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Full-Text Articles in African American Studies

"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe Jan 1995

"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

English Faculty Publications

African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …


Interrogating Identity, Daniel M. Scott Jan 1995

Interrogating Identity, Daniel M. Scott

Faculty Publications

Discusses the structures of identity and the role writing plays in the reconfiguration of the self in Charles Johnson's novel `Middle Passage.' Fundamental assumptions about human and literary identity; Allusion and appropriation of textual authority; Novel's debt to preceding Western writing; Complications of Afro-American experience; Johnson's reconfiguration of writing..