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Full-Text Articles in African American Studies

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart Apr 2022

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …


Alice, Sheila J. Nayar Apr 2022

Alice, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Alice (2022), directed by Krystin Ver Linden.


Blindspotting And Covid: The Gentrification Of Racism, Ashley Starr-Morris Oct 2021

Blindspotting And Covid: The Gentrification Of Racism, Ashley Starr-Morris

Journal of Religion & Film

The novel Coronavirus is not only exposing old patterns of racism and systemic inequalities, but deepening them as well. The notion of blindspotting, as described in the film by the same name, is used to understand how the COVID-19 pandemic impacts the “spiritual emergency” or crisis of racism in America. "Blindspotting" is an image or situation that can be interpreted in two ways but is understood by some in only one way, thereby producing a blind spot. In 2020 and 2021, we see segments of American society, from politics to white Christian nationalism, upholding a sacred canopy of exceptionalism by …


Run Sweetheart Run, Jodi Mcdavid Jan 2020

Run Sweetheart Run, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Run Sweetheart Run (2020) directed by Shana Feste.