: The Figure Of The Black Sex Worker In Ann Petry’S The Street And Louise Meriwether’S Daddy Was A Number Runner, Deborah L. Uzurin
Dissertations, Theses, and Capstone Projects
This thesis provides a close reading of Ann Petry’s The Street (1946) and Louise Meriwether’s Daddy Was a Number Runner (1970) by analyzing how these two black women authors wrote about sex work and black women sex workers in their novels. Black women writers in the mid-twentieth century were reluctant to write about black women’s sexuality as a result of discourses of racial uplift that rejected the white supremacist stereotype of the hypersexual black woman. While not the focus of their novels, the inclusion of sex workers in their fictional narratives provide a complicated representation of a particular form of …
Perhaps A Black Girl Rolls Her Eyes Because It's One Way She Attempts To Shift Calcified Pain Throughout Her Body, Fahima Ife
Occasional Paper Series
This essay describes a unique undergraduate survey of African American literature—titled "Black Girl Magic Across Time & Space"—designed to celebrate rather than punish expressive Black girlhood and womanhood.
Stories Written On Concrete: Understanding And (Re)Imagining Street Lit And Culture, 1990-2007, Jacinta Saffold
Stories Written On Concrete: Understanding And (Re)Imagining Street Lit And Culture, 1990-2007, Jacinta Saffold
Doctoral Dissertations
“Stories Written on Concrete: Understanding and Re-imagining Street Lit and Culture, 1990-2007,” coalesces around stories of urbanity and coming of age at the turn of the twenty-first century. As the Hip Hop generation reflected on the social, economic, and cultural shifts of the 1980s and 1990s, they took up paper and pen to immortalize the conflicting duality of the gritty and glamorous experience of growing up on a concrete cityscape in America. I interrogate how street lit disrupts normative literary representations of black life in print. Specifically, I consider how urban fiction writes against the African American literary canon in …
The Black Maternal And Cultural Healing In Twentieth Century Black Women's Fiction, Paula Wingard White
The Black Maternal And Cultural Healing In Twentieth Century Black Women's Fiction, Paula Wingard White
Graduate Theses and Dissertations
This work examines representations of maternal relationships between black women in five contemporary novels: Their Eyes Were Watching God by Zora Neale Hurston, Sula by Toni Morrison, The Salt Eaters by Toni Cade Bambara, The Color Purple by Alice Walker and Louisiana by Erna Brodber. Rather than situating the origins of black feminist literary studies during the Black Women’s Literary Renaissance of the 1970s and 1980s, I argue that Hurston’s work shapes contemporary black feminist literary studies. In Their Eyes Were Watching God, Nanny provides a mothering archetype that inspires a dominant theme and practice—the black maternal, within contemporary black …