African American Studies Commons^™

Neutral Ground Or Battleground? Hidden History, Tourism, And Spatial (In)Justice In The New Orleans French Quarter, Lynnell L. Thomas

American Studies Faculty Publication Series

In 2017, the city of New Orleans removed four monuments that paid homage to the city’s Confederate past. The removal came after contentious public debate and decades of intermittent grassroots protests. Despite the public process, details about the removal were closely guarded in the wake of death threats, vandalism, lawsuits, and organized resistance by monument supporters. Workers hired to dismantle the monuments did so surreptitiously under the cloak of darkness, protected by a heavy police presence, with their faces covered to conceal their identities. The divisiveness of this debate and the removal lay bare the contestation over public space, historical …

What The Tides May Bring: Political "Tigueraje" Disposession And Popular Dissent In Samaná, Dominican Republic, Ryan A. Mann-Hamilton

Dissertations, Theses, and Capstone Projects

My dissertation is a historical and ethnographic project that delves into the conflictive relationship between the development of the Dominican state and the formation of the community of the port city of Samaná. The African diasporic community of Samaná has actively constructed the local space throughout shifting political projects, while sustaining their collective voices against the waves of dispossession crashing on their shores. Using a combination of archival research, participant observation, oral history and ethnography, I document multiple instances of state intervention to understand how the Samaná community has been coerced over time to consent to these processes. I juxtapose …

'People Want To See What Happened': Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell L. Thomas

American Studies Faculty Publication Series

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

"People Want To See What Happened": Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell Thomas

Lynnell Thomas

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

Aa Ms 05 Cummings Guest House Register Finding Aid, Karin A. France

Search the Manuscript Collection (Finding Aids)

Description:

The Cummings family of Old Orchard Beach, Maine, ran a guest house from 1923 until 1993. Register in which guests signed themselves in or were signed in by staff at the Cummings Guest House, 110 Portland Ave., Old Orchard Beach, Maine. Includes signatures of family members who attended reunions after the Guest House ceased operation.

Date Range:

1923-1998

Size of Collection:

1 ft.

'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives, Lynnell L. Thomas

American Studies Faculty Publication Series

This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.

“'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives", Lynnell L. Thomas

Lynnell Thomas

This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.

Kissing Ass And Other Performative Acts Of Resistance: Austin, Fanon, And New Orleans Tourism, Lynnell L. Thomas

Lynnell Thomas

“Kissing Ass and other Performative Acts of Resistance: Austin, Fanon, and New Orleans Tourism” examines Frantz Fanon’s “Algeria Unveiled” as a reconceptualization of J. L. Austin’s theory of the performative. Austin, whose examples of the performative all assume an equal, if not harmonious, relationship, overlooks instances of incompatibility and inequality. Fanon’s post-colonial framework, on the other hand, illustrates the markedly different types of intentions, uptake, and conventions which inform the speech act in cases of extreme inequality. In these cases, the powerless and seemingly voiceless use tacitly agreed upon conventions “inappropriately” to attain what they would not be able to …

“‘The City I Used To...Visit’: Tourist New Orleans And The Racialized Response To Hurricane Katrina”, Lynnell Thomas

Lynnell Thomas

This article explores the connections between New Orleans’s late 20th-century tourism representations and the mainstream media coverage and national images of the city immediately following Hurricane Katrina. It pays particular attention to the ways that race and class are employed in both instances to create and perpetuate a distorted sense of place that ignore the historical and contemporary realities of the city’s African American population.

Cummings Guest House Register (Full), Usm African American Collection

Cummings Guest House Register

The Cummings family of Old Orchard Beach, Maine, ran a guest house from 1923 until 1993. Register in which guests signed themselves in or were signed in by staff at the Cummings Guest House, 110 Portland Ave., Old Orchard Beach, Maine. Includes signatures of family members who attended reunions after the Guest House ceased operation.

Date Range:

1923-1998

Size of Collection:

1 ft.

Provenance:

The Cummings Guest House Register belonged to the Cummings Guest House, in operation in Old Orchard Beach ME from 1923 into the 1990s. It was purchased by the University of Southern Maine’s Glickman Library, with some …