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Full-Text Articles in African American Studies

Hair Is The Root Of A Revolution: How Black Women Are Embracing Their Identity With Hair, Shanel Dawson Dec 2017

Hair Is The Root Of A Revolution: How Black Women Are Embracing Their Identity With Hair, Shanel Dawson

Capstones

For years, black women have been demeaned for their features; their noses, complexions and hair. Straight hair and wavy hair have been considered “good hair.” And for centuries these ideas have been perpetuated by images in the media, cultural messages and even policies in schools and professional settings.

Today black women, nationwide, are rejecting straightening chemicals and embracing their natural hair as a point of pride. I spoke with several black women who are attempting to distance themselves from these negative narratives by honoring their roots.

For black women in America, hair has been the easiest way to connect on …


Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths Jun 2017

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …


Black Models Matter: Challenging The Racism Of Aesthetics And The Facade Of Inclusion In The Fashion Industry, Scarlett L. Newman Jun 2017

Black Models Matter: Challenging The Racism Of Aesthetics And The Facade Of Inclusion In The Fashion Industry, Scarlett L. Newman

Dissertations, Theses, and Capstone Projects

The global fashion market is expanding every day, but often, the global fashion runways do not reflect that reality. On average, black models make up for six percent of models used on the runway during the fashion month calendar. This small percentage is also mirrored in advertisements and editorials featured in popular fashion magazines. In the 1970s, black models were met with great opportunities, and that success trickled down into the 1980s and the 1990s. As the 90s came to a close, top designers opted for an aesthetic that ultimately excluded models of color, but black models beared the brunt …


Gubernamentalidad Espacial Y Agencia Criminal Negra En Cali Y São Paulo: Aproximaciones Para Una Antropología 'Fuera De La Ley.', Jaime Alves Apr 2017

Gubernamentalidad Espacial Y Agencia Criminal Negra En Cali Y São Paulo: Aproximaciones Para Una Antropología 'Fuera De La Ley.', Jaime Alves

Publications and Research

En los últimos años realicé visitas semanales a la cárcel, participado en reuniones mensuales de rendición de cuentas de la policía comunitária, “parchado” con los pandilleros en las “ollas”, entrevistado a las madres de los jóvenes negros asesinados por la policía o por otros jóvenes en las guerras sin fin entre pandillas. A lo largo de mi experiencia etnográfica, he tenido la “oportunidad” de escuchar varios relatos de horror, como por ejemplo las prácticas de “Los Matadores”, el escuadrón de la muerte compuesto por policías en la zona sur de São Paulo. Tal como lo he señalado en trabajo anterior, …


“The Monster They've Engendered In Me”: Gothic Strategies In African American And Latina/O Prison Literature, 1945-2000, Jason Baumann Feb 2017

“The Monster They've Engendered In Me”: Gothic Strategies In African American And Latina/O Prison Literature, 1945-2000, Jason Baumann

Dissertations, Theses, and Capstone Projects

Recent scholarship on American prison literature, such as Caleb Smith’s pivotal study The Prison in the American Imagination, has uncovered the power that the terrifying realities of the modern prison have had as an inspiration for the development of Gothic literature, as well as the ways that prison writers have in turn drawn upon these Gothic images. However, these scholars have considered prison writers as passively trapped by Gothic discourses that ultimately objectify them as monsters. In contrast, I will argue that African American and Latina/o prison writers in the post-war period have consciously transformed these Gothic themes in …