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Articles 1 - 9 of 9
Full-Text Articles in African American Studies
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
Doctoral Dissertations
This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing …
The Color Of Invisibility, Bryan A. Vanmeter
The Color Of Invisibility, Bryan A. Vanmeter
University of New Orleans Theses and Dissertations
This thesis is an analysis of Ralph Ellison’s use of color terminology in his novel, Invisible Man. By taking an in depth look at the circumstances in which Ellison uses specific color terms, the reader can ascertain the author’s thoughts on various historical events, as well as the differences between characters in the novel such as Ras, Dr. Bledsoe, and Rinehart.
The Literary Legacy Of The Federal Writers' Project, Sara Rendene Rutkowski
The Literary Legacy Of The Federal Writers' Project, Sara Rendene Rutkowski
Dissertations, Theses, and Capstone Projects
Established by President Roosevelt in 1935 as part of the New Deal, the Federal Writers' Project (FWP) put thousands of unemployed professionals to work documenting American life during the Depression. Federal writers--many of whom would become famous, including Ralph Ellison, Nelson Algren, Saul Bellow, Zora Neale Hurston, Richard Wright, Margaret Walker, and Dorothy West--collected reams of oral histories and folklore, and produced hundreds of guides to cities and states across the country. Yet, despite both the Project's extraordinary volume of writing and its unprecedented support for writers, few critics have examined it from a literary perspective. Instead, the FWP has …
Female Iconography In Invisible Man, Shelly J. Eversley
Female Iconography In Invisible Man, Shelly J. Eversley
Publications and Research
Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.
Ralph Ellison: Biography, A Yemisi Jimoh, Phd
Ralph Ellison: Biography, A Yemisi Jimoh, Phd
Afro-American Studies Faculty Publication Series
No abstract provided.
Ralph Ellison: Invisible Man, A Yemisi Jimoh, Phd
Ralph Ellison: Invisible Man, A Yemisi Jimoh, Phd
Afro-American Studies Faculty Publication Series
No abstract provided.
[Introduction To] From Within The Frame: Storytelling In African-American Studies, Bertram D. Ashe
[Introduction To] From Within The Frame: Storytelling In African-American Studies, Bertram D. Ashe
Bookshelf
The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the "frame tale" - an inside-the-text storyteller telling a tale to an inside-the-text listener - with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a "frameless" spoken voice text, to Wideman's neo-frame text of the late …
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
Publications and Research
No abstract provided.
Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine
Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine
Classical Studies Faculty Publications
As the recently published epistolary collection reveals, Ralph Ellison was an unabashed Americanist, for better and for worse. Ellison's faith in American identity and the democratic process, which is evident at the end of Invisible Man in the protagonist's determination to "affirm the principle on which the country was built [and not the men who did the violence]" (574), is again manifest in the posthumous novel, Juneteenth. According to John F. Callahan, Ellison's litearary executor, the novel celebrates "the indivisibility of the American experience" (Juneteeth xvi). James Alan McPherson (the African-American writer to whom Ellison showed a portion …